fantastic cover, love the sound of your guitar and voice, great vintage blues!

the guitar sounds of Huddy Leadbetter...and your vocals mesmerize....

your way of singing and playing the guitar is touching good!

I still remember the conversation we had when we first met and you were worried about what ppl would think...hehehe I NEW!!!! all along!!! You Rock!!!

Starts off strong and then just gets better.  Classic Chris O ... sometimes what's old just improves with age.  Talking good music, here!!!

Oh wow...this is a great song.I love this guitar.

What a great tune- just caught this old one from a re post-nice guitar and vocals!!

Second track from "Cathedral of Ecstatic Sounds", a set of collab with Damga.

Cathedral of Ecstatic Sounds - Spatial Ballad

Cathedral of Ecstatic Sounds - II - Spatial Ballad (Damga & HyLGZ22)

Kit: uKORG, Moog D, Volca FM and nubass, TerverseLogic Pro X
Acknowledgements:
Cover Art: Detail from "The Deluge" (1920) by Winifred Knights
Samples: 
a) London Underground, train announcements included the "See it, Say it, Sorted" slogan..."We are now approaching London Liverpool Street where this train terminates.... please mind the gap when leaving the train...please take care when leaving the train..."
b) Channel hopping using Skywave app focused on North American Short Wave radio broadcasts (9-10 MHz range) from "Brother Stair"
"The cost of following the truth, no matter what the cost, is everything... Go to hell, Satan... This is eternal life... Praise the Lord, this is a glorious thing...the world is hovering on the brink of disaster... the world's food supply will be decimated...the demons will impersonate extraterrestrials... many lives will be lost during these series of events...there will be martyrs....Empty the Earth.... you have to get yourself ready...the truth is, you can't...   ...no one can"

The Third Coming (XL3)

We are all guilty

From the height of his greatness, his majesty the human scrutinizes the sky and the nose in the stars looking for a new planet to welcome him while forgetting again, that a planet is not a disposable consumer good.

From the height of his greatness, his majesty the human decked out with a variable geometry intelligence, rejoices with artificial intelligence, triturates and flirts with DNA, one of the wonders of Life and he comes to take himself for a God.

From the height of his greatness, his majesty the human should open his eyes and contemplate the disaster of what he has done to this planet which is not his own and of the extinction of the many living species of which he is the sole responsible.

From the height of his greatness, his majesty the human contemplates the sun which has entered a known cyclical phase, a warming that no one will stop and certainly not this insignificant human who thinks he would be the main cause.

From the height of his greatness, his majesty the apparently frightened human, knows that life is fragile and above all that it can be completely erased without him being able to do anything about it, even from the height of his greatness and carrying he continues the massacre.

From the height of his greatness, his majesty the human will have to come down from his pedestal built on ruins, he will have to be accountable to greater than him when the time comes, whether he likes it or not.

23-08-2023-Pier WILL

Recording sessions from 27/08/2023-30/08/2023.
5 tracks MOOG Modular (vst Arturia),
2 tracks Spark (vst Arturia),
1 track Piano-V2 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤🕊️🙏

Nous sommes tous coupables

Du haut de sa grandeur, sa majesté l'humain scrute le ciel et le nez dans les étoiles à la recherche d'une nouvelle planète pour l'accueillir tout en oubliant encore, qu'une planète n'est pas un bien de consommation jetable.

Du haut de sa grandeur, sa majesté l'humain affublé d'une intelligence à géométrie variable, se réjouit de l'intelligence artificielle, triture et flirte avec l'ADN, une des merveilles de la Vie et il en vient à se prendre pour un Dieu.

Du haut de sa grandeur, sa majesté l'humain devrait ouvrir les yeux et contempler le désastre de ce qu'il a fait à cette planète qui n'est pas la sienne et de l'extinction des nombreuses espèces vivantes dont il est l'unique responsable.

Du haut de sa grandeur, sa majesté l'humain contemple le soleil qui est entré dans une phase cyclique connue, un réchauffement que personne n'arrêtera et certainement pas cet humain insignifiant qui pense qu'il en serait la cause principale.

Du haut de sa grandeur, sa majesté l'humain apparemment effrayé, sait que la vie est fragile et surtout qu'elle peut s'effacer complètement sans qu'il puisse rien y faire, même du haut de sa grandeur et portant il continue le massacre.

Du haut de sa grandeur, sa majesté l'humain devra descendre de son piédestal bâti sur des ruines, il devra rendre des comptes à plus grand que lui le moment venu, qu'il le veuille ou non.

23-08-2023-Pier WILL

We are ALL guity

We Are ALL Guilty

Golden Moment

Musique, paroles et arrangements : Richard Gonfrier
Cover Design : Delphine Portier
Mix&Mastering : Freddie M. (Mastering True Music) https://soundcloud.com/masterigtruemusic
* Richard Gonfrier* copyright ©. 2023 - (Dépôt SNAC 09/2023)

Les premières notes de cette chanson me sont arrivées en Mai 2022, juste après avoir composé "Même si tout s'arrête". Peut-être ce qui explique une certaine ressemblance dans la façon de les avoir construites, à savoir des accords de synthés vintage qui servent de support à la mélodie et une thématique parlant d'histoire d'amour. Mais la comparaison s'arrête là car les deux titres ont vraiment chacun un caractère et une identité propres qui les distinguent l'un de l'autre sans hésitation. 
Cette chanson est restée dans les cartons près de 1 an, avant que je n'écrive les paroles en Mai dernier, et que je l'enregistre. Ensuite mon ami Freddie de MTM Production a mis sa "touch" pour re-mixer et masteriser ce titre, en lui redonnant du punch et toute la dynamique nécessaire. Freddie, encore merci pour toute l'expérience et le temps que tu accordes à mes créations. C'est à mes yeux d'une valeur inestimable.
J'espère que vous prendrez plaisir à découvrir ce titre, au moins autant de plaisir que j'ai pu avoir à l'écrire et le réaliser. Comme d'habitude, n'hésitez pas à "liker" et reposter, c'est très apprécié et si important pour Freddie et moi!

The first notes of this song came to me in May 2022, just after composing “Même si tout s'arrête”. Perhaps this explains a certain resemblance in the way they were constructed, namely vintage synth chords which serve as support for the melody and a theme speaking of a love story. But the comparison stops there because the two titles really each have their own character and identity which distinguish them from each other without hesitation.
This song was in the works for almost a year, before I wrote the lyrics last May, and recorded it. Then my friend Freddie from MTM Production put his touch to re-mix and master this title, giving it some punch and all the necessary dynamics. Freddie, thank you again for all the experience and time you give to my creations. In my eyes, it is of inestimable value.
I hope you enjoy discovering this title, at least as much pleasure as I had writing and producing it. As usual, don't hesitate to "like" and repost, it's very appreciated and so important to Freddie and me!

Spleen de toi (Paroles de Richard Gonfrier)

J’viens encore de rêver de toi 
Que tu posais tes mains sur moi
Ma nuit n’a plus d’sens 
J’me réveille comme ça 

Je me retourne mais tu n’es pas là 
Je sais pas bien ce qui ne va pas
Je n’ai pour réponse 
Que des pourquoi

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

Mais quand je regarde le ciel je te revois
Je ne l’ai pas réalisé encore
J’veux revoir ton sourire, j’ai le spleen de toi
Don’t go

J’écris des mots d’amour pour toi
Je crie mes maux que tu n’entends pas
J’me demande si c’est 
pas mieux comme ça 

J’aurais voulu être ton roi
Être ton vice et toi mon versa
Mais le temps qu’j’me lance
Tu es loin déjà 

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

Spleen De Toi

Take Me Bring Me Home

Better feat. Patricia Edwards
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/14815/better-by-patriciaedwards-72bpm-jazz-acapella
Paploviante:
E-Bass, Music Composing, Mix and Mastering
Picture from Mallorca Holidays Paploviante

Better feat. Patricia Edwards - Paploviante Music

Destination Love.

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

Words I never thought I would have to write.

The great eSyrup, Thom Palumbo has tragically left us.
I am heartbroken. He has been a frequent collaborator and loyal correspondent over the last ten years. When I play guitar, I think of him and whether he would like it. When I write, I imagine his reaction. And now he is gone. He achieved his lifelong ambition of returning to Maine to live over the last few weeks. I was so proud he had done it. I had hoped for more of his time, his music and his humour. An incredible man.

We never met, but we had an uncanny connection. This was done but not finished nearly six years ago, in December 2017. Life and stuff got in the way. Time was our only enemy and sadly a cruel one.

Please listen to his fantastic legacy here and appreciate his beautiful art 
https://soundcloud.com/esyrup

Released with kind permission from David - I thank you and salute you.

Hedd, perfaith hedd, cariad

Be good

Nick

All other instruments - Thom
Guitars  - Nick

Pic: https://www.terragalleria.com/index.html

In Loving Memory Of ESyrup (Thom) - ESyrup and Nicholas Ridiculous

Stockin feet - Jefferson

Chris, hailing  from North West  Tasmania in Australia, is a singer-songwriter who pens originals, and  plays vintage music the way it used to be.  Her mashup of  Folk, Blues,  &  Americana  draws on a lifetime of  encounters with places, people, and the magic of nature;  echoing  a multitude of  global grassroots traditions. 
Traveling around carrying her “band” like a pack pony ~ lap-slide, banjo, uke, as well as a few plain ole guitars, she  regularly performs in Australia and Europe.
Growing up in Merseyside, England, Chris was exposed to the vibrant music scene of the late 60’s and 70’s,  and her music is has been influenced by  traditional folk, country blues, and  world music .
In 2016 she represented her State at the International Blues Challenge & National Women in Blues Showcase in Memphis,  and her second album,  “Wailin’ & Raggin’ the Blues” was  a   finalist for “Best Self-produced CD with the Blues Foundation , USA.  Her third album, “Twisted Roots & Twisted Highways” was  a finalist for Blues & Roots Radio Album of the Year in 2018.
www.chrisokunbor.net

Stockin feet - Jefferson

Chris O (2)

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