#80 by https://soundcloud.com/theladymachine?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Podcast series by Club Rote Sonne from Munich, Germany - www.rote-sonne.com

The Lady Machine is a veteran Brazilian artist with 20 years of experience on
her belt purely as a vinyl DJ. Based on a more complex structure of rhythms
with dark underground lines of synths and textures, The Lady Machine
incorporates the spirit of techno in the twenty first century.

She stands by a deep musical research and precise technique. Her versatile
sets blend genres of techno in its many forms and when combined with her
fast, furious but tight mixing it creates a perfect atmosphere with the
dancefloor.

Over the past few years, she has cemented her name in the Berlin community through her residency at the highly-rated event Pornceptual and playing at the cities best venues. She was at the forefront of the underground electronic scene
in Brazil, before relocating to Europe and her skills have taken her around the globe over the past two decades including Asia, North America, Latin America and
numerous tours of Europe with club and festival performances across the
continent.

Since 2019, she is running her record label Unterwegs and has started to build up a strong discography of her own productions also across other labels. Her tracks have been supported by acts such as Ben Sims, Dave Clarke, Freddy K, Setaoc
Mass and many others.

THE LADY MACHINE

Rote Sonne Podcast 80 | The Lady Machine

HATE Podcast 270h with The Lady Machine

Download available.

Follow #TheLadyMachine here:
https://soundcloud.com/theladymachine
https://www.instagram.com/theladymachine/
https://www.facebook.com/theladymachineofficial

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

HATE Podcast

HATE Podcast 270

The Lady Machine

The Lady Machine - HATE Podcast 270

Audio recording of our set at the PoleGroup showcase at Human Club (Razzmatazz, Barcelona) on April 29, 2023.

The first 30 minutes of the 3 hour set were cut because of some technical issues with one of the mixers we were using, so they didn’t get properly recorded. Hope you enjoy the ride as much as we did!

Lewis Fautzi B2B Adriana Lopez @ Human Razzmatazz - 29.04.2023

TENSAL- TRESOR- ENIGMA 5 YEARS - SEP 23

REC 017 w/ Philippa Pacho

The REC series compiles outstanding performances recorded in the club throughout the year, highlighting artists representing our love for electronic music.

A look back at Philippa Pacho’s profound performance in our Room 01 at the positivesource showcase, which she co-founded hand in hand with Blue Hour. The Stockholm-born artist delivered a knife-edged vision to techno during a two-hour memorable set at her imprint night in Fuse.
 
Like a gentle hold, Philippa's narration is as tactile as poignant. Dark without being obscure, musing yet energetic, no one can doubt the decade of musicality that has flowed through her veins ever since. Drawn to sharp kicks or a few clipped vocals here and there, Philippa Pacho's mix is an invitation, or even more an exploration, to a complex and appealing inner world. A stand-out. 

▪️ Soundcloud: @philippapacho
▪️ Resident Advisor: ra.co/dj/philippapacho
▪️ Discogs: discogs.com/label/2161087-positivesource
▪️ Bandcamp: positivesource.bandcamp.com
▪️ Instagram: instagram.com/philippapacho
▪️ Facebook: facebook.com/philippapacho

Philippa Pacho — Recorded live at Fuse Brussels (16/09/23)

This is the CLR Podcast 380 with a live set by Lady Starlight, exclusively featuring original productions by herself.

Tracklist - CLR Podcast 380 I Lady Starlight (live - exclusively original tracks)

Mass
Gr16
Chapter 23
Simple Pressures
Owl-stretching Time
E12
Common Ancestor
Choose
Carboniferous
Conspecific
r-Selection 
Prism
Number Eleven
Reinforce
Endure

CLR Podcast 380 I Lady Starlight

the placebos finally kicked in (i feel nothing)

Mysteries🤫🤫🤫

Extract from a fun Sunday afternoon 3 hour DJ set with the Jaded ravers in London. Recorded live, warts 'n' all.

Amotik @ Jaded, Corsica Studios - 24.07.16

Cleric | Live @ Tresor | 27.05.18

224 HATE Podcast with Ø [Phase]

Download available.

Follow #ØPhase here:
https://soundcloud.com/ashley-phase
https://www.instagram.com/phase_modwerks/
https://www.facebook.com/ashleyphase/

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

HATE Podcast 224

Follow Ø [Phase]

Ø [Phase] - HATE Podcast 224

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.