First performed at West Road Concert Hall, Cambridge, by the Cambridge University Concert Orchestra.

27th February 2016

Programme Note:

Within ‘On the Heavens’, Aristotle posits the existence of two cosmological orbs; the sublunary sphere, which encloses the four terrestrial elements, and the celestial sphere of the heavens, which contains Aether: the fifth element.  ‘Between the Spheres’ explores the musical possibilities suggested by this system. 
The piece positions the listener as an observer at the boundary between the sublunary and celestial spheres, each of which is afforded individual musical treatment. Throughout the piece the music of each sphere is sounded concurrently but with oscillating priority, as though the attention of the observer is in constant flux. These musical ideas germinate from the same seed but are distinct by the nature of their development. The sublunary music maintains a continual forward trajectory and is only interrupted by its tendency to fracture or become corrupted. In contrast, the music of Aether and the celestial sphere is cyclical and self-referential, reflecting the incorruptible eternity of the heavens.  These musical tendencies are informed by Aristotle’s own descriptions of the motion of terrestrial and celestial elements: the former travelling linearly whilst the latter follow circular paths. A finale unites the spheres in concord, but the stability is fleeting. The piece fractures at the last, leaving just the slowly fading ‘aethereal’ music. 

Chris Mortlock (2016)


Between the Spheres

VP of A&R, PARMA Recordings
brandon.macneil@parmarecordings.com
www.parmarecordings.com/meet-the-team/

Marc Yeats is an internationally renowned composer and visual artist whose compositions have been performed by the most noted of orchestras and ensembles across the globe. These include UK companies such as The London Sinfonietta and The Scottish Chamber Orchestra, the BBC Philharmonic and the Halle Orchestra and Chorus. Further afield, Marc’s work has also been performed by the Tokyo City Philharmonic, the Atlanta based, Chamber Cartel, and many others. His compositions have gained great acclaim through many radio broadcasts for the BBC and also been broadcast in many other countries including the US, Germany and New Zealand.

Marc’s relationship with the BBC is both strong and enduring, starting with a BBC Scotland performance by the Edinburgh String Quartet more than 20 years ago. His first orchestral work – I See Blue – conducted by Martyn Brabbins, received much acclaim when first performed around the same time. This led to specific BBC commissions, including a piano concerto to open Piano 2000 in Manchester, with Kathryn Stott as soloist, and a solo harpsichord piece ‘Rhema’, performed by Mahan Esfahani and broadcast in 2010 by BBC Radio 3 from the Clothworkers’ Centenary Concert Hall in Leeds.

Selection as one of just 10 to attend the legendary Hoy Summer School in 1994 brought Marc into contact with the late Sir Peter Maxwell Davies. At the completion of the course, Max was keen to support and promote Marc’s work, and conducted his first commission with the Scottish Chamber Orchestra at the St. Magnus Festival in 1997. He and Marc continued to share ideas, and Max took a great interest in Marc’s visual art and compositional work with mobile technologies and a range of asynchronous structural approaches to composition.

Marc is excited to have recently been appointed composer-in-residence to Yeovil District and Dorchester County Hospitals, a position he has also held with other UK and US organisations. Work such as My Blood Is As Red As Yours’ (an orchestral and choral piece commissioned by the Halle to celebrate World Aids Day in 2008 and performed at the Bridgewater Hall) and recent work, such as ‘shapeshifter’ and ‘the observation quartets’ continues to enhance his reputation as a leading contemporary composer.

www.davidjohnroche.com

David John Roche’s music is direct, determined, and loud. Strongly influenced by heavy metal, lush orchestral music, and his working-class Welsh background, he has been marked out as a “clear-minded and class-conscious artist” (Culture Matters) and “one of the most energetic, driven, and successful of Wales’s millennial generation of composers” (Tŷ Cerdd). David’s work has been described as “exquisite” (Adam Walton, BBC Introducing Wales), praised for its “ingenious scoring” (The Arts Desk), and complimented for its “passages of intense expressive power” (Thomas Adès). His compositions have been broadcast, televised, and written about internationally to millions of people.

A string of international performances and commissions form the backbone of David’s work: BBC National Orchestra of Wales, Tokyo Philharmonic Orchestra, Florence Philharmonic, Zhejiang Symphony Orchestra, Tanglewood Music Center, Psappha Ensemble, and the Solem Quartet, among others.  David has been nominated for an award by the American Academy of Arts and Letters and has been the recipient of an Arts Council England Developing Your Creative Practice Grant and a Lithuanian Arts Council grant. He has just completed an electric guitar concerto for Sean Shibe, Sinfonia Cymru, and Britten Sinfonia, and he is currently finishing his first symphony-length work for orchestra, funded by Aberystwyth University, Tŷ Cerdd, and the Arts Council of Wales.

Composer of all things 'cinematic' – from lush and colourful orchestral textures to sweeping synth soundscapes, and everything in between. Striving to paint pictures through sound, with the ultimate goal of helping people to share their stories.

Ho Wan Jeremy Leung
New Sweden Jazz Ensemble
New Sweden Concert Ensemble

Between the Spheres

Christopher Mortlock