need this while playing mass effect. Great tune 🎶🤘

Love the chord progressions and instruments.

nice ambient and mixing. Give me chilling vibe. Like it

Wonderful this infinite moment of hope that you have and that we need. Intriguing track. Beautiful and still and sighing! I also really like these passages in breaths and sighs.

Might be a theme for a Science Fiction work (series, film or game).

Link To Video 👇👇

https://www.youtube.com/watch?v=fxN1YFsAOfA

'Fields Of Obscurity' By Goldengate. Track No.6 of the 2006-2008 remakes.
Released Monday 13th September 2021 on Trance-Endental Records. 

Available From The Following:

ITunes: https://music.apple.com/gb/album/fields-of-obscurity/1561619946?i=1561619947
Amazon: https://www.amazon.co.uk/Fields-Obscurity-GOLDENGATE/dp/B091RYC98Y/ref=sr_1_1?dchild=1&keywords=GOLDENGATE+fields+of&qid=1631556268&s=dmusic&sr=1-1
Spotify:  https://open.spotify.com/album/65AAUVLZ2538rwTv7uTHog
Deezer:  https://www.deezer.com/us/album/220478682

Connect with GOLDENGATE on: 
Facebook: https://www.facebook.com/goldeng8/
Twitter: https://twitter.com/Golden_g8
Soundcloud:https://soundcloud.com/goldeng8
Youtube:https://www.youtube.com/channel/UC5co...
Instagram: https://www.instagram.com/goldengate_...
TikTok: https://vm.tiktok.com/ZMeB2xDGg/

Gordon McInnes is from Glasgow and has lived there all of his life. He has been writing and producing music for the past 24 years. Gordon comes from a musical background. His late father was an ardent home producer in his spare time, writing and producing music in the style of New Age and ‘Gregorian Chants’ and has strongly influenced Gordon in his appreciation for the New Age Genre, Enya, Deep Forrest, Enigma. Gordon’s music has been heavily influenced by well known Trance acts such as 'Chicane' ‘Solar Stone’, ‘Blank and Jones’, ‘4-Strings’, ‘Space Brothers’ and ‘Rank 1’ all of which have influenced Gordon’s Trance projects whereby he goes by the alias ‘Goldengate’ which he started as a Trance project back in 2002.

Copyright©2021 Trance-Endental Records
All Rights Of Artist And Recorded Work Reserved

Fields Of Obscurity

G O L D E N G A T E - Fields Of Obscurity(No.6)**OUT NOW!**

"If I Miss The Sunrise" by Siegfried Jünger. This trip hop electronic track blends ambient beats and cool drums, creating a cinematic and chill atmosphere.

If I Miss The Sunrise by Siegfried Jünger. Beats. Ambient. Trip Hop.

XOXOXO
I AM LETTING OF SOME STEAM!
I HOPE THAT Y'ALL LIKE MY MADNESS!! 

INSTRUMENTAL BREAKS BETWEEN COLLABS AND VOCALS ! :o)

KRAE- 'LEFT & LOST IN YOUR HAZE' - PROD. BY KENNA-RAE              _INSTRUMENTAL FOR NOW_

The third in a series of slower-paced electronic tracks, this one features choral and orchestral elements.

Background image by spirit111 on Pixabay: https://bit.ly/3Ytc7bE

Infinite III

When everything comes crashing down and you are in the eye of the storm, this is the sound. Watch on Youtube here: https://www.youtube.com/watch?v=FFZgsK1iBQ4&list=PL5z6HsIsm9IBDgI3Ol_qjeSZPDc62RVsY&index=6

Shattered

Follow and listen to my beats on other platforms here: bit.ly/josesanchez-friendship1

You can support me on:
Instagram https://instagram.com/josesanchezjs
YouTube https://youtube.com/@josesanchezjs

Friendship

March into the night

Dragon's Day

Ginkgo

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

The Four Seasons

Autumn Songs - V. Leaves Before The Wind (Text by May Sarton)

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

Symphony in Three Movements - I. Bright and Jubilant

Composer of electronic and orchestral music from the south-west of England. I enjoy writing in both genres and tend to alternate between them.

Infinite III

Chris M. White

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