For bookings contact - coloursaudio1@gmail.com  / North American:
Stu@cybergrooveprod.com 

INK : The story so far......

An architect first visualizes then realises, making something out of nothing, making sure that not only the object itself shines but also the space around it. The sound is moulding, shaping and morphing at the hands of Dj Ink... 

The year is 1990 and a young Dj Ink has solidified his love for the culture known as hip hop- as the years move on so does UK street music, there are new genres forming and Ink begins to hear what is familiar to him, but there is a new twist-It is the UK passing by the USA, with a huge dose of African and Jamaican influence, This is music to a budding Dj Ink's ears, he naturally becomes involved and it doesn’t take too long before he begins to make his mark. 

First begins the Pirate radio circuit. Working hard at his craft and allowing the followers to get familiar with the roll, steadily bookings began to build up and soon it would be time for Ink to become associated with three names that changed the landscape of British electronic music-Basement Records, and slightly later Metalheadz and Renegade Hardware. Ink would go onto form his own imprint- Architecture Recordings, releasing anthems from himself and various crew members, bringing through new talent and the cream of the heavy hitters within drum n bass. If you're familiar with drum n bass/jungle you’ll know instantly the weight these labels carry, and if you're not by just scratching the surface you’ll become aware of the impact they have had. Renegade Hardware & Metalheadz are two commitments Dj Ink has upheld to this day, through thick and thin, engraved in the wall of time.

Essential work includes 'The 50th (Blueprint)' (1st Drum and Bass/Jungle tune selected live by a dj (LTJ Bukem) on BBC Radio 1 essential DnB show ever!) and "Altitude" on Basement Records, ‘Feel da heat’ taken from the LP ‘Can u draw sound?’ on Architecture Recordings, ‘Kaos Theory EP’ on Renegade Hardware, ‘Shine’ on Metalheadz, and the now infamous posse cut ‘Instinct’ also on Architecture, this is just a small fraction by Ink that has made waves. 

The now famous "Horsemen" project was a concept headed up by Ink, Loxy, Dylan & Keaton. Originally formed due to the affinities amongst the original four, the crew went onto bring together producers from all over the globe under the "Horsemen" banner- beat makers who have been inspired by the foundations laid down by The Four Horsemen went on to receive acclaim from critics and music buyers alike.

Ink has a number of long players under his belt, to select a few In chronological order these are - Incision and Can You Draw Sound for Architecture Recordings, Hard Soul w/ Perpetuum for Colours Audio and: The Last Scroll for Renegade Hardware. In more recent events we have "The Tree & The Wind" by INK & SIN also on Architecture Recordings.  With these credits to his name it is fair to say INK continues to make his mark on DnB.

Bookings:
UK / Europe / ROW : Peter@fmly.agency
North & South America: s@icartists.net 

Self Released: http://www.omunit.com/

@pola-bryson
@monrroe-e
@djmarkyofficial
@mcdrs
@glxymusic-1
@javeonmusic
@gest_dnb
@sustancemusic

Demo submission: http://shogunaudio.label-engine.com/demos // shogunaudio@label-engine.com

⥬ Shop Shogun Audio Merchandise + Physical 👕
⇀ https://SHA.lnk.to/shopYD

Munich based record label founded in 2007 and run by the Zenker Brothers. 
Artists: Andrea, Andrés Zacco, Atrice, Dario Zenker, Deetron presents Soulmate, Djrum, Dj Plant Texture, Etch, Fireground, Full Bloom, Jake Muir, Jichael Mackson, Kas / Galaxian, Katatonic Silentio, Kid Sundance, Konrad Wehrmeister, Laksa, Mia Koden, Marco Zenker, MPU101, Packed Rich, Pessimist, Prime Vertical, re:ni, Roger 23, ROLROLROL, Sciahri, Seba & Paradox, Simple, Skee Mask, Stenny, Surgeon, Sustrapperazzi, Thigpen, Walton, Zeki 808, Zenker Brothers

Ant TC1 along with Hidden Agenda founded Dispatch Recordings back in 2001, Ant originally helped out with the management side of the label before finding his feet within the realms of production; which was a natural progression for him having DJ’d on pirate radio and in clubs from the age of 14 (since 1992).  His first release alongside frequent production partner Stress Level appeared on Dispatch after almost 3 years of hard work getting their collective sound where they felt it needed to be before even thinking about turning on a DAT recorder.  After their first release hit the stores they quickly picked up a wealth of DJ support across their early material and went on to release for a who’s who list of established Drum & Bass record labels including the likes of Renegade, CIA, Advanced, Critical Records Integral, Liquid V, Commercial Suicide, Good Looking Records, Bingo Beats and Samurai Music.

By demand remix work started to feature heavily within their output and the duo went on to remix for the likes of Hidden Agenda, Chris SU, Artificial Intelligence, Kabuki, Total Science, Optical & Ryme Time (Jagged Edge), Atlantic Connection, Tactile & DJ Marky.  Branching out and working with other producers such as Survival, DLR & Philth has only furthered experience Ant’s skills at the controls over the years, Ant has also released his own solo material more recently on top of remixing for the likes of Lomax on Integral Records.  In 2014 Ant realised a lifetime ambition, securing his first ever release for the legendary Metalheadz label “Hungry For Atmosphere” alongside Mako, DLR & Villem with further releases for the label and counting going into 2024.

Ant’s production output has featured on a mass of compilations and mix CD’s compiled by the likes of Shy FX, LTJ Bukem, Total Science, AI, Spectrasoul, Klute and Brian G.  Additionally his work has featured very heavily within the radio shows of Friction, Grooverider, Fabio, Goldie, Bailey & Rene LaVice on their respective BBC Radio 1 slots over the years as well as BBC 1Xtra where Ant once hosted his own one-off 4 hour show, he has since additionally made 2 guest DJ appearances for DJ Friction on his Radio 1 show.  His DJ’ing work has seen him play all over the globe from Adelaide to Los Angeles, from Hong Kong to Sarajevo, Vancouver to Bangkok and last but by no means least regularly UK and EU wide. Additionally for the most part of the decade beyond 2010 Ant also worked as the Artist Manager for both Outlook and Dimensions Festival in Croatia, leading up the booking process, budgets and travel aspects for the festival.

Fast forward through to 2024; Ant is now responsible for the lead label management roles of both Metalheadz & Dispatch Recordings and is based in Thailand, with a purpose built studio room recently finished the plan (alongside managing a mass of planned record label releases) is to get back to focusing on writing music more consistently than he ever has previously.

Presets & Samples: www.gumroad.com/conforce
Music: www.conforce.bandcamp.com
Bookings: fran@sungaterecords.com

"A solitary Conforce release can never be described as predictable, with each unknown entity having the potential to take you on an emotional rollercoaster or a primal abandon" — Inverted Audio 

"Impeccably-crafted techno that maintains bite in its grooves even while the textures spiral into the ether." - Bleep.com

Conforce is a restless producer residing in Rotterdam, Holland, who is forever keen to search out new techniques, tools and sounds for the various musical projects in which he is involved. Continually flirting with a range of genres like ambient techno, techno and house on numerous EPs and LPs, he also operates in sonic territory that has no easily identifiable name. As one of the most prolific artists in the scene over the last 10 years plus, he has become an essential voice in the often crowded conversation: he is someone who always speaks clearly and captivatingly and has done so via ten full length albums and more than 20 EPs on labels like Delsin – where he has been a core artist for years – Clone, Rush Hour,2020vision, SOMA and his own label Transcendent. 

With this performances he focusses on musical content rather than equipment. The digital/analogue dichotomy of his productions spread into these sets, always stressing the importance of the human element without shying away from technology’s advances at the same time as marrying genuine emotional depth with dance floor compatibility.

DSTRESS ... www.kanefm.com is following