This is the CLR Podcast 408 with a two hours long set by Collabs 3000, recorded live at Fabrik / Madrid on December 5th 2024. Enjoy!

Support the artists:

SC: @jochempaap
IG: www.instagram.com/speedyj_jochempaap
FB: www.facebook.com/electricdeluxe

SC: @chris-liebing
IG: www.instagram.com/chris_liebing
FB: www.facebook.com/chrisliebingofficial

Track list CLR Podcast 408 I Collabs 3000 

Lewis Fautzi	- Forging New Paths (Original Mix) [Faut Section]
Slam - Volitant (Original Mix) [Soma Records]
Kr!z - Medusa [Unknown]
DEAS	- Scope [CLR]
DEAS	- The Bunker [CLR]	
DEAS - Maniac [CLR]	
DJ Dextro - Motivo 1 [CLR]	
Dubfire and Flug - Friction [CLR]	
Dubfire and Flug - Magma [CLR]	
Emmanuel Top - Turkish Bazar (CL Remake) [CLR]	
Klint - Dethroned [CLR]	
Risa Taniguchi - Wakes from Coma [CLR]	
Robert Hood	- Alpha Key (Original Mix) [M-Plant]
Shlomi Aber, Kashpitzky - Rhythm Parade (Original Mix) [Be As One]
The Southern - Particle [CLR]	
The Southern - B2Basic [CLR]	
DEAS	- Red [CLR]
Kwartz - Under Control (Original Mix) [PoleGroup]
Mark Broom & Gene Richards Jr - Average [Beard Man]
Frank Biazzi	- My House (Original Mix) [JAM]
Gary Beck - Pepper Track (Original Mix)	[Mutual Rytm]
Exium, Dynamic Forces - Rejection of influence (Original Mix) [Nheoma]
UFO95 & Rødhåd - LAVANDE 01 [240107.2] [WSNWG]
Jey Di	- Granular (Original Mix) [U.F.O. Recordings]
BØHM - Rotation Matrix [GTXVA02] [Gordo Trax]
Dan Zamani, Planet Of Drums, Tim Taylor (Missile Records)	- Planet Of Drums 4 (DJ Dextro Re Edit - 2024)	[Missile Records]
Planetary Assault Systems	 - Clap Trap [Mote Evolver]	
UFO95 - Réalité Irréelle (Original Mix) [Mord]

CLR Podcast 408 I Collabs 3000

THE WORLD IS MY DANCE FLOOR

T E C H N O 👽

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Production Date: 09.11.1970. Bonn, NRW, Germany. Male. Raver4Life. 
husband, father 'n all. just an ordinary man. in order to dance.
cosmic traveller. one love one unity.

https://www.instagram.com/we_call_it_techno_bass
https://twitter.com/callittechno

(Frankie Bones)
The techno wave is grown with the style of our own direction direct from Brooklyn. 
Essensial fun, kick and snare, make you feel it over there out in London.

Call it techno
You can feel the Bass
Call it techno,...technobass

It started in Detroit, but i had to exploit the way i hear it.
Techno house is the sound of the dance cult underground, i know you feel it.

Call it techno, you can feel the bass
Call it techno,... technobass

Hold up, wait a minute, let me put off, bass in it

In the club board, in your car, the sound will take far,
You know you feel it. Also the people overseas when they hear it

Call it techno
you can feel the bass, call it techno,....technobass

House once was innovative, but now is in a state of acid
With acid house there was a confusion over a drug abuse illusion
But i don't use it, cause i like techno, you can feel the bass.

Call it techno,... technobass

hold up, wait a minute, letme putof, bass in it.

Computer noise and pounding bass hits you in the facelike a hammer.
And now you see how we rock without the kids down the block, party people

We call it TECHNO, .... TECHNOBASS

I’m not a DJ or a producer. I’m just a long-time lover of the music and the culture. I’m particularly fond of techno and DNB, but I’m always open to hearing new artists as well as more established ones. I went to my first party in Detroit in 1989, where I saw Jeff Mills and Derrick Carter., and I’ve been hooked since that day, which has been close to 40 years.