This is the CLR Podcast 398 with a set by Greg Gow, recorded live at Vertigo / Toronto on an after party for Electric Island. Enjoy!

Support the artist:
SC: @greg-gow
IG: www.instagram.com/greggow11
Web: https://greggow.com

Track list CLR Podcast 398 I Greg Gow

1- Joy Orbison - Flight Fm- XL Recordings
2- The Southern South Vibe’s-  Kneaded Pains
3 - Mark Broom -SateLITE 2024 Mix -BeardMan
4 -Phil Berg- Devious  Phantasies- Frenzy Recordings
5- Greg Gow- Delta Waves -Unreleased
6- 2000 AND ONE - Fused- Intacto
7- Deas- Formation - Planet Rhythm
8- Dustin Zahn - Tiny Shocks-Enemy Records
9- Shlomi  Aber - The Untold- Be As One
10- S-File- Shrinkwrap-GND Records
11-Gunjack - Southside Dub- Materia
12-Gunjack- Midpanic- Materia
13- Procombo- Flux Spinner- KD RAW
14- Pan Pot- Core - Second State Audio
15- Risa Taniguchi-Wakes From Coma- CLR
16-.Earwax (IT)- Always Start Never Stop- Dolly
17- Løuis L.P.- Xcode-Planet Rhythm
18- Luigi Madonna- One Coffee- contempo
19-Endplate- Unreal-Warm Up Recordings
20- Aidan Rudd- Core Skills- Suara
21- Greg Gow- Depth Charge - Restructured

CLR Podcast 398 I Greg Gow

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Just an old raver loving good music. #ravedad

since Mei 2020 i started mixing music. more than 23 years  ago rolled in the house and techno sene for club visits.my favorite music is techno and oldskool acid so i prefer to play this .and if it is a little softer  may I play progressive house and melodic house. ideal for afters.  .  Peter.deherdt@hotmail.com.  for booking questions

noise omnivore.
.
bookings: outaspacedjs@gmail.com
.
elle fast is a DJ and promoter based in Winnipeg, Treaty 1 territory.

Unconcerned with genres and dedicated to storytelling via unusual grooves, her sets weave through assorted shades and eras of house, techno, experimental, and breakbeat, often held together by a thick bassline and/or generous helping of machine funk.

Current projects and affiliations include music for bathtubs, a mix series inviting guests to explore the dustier, downtempo corners of their collections; and 1/3 of Proper, a Winnipeg-based event series showcasing local and regional artists (with @djshael & @markgrimace).

Pronounced Saba"day"-KAH"day"

Sabadecade (Jeremie Robin), a little introverted, 90s raver, music fan, franco-metis from Winnipeg, MB.

Twitch addict since the Pandemic, you may have seen me lurking in the chat of a local Canadian DJ stream dropping emotes.
In between streams, you may find my comments in those local Canadian DJs' Soundcloud or Mixcloud while I sit and have a cigar down by the pond.

As kids my 3 yourger brothers and I would take turns being "the DJ". As we got older we loved to make mix tapes.

I've made a few digital "mixtapes" in the late 90s Sony Acid Pro Music Studio.  I now use Free software NCH MixPad.  I never did become an actual DJ, I just don't have the knack to do it live.

Here are some digital "mixtapes" I enjoyed making for you to enjoy listening...

An original raver, Mark began DJing in 1986. He started playing raves in Toronto back in 1994. Mark Grimace was part of some of the city’s most legendary original rave crews, playing everything from warehouse parties and festivals, to the city’s best clubs. Mark has also toured extensively across North America. His journey has had him sharing the stage with some of the scene’s earliest pioneers and biggest stars. 

In 2016 Mark and his family relocated to Winnipeg. He didn't skip a beat. Mark immediately became involved in Winnipeg's dance music community, both as a selector and facilitator.

Mark is just as active behind the scenes as he is behind the decks, helping bring people together to grow the community at large. Mark’s infectious energy captivates crowds wherever he goes. With over 30 years as an active and dedicated DJ, he's developed an eclectic style with top-tier technical ability. Mark's sets flow seamlessly from genre to genre, moving from broken beats to 4/4 and all points in between. Mark Grimace is as comfortable at a club or festival as he is playing at a dirty warehouse. A passionate ambassador of rave's roots music, “Mark's dedication to honoring the past while looking to the future create lasting, emotional experiences for the dancefloor. "