Went out for another windturbine expedition today. I found a map of all the windturbines in Denmark where I live, and found two not far from my house, and near one of my bike routes. So I set out after breakfast with my gear in a bag pack. 
The first two recordings is from a Vestas turbine - the long one is from "behind" the tower away from the wind, and the other on the side pointing towards the wind. 
The third recording is made maybe 1 Km from the first. This time it was a Nordex turbine with a pretty funky sound.
All recordings were done with a pair of LOM Use Pro omni mics I AB 40/50 either on magnet donuts on the tower, laying in the brush or handheld for the last one. Onto a SD MixPre 3II
I forgot to arm the Usi tracks, so this is more or less a "in the field mix"

3. Windturbine Ambient And Geofon Sim.

Good friday bells of the Berne Cathedral (Berner Münster), recorded from the square in front of the church on 2 April 2021 with a pair of Audio Technica AT4049b mics on a MixPre-6 recorder.

Berner Münster: Glockengeläut am Karfreitag

A trip to Thursford. As they open their doors for the first time this year, Jonathan Ling has been to record some interviews and instruments for us. Hear his reports on our live show.

The Thursford Steam Collection (06/07/21)

A collection of orchestral cues, finished incidental music, songs and rehearsals from the 1998-1999 ITV children's TV series, The Worst Witch. A highlight of my career, where I had the privilege of working with both a young and talented cast (including Felicity Jones and Una Stubbs)and inspiring directors and crew (including Andrew Morgan and Stefan Pleszczynski). This music has never been heard in its original full-bandwidth form, so I hope, if you're listening, that you enjoy the full frequency stereophonic sound! Paul K Joyce

WW 1998 S1 Ep2 M8

Just an experimental 3D soundscape created using DearVR and Dopplar Dome plugins of a rider's POV on a Sizzler-Twist ride.
Please use headphones to enjoy the 3D experience, which features rotating sensation from both the on-ride music and external sounds including the ride motor and generator truck as well as general bystanders and music from other rides. Hold on tight!

Music: Fono- Real Joy (Original Mix)
Jingles: DiscoSmash

Binaural Fairground Ride (A Simulated Soundscape)

Recorded in The Mall at 13.30hrs on the day of the wedding of The Duke & Duchess of Cambridge. (or William and Catherine, if you prefer.) Soundfield SPS200-SB, Tascam DR-680

Crowd reaction to Royal Kiss & BoBMF FlyPast

About You (demo)

CHILD HOOD SHIT
-
Ocean Software

Developers + Ocean Software
Publishes + JP Jaleco
NA Ocean Software
EU Ocean Software
Designer(s) - J.H. Beard + C. Kerry
Composer(s) - Jonathan Dunn
Series * Jurassic Park
Platforms + Super Nintendo Entertainment System
Release dates	
JP - June 24, 1994
NA - November 1993
EU - December 29, 1993
UK - October 1, 1993
Genre(s) + Science fiction action-adventure
Mode(s) + Single-player

Jurassic Park - Elevator 2

The Pavilion Theatre in Cromer - May 2013

Listening At The Pavilion Theatre Door

Bin trucks are such wonderful noisy beasts! Simple recording from my living room window. I'll probably explore some different perspectives on this weekly sonic phenomena in future...

Bin Day

A lone Grey Wolf howls in the late morning, losing itself to the natural reverb of a glacial valley

Grey Wolves were all but extirpated from Washington early in the last century. They've been on a slow but steady recovery now for decades. While still a species of high concern in the Northwest, occasions of hearing their mournful cries are thankfully becoming more and more common.

This is not without controversy, unfortunately, as ranchers fear their livelihoods will be destroyed and hunters express concern over the competition for game animals. My general feeling is this is good, however. The mass numbers of humanity living in former wolf territory and the introduction of highly destructive and invasive farm and game animals such as cattle, pigs, chickens, bullfrogs, pheasant, etc, have had long-lasting, oft-permanent destructive consequences on our ecological systems. That wolves are able to reclaim some territory on their own despite the historical effort to eliminate them is a testimony to their tenacity as a species.

The challenges are great, though, and humanity does not make it easy for other apex predators to survive in a world we claim as our own to despoil at will. Wolves need help all around North America. To help recovery efforts and the benefits they can provide, consider supporting a conservation effort such as The International Wolf Center https://wolf.org or a sanctuary and rehabilitation center such as Wolf Haven International https://wolfhaven.org. For more information on their spread and recovery in Washington, read this informational pamphlet from the Washington Department of Fish & Wildlife https://bit.ly/2NvfgXW

image credit: "File:Grey Wolf Portrait.jpg" by Jean Beaufort is marked with CC0 1.0. To view the terms, visit http://creativecommons.org/publicdomain/zero/1.0/deed.en?ref=openverse.

Lone Wolf Howls

Sound recordist, filmmaker and composer based in Norfolk, UK.

If you wish to add any of my sound recordings or compositions to your projects, please don't hesitate to get in touch- most of them are intended to be for use in broadcasting.

My sound effects libraries are released on "Infrastructure Recordings" and are available at http://www.asoundeffect.com.

Binaural Fairground Ride (A Simulated Soundscape)

Chris Richmond

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