Ben Klock - October

Moon

DJ Bo Sound - Psy Techno  -  Fly  _  22.03  -

2mvch

Howling - Signs Rødhåd Remix[www.MP3Fiber.com]

Read more here: https://www.insomniac.com/media/track-day-ellen-allien-gets-us-dreamy-stormy-memories

Available May 12 via BPitch Control.

Buy Ellen Allien’s ‘Nost’ LP here: http://www.beatport.com/release/nost/1978222

Follow https://soundcloud.com/ellen-allien
Facebook: facebook.com/EllenAllien
Twitter: twitter.com/ellenallien

Follow twitter.com/ellenallien
Facebook: facebook.com/BPitchControl
Twitter: twitter.com/BPitchControl

Nost

Track of the Day: Ellen Allien “Stormy Memories”

Salvation is found by identifying thesis and antithesis of a logically conceived duality as a receptive polarity which is then synthesized and expressed on a higher level.
Thereby practicing what is preached is the all-embracing love in the presence of the creator.
The purest original state pre-dating the judgmental so called ìfall of manî in unity with life itself is the principle of holiness and the root of inner peace.
Glory to G-d!

PRE ORDER NOW: goo.gl/BygFcc

This Album contains:
4x 12 Inch
2x CD

Amazing hight quality printed Gatefold Cover with 8mm Spine and a handpainted picture.
Mastering and Cut by CGB at Dubplates and Mastering.
Manufactured by Matter Of Fact.
Artwork by Markus Suckut.
Cover paint by Rebecca Reja.

G1 Johannes Heil - Gospel Thirteen

Beroshima - Interplugreaction Remixes II (Dystopian028.2)
Interplugreaction originally written and produced by Frank Muller(Beroshima) 1996.
Artwork by Sven Uwe Kaiser.

vinyl: https://bit.ly/2IRgo4A

digital: https://bit.ly/2mNL3CQ

Beroshima: www.instagram.com/beroshima_frankmuller/

Marcel Dettmann: https://www.instagram.com/marceldettmann/

Tijana T: https://www.instagram.com/tijanatt/

Rødhåd: https://www.instagram.com/rodhad_dystopian/

Dystopian: www.instagram.com/dystopian_official/

Interplugreaction Remixes EP - Dystopian 028

B1 Beroshima - Interplugreaction / Rødhåd Remix

Burn Slow

Novembergrey (feat. Ralf Hildenbeutal)

‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present. 

DC109 - 01 - Roberto Capuano - Vertigo - Clip

Chris Liebing & Charlotte de Witte 
'Symphonie des Seins': https://clr.lnk.to/CLR138

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is on the creative hot streak of his life. It’s now 30 years since his rocket ride through the dancefloors of global techno begun – but the current phase encapsulated on the 2026 Evolver album pulls together all the reasons he always loved what he does, all the things he’s learned, and a new-found confidence born of deep introspection, and channels it all into focusing and intensifying his DJ and production superpowers. The exact same energy he threw into his early residencies at the foundational techno temples Omen (Frankfurt) and Tresor (Berlin) is there, but enhanced with all technological advances and study of what moves ravers worldwide, it feels as vivid and important as ever.

Chris grew up in a small town outside Frankfurt. As a boy he was always uncertain of himself yet was compelled to focus on what interested him. He pursued playing tennis to a very high level and felt that might be his path – but absolute obsession with music compelled him even more. From listening alone and deeply at home, through pause button cassette DJing at teenage parties, to a residency at a commercial club on the fringe of Frankfurt with rickety decks balanced on the bar, his desire to be surrounded by the sounds he loved, and also to work out the techniques that could draw others into what he was hearing and keep them locked in to it.

A job at Sven Väth’s Eye-Q label led to a fortuitous chance in late 1995 to fill in for a last minute drop out in The Omen – which he smashed so convincingly he quickly became a big local name. His break at Tresor came in almost identical circumstances, and from then on he has been a watchword for the most fundamental, sweat-drenched, joyously powerful European techno which he has taken to dark cellars and vast festivals the world over. His productions, labels and radio / podcast work have likewise kept the faith for the pure, energetic forms of techno whatever trends have risen and fallen. There’ve been diversions into brooding experimentalism for the legendary Mute Records, but always that deep and powerful original pulse has been there, not least via his hugely influential CLR label – and now it’s stronger and more vividly present than ever.