Say You Love It

A raw, late-night hip-hop reflection on survival. Still Standing (Barely) captures the fragile moment after a breakdown, where every step feels heavy but forward motion persists. Slow-mid tempo, introspective beats, and honest lyrics create a true-story vibe that connects deeply with listeners seeking emotional, real-talk tracks.

I’m Still Standing

A haunting, intimate hip-hop confession. Voicemail I Never Sent explores regret and words left unspoken, capturing the pain of unresolved relationships. Minimal, moody beats underscore one-sided storytelling, perfect for emotional rap and heartbreak playlists. Listeners are drawn into the truth of the narrative, feeling every unsent word.

Voicemail I Never Sent

A dark, introspective hip-hop journey. Room With No Windows portrays isolation and mental traps, with mid-tempo, moody production and metaphor-driven lyrics. Listeners experience claustrophobia and introspection in every bar, making it ideal for dark hip-hop, late-night, and reflective playlists. A true-story exploration of feeling stuck yet moving forward.

Room With No Windows

She lets me kiss her face in a public place

She pulls me close like the world’s just melted into space

She wraps me in her arms, no need to chase

She whispers secrets soft, lost in our embrace

I wish I had a fedora right now
Because I adore her right now 
I wish I had a fedora right now
Make me feel good 
make me feel right now

Kiss Her Face

Mint Drops

Minimal electro track, driving, hypnotic, Berlin-London club vibe. Tempo 125 BPM. Punchy analog bass, crisp industrial drums, staccato hi-hats, sparse synth stabs. Male London vocal, confident, slightly cheeky, rhythmically spoken/chanting delivery. Chant-heavy hooks: “Sweet spot, fan first, build your own,” call-and-response style. Hypnotic repetition, minimal but dynamic arrangement, retro-future tension, echoing breaks, dry and precise mix. Perfect for late-night dancefloor energy, controlled chaos with instant groove and memorable synth hooks.

Here’s Where You Start

I mean, it’s about Tracy and her night time employment.

Tracy’s Knickers  🚒💨 🔥

I'm about to do something weird for someone who works at a music promotion company.

I'm going to try to talk you OUT of buying playlist placement.

At least... maybe.

Because here's what I've learned: playlist placement is powerful, but only when the timing is right.

It's probably NOT the right time if:

Your track isn't fully polished yet.

I get it. You're excited. You want to get it out there.

But playlist listeners decide in seconds whether to keep listening or skip. A track that's "almost there" won't survive that test.

It's probably NOT the right time if:

You don't have anywhere to send new fans.

A playlist introduces you to thousands of people. Amazing!

But if those people click your profile and find a ghost town? They'll move on. Fast.

You need at least a few more tracks, some social presence, SOMETHING that says "this artist is worth following."

It's probably NOT the right time if:

You're hoping this one thing will change everything.

Playlist placement is an amplifier, not a magic wand.

It works best when you're already building something...

When you have momentum to multiply.

But if the timing IS right?

If your music is ready, you've got a presence for people to discover, and you're actively building your career?

Then getting your track in front of 5,000 to 15,000 real, targeted listeners can accelerate everything.

Your streams go up. The algorithm notices. Real fans find you.

That's when playlist placement earns its reputation.

If you're ready to pour gas on the fire you're building...

Don’t Get On That Playlist Now

Disneppp - you lite  (Deep)

A seasoned producer with a lifetime of musical passion and continues to push the boundaries of electronic dance music. At 67, his love for the genre remains as vibrant as ever, inspiring him to create innovative and energetic beats that resonate with audiences young and old.

Don’t Get On That Playlist Now

Tejon