It has an early Beefheart and Magic Band feel... But totally your own... Lovely stuff!

Gutsy track. I get some Rory here, when he unplugged. Yes, fine work. Howl away! Durge

@user-138663860: I'm the same Sandy - I keep coming back to acoustic. Hopefully when all these covid lockdowns are over Derek will visit me again in Tasmania, and we can dream up another duet :-)

So cool 🧡 great vocals and slide 🤩❤️

Great blues feel... love the guitar and the falsetto runs!

The Road - Composition, Arrangement & Production by Jorge Inacio.

Spacing Time

The Road

Hi and welcome to the 6th track by "Then She Reaches For The Gun". Huge thanks everyone involved! people come, people go and new stuff happens : ) 

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it” a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track will no doubt change depending on who has sent me what. 

Post-Woke Cunt features the following artists

Vartch - Voice
Nosensend - Keyboards
Dane Renshaw - Drums
Muterial -Electronica
W:I:L-o’ the-wisp - Keyboards
Ariad Music- Clarinet/Percussion
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass
Hverheij - PIano
Bellai Pelegrim - Electronica
Glenn Ward - Cunt
Dylan Banks - Voice
Adam Meredith - Voice 
PuppetXeno- Synths
Axel Weis - Guitar
Widar’s Spiritual Front - Electronica
Primaloop -Drums

Me - Bass/Noise

If you would like to be part of this ongoing project

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

Post-Woke Cunt

Another great song by @candyside-arcade that I have had the privilege to interpret and sing. 

Do listen to @candyside-arcade's fun, energetic and life-affirming songs.
https://soundcloud.com/candyside-arcade/hiding-in-plain-sight   One of my many favourites.
P-line:
℗ @ Candyside Arcade & SuZanne Ledwith
I, think much more today
About it is I stand to lose
More than what I could gain
When I kneel down to pray
About what it is that I must to choose
To keep the pain at bay

Open my mouth to say
About what seems the most confused
When it could be so plain
I think much more today
About what I stand to lose

What I stand to lose

When I kneel down to pray
About what it is I stand to lose
More than what I can gain
Open my mouth to say
About what it is that I must choose
To keep the pain at bay

I think much more today
About what seems the most confused 
When it could be so plain
And when I find a vein
I know what I stand to lose

What I stand to lose

What I Stand To Lose

Serious

A colaboration with the composer Oghamyst and the songwriter Mary Kils.

Music Is What Feelings Sound Like

Que fais-tu baby?

I fall in love with my Muse and my Piano over and over again. They are faithful and generous lovers whose gifts never cease so long as i Listen Deeply to what's emerging out of the silence. 😊

So... may you enJoy the fruit of today's improvisation. And while war, famine, refugees, and injustice of all kinds are rife in the world, let's not ever forget the Beauty and common decency that are also all around us. 💖

© Gary Courtland-Miles 2023
℗ Gary Courtland-Miles 2023

Played on my Kawai ES7 Stage Piano
Mastered by Anomon

Photo by Bing Ai : Pianist on a Pink Cloud

And All The Beauty Too

Updated June 7, 2023: Synline has made collaboration work for me.
https://soundcloud.com/synline/the-river?si=d85aada01c7b4a0a9c8e26a590f06cce&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

--
In January this year, we lost the great musician and drummer of YMO, Yukihiro Takahashi. As if following him, last month, Ryuichi Sakamoto also passed away. Having lost two respected musicians, I find myself without emotional support and have been creating music daily, tracing their music and lives. Unconsciously, the songs I create are heavily influenced by their music. This song is one of them. When I listen to the finished piece, I feel it somewhat resembles YMO's "Expecting Rivers." These days, I find "HOPE" in the Milky Way, the heavenly river that spans the sky.

Rivers of Aspiration

Ain't Done Yet

Remastered by Houman (https://soundcloud.com/houmans)

Flying in the Dream

Returning

This was written at a time when regular folks were being asked to tighten their belts by the rich politicians, and wait longer and longer to retire. Then along came COVID-19....so maybe when the world recovers the "workin til 100" line may not be an exaggeration.

https://soundcloud.com/fossil60
Derek on slide & instrumental composition, me on vocals and lyrics/vocal melody.

Grab and Plunder Blues      copyright Okunbor & Phillips 2019

They told us, we could have it all; the money, mansions and the time.
Some good years, we couldn't see the fall; they robbed us blind with a smile.
Moanin', rollin' workin' 'til the drop, tight belt is turning to a noose.
Moanin' the work'll never stop, talkin' bout the grab and plunder blues.
Ooh, I’m talkin’

Steering broken down motors; no way to fund a drivin’ wheel.
Finding the rent is a killer; nothin’ in the kitty for a meal.
Moanin', rollin', workin' 'til the drop, tight belt is turning to a noose.
Moanin' the work'll never stop, talkin' bout the grab and plunder blues.

Ooh, hear me howling.
Aah hear me moaning.

Waiting for the pension ‘til a hundred; payment with a letter from the Queen.
Days of entitlement are over, except for politicians on a scheme.
Moanin', rollin' an workin' 'til the drop, tight belt is turning to a noose.
Moanin', the work'll never stop, I feel I’ve got the grab and plunder blues.

Lord, hear me howling, tight belt turning to a noose.
Oh, hear me moanin’,
Moanin’ bout the grab and plunder blues.

Grab & Plunder Blues ~ Chris O & Fossil60

This is Cabal Akademik's final track...we sure do appreciate the amazing support we received over the last five years. We will resurface together in some other form very soon, to be sure. 
 
PEACE,
B&B

Raphael Submarine Landscape

Chris, hailing  from North West  Tasmania in Australia, is a singer-songwriter who pens originals, and  plays vintage music the way it used to be.  Her mashup of  Folk, Blues,  &  Americana  draws on a lifetime of  encounters with places, people, and the magic of nature;  echoing  a multitude of  global grassroots traditions. 
Traveling around carrying her “band” like a pack pony ~ lap-slide, banjo, uke, as well as a few plain ole guitars, she  regularly performs in Australia and Europe.
Growing up in Merseyside, England, Chris was exposed to the vibrant music scene of the late 60’s and 70’s,  and her music is has been influenced by  traditional folk, country blues, and  world music .
In 2016 she represented her State at the International Blues Challenge & National Women in Blues Showcase in Memphis,  and her second album,  “Wailin’ & Raggin’ the Blues” was  a   finalist for “Best Self-produced CD with the Blues Foundation , USA.  Her third album, “Twisted Roots & Twisted Highways” was  a finalist for Blues & Roots Radio Album of the Year in 2018.
www.chrisokunbor.net

Grab & Plunder Blues ~ Chris O & Fossil60

Chris O (2)

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