This is the CLR Podcast 353 which consists of the first part of a 4,5 hours long set by Chris Liebing, recorded live at Blitz Club / Munich on December 9th. Enjoy!

Tracklist CLR Podcast 353 I Chris Liebing - Part 1

Uto Karem - Looking Thru Shadows (Intro Mix) - Agile Recordings
Bailey Ibbs - Not Into It (Original Mix) - Night Service
Calvin Simms - Datura	
R.M.K	- Rockpool	
DJ Dextro - Equivoco (Original Mix) - KD RAW 
Luke Slater & Dubfire - The Dissent	
Michael Klein	 - Dear Majesty (Original Mix) - BLK DRP
Hatewax - Return To The Past (Original Mix) - Planet Rhythm
Angioma - Nightmare (MATRiXXMAN Remix) - Room Trax
Gabriel D'Or & Bordoy - SAW (Original Mix) - Dynamic Reflection
Misstress Barbara - Effet Karma (Christian Smith Remix) - Iturnem Music
Pfirter	- Infinity_Original [PLL017]	
Shlomi Aber - Righ 
Will Clarke - Father (R.M.K Remix) - All We Have Is Now
Klint - Forces 
Sven Väth - Nyx (PAS Deep Heet Remix) bassline - Cocoon Recordings
Shlomi Aber - Thats the way i speak (2024 rework) L2F138	
Lindsey Herbert - Getting Lost (Original Mix) - Truncate
DJ Dextro - Humana (Original Mix) - KD RAW
Dave Clarke	- Protective Custody (Mark Broom Remix)	
Simone Zino, Richey V - Volcano (Original Mix)	 - JAM
Bjarki - Ping Pong gag CL Remix 6	
Lakej	- Rivalry (Original Mix) - Nachtstrom Schallplatten
R.M.K	- 16 Bits	
Regis	- Guiltless (Original Mix)	
Sven Väth - Nyx (Planetary Assault Systems Remix) - Cocoon Recordings
The Southern - From Light to Darkness	
Roog Unit - Bash Box MASTER	
Deas	- Index (Original Mix) - Second State
Shlomi Aber - Time and Space 	
The Southern - Memories (DUB)	
Klint - All in 
Shlomi Aber, Kashpitzky - For Her (Original Mix) - Be As One

CLR Podcast 353 I Chris Liebing - Part 1

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Hatewax – a multi-genre music project by Sergei Omorokov, has quickly risen to prominence in the electronic music scene over the past few years. Known for his hypnotic, industrial, and deeply energetic sound, Hatewax has released tracks on iconic labels such as SCI+TEC, Nervous Records NY, Planet Rhythm, ARTS, and Frequenza. His music has garnered support from legendary figures in rave culture, including Joris Voorn, Dave Clarke, Chris Liebing, Nicole Moudaber, Guy J, John Digweed, Felix Kröcher, Inigo Kennedy, and Alan Fitzpatrick. Hatewax’s tracks have been featured at some of the world’s most prestigious festivals, such as Awakenings, Dekmantel and Paradigm in the Netherlands, Seismic Dance Event in Texas (USA), and Street Parade in Zurich (Switzerland). His sound is a powerful blend of driving rhythms, dark atmospheres, and raw emotion, making it a favorite among techno and house enthusiasts alike. In 2024, Sergei embarked on a musical tour of China, where his performances were met with overwhelming enthusiasm and warmth from the audience. Hatewax continues to push boundaries, delivering unforgettable experiences on dance floors around the globe. Dive into the world of Hatewax – where every track is a journey, and every beat tells a story. Feel the energy, embrace the depth, and join the movement.
info:  gethatewax@gmail.com

Amande da música eletrônica, acompanhando a evolução das características, gèneros e estilos musicais. Ao longo deste tempo nunca deixou de apreciar esta arte da música de dança, proporcionando momentos inesquecíveis, com batidas que agregam pessoas a dançar.  Independente, sempre acreditou que podia criar as suas próprias musicas, Iniciou-se na composição, masterização e produção das suas faixas. Som alternativo, com melodias, ritmos e batidas. Desde o House Melódico, House, Tech House e Tecnho.