This is the CLR Podcast 431 with a set by Chontane. Enjoy!

Support the artist:
SC: @chontane
IG: www.instagram.com/chontane
FB: www.facebook.com/chontane

Track list - CLR POdcast 431 I Chontane

Biemsix - I Know Its Demons (Interlude) [Execute Audio]
Peter Van Hoesen - Schemerzone / Voor JMH Berckmans [Vlek]
Mattia Trani - Over The Future (Ilario Alicante Remix) [PushMaster Discs]
Z.I.P.P.O - Replication [SK11]
Reeko - Saturn Sequences [Modularz]
HD Substance  - Variable Star [Methodical]
LUAR - Walls Can Listen Too [Observant]
Kenny Dahl - Absorbed By Darkness [Electric Limited]
Chontane - Unreleased [Untitled]
Terrence Dixon - Multiply [Thema]
Regent - Unreleased [Untitled]
Franz Jäger - Eva Devotion [Float]
Group Noib - Target (Daniel Lodig Remix) [Pomelo]
Petter B - Doubt [Bond]
Chontane - Unreleased [Untitled]
Peter Van Hoesen - Variables Edit 1 [Reclaim Your City]
Nastia Reigel - If So Then [Falling Ethics
Regent - Unreleased [Untitled]
Dimi Angelis + Jeroen - Sleepless [Ion]
DJ Deep - MKS1 Dub [Deeply Rooted]
Burden - Underpass [Planet Rhythm]
Setaoc Mass - Wu Wei [SK11]
PUSHMANN - One Carnival [Truncate]
Exit To Tomorrow - Open [Tar Hallow]
Psycatron - People In Glass Houses [Tresor]
Peter Van Hoesen - Force Withdrawn [Tresor]
Chontane - Unreleased [Untitled]
Nadia Struiwigh - Wind Whisper (Andy Martin Remix) [The Third Room]
Night On Earth - Anasazi [Brave New World Records]
Max Cooper -  My Choices Are Not My Own (with Tawiah and May Kaspar) [Mesh]

CLR Podcast 431 I Chontane

Un amante a la música TECHNO 🫶🏽🖤

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: mariesa@liaisonartists.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

DJ | Techno | Paris

Booking : tancarmusique@gmail.com

Ig : @_tancar

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www.solidarity-agency.com/davidkawka

David Kawka is a DJ & Producer from Bern, Switzerland with roots from Poland with over 15 years experience in music industry. I am founder of "@solidarity-music" label and hosts events in switzerland. My label is also a publisher and manage an artist mgmt. I don't play anything under 140 and my beats go from hyptnotic, raw, hard to peak time techno. Find out more about me and follow our channels.  ;-)

Love is it.  Music is Love.  Love is the answer. Music is the answer.

ᴠ ᴇ ɴ ɪ ꜱ ø ɴ • ᴄ ᴜ ꜱ ᴛ ø ᴅ ɪ ᴀ ɴ 
o ᴎ ʜ ɔ ɘ T

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Hit Me Hi-Hat One More Time 🤌🏼

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Our consciousness is rooted in the expansion of abstract beauty. The unexplainable grows through the mechanics of external reality. Communication with tone and light is no coincidence

We are all observant.

It was deep , it was soulful, it was techno, it was disco, a kaleidoscope of sounds.