Name: Disco Snowman by Dancing With Tea in Weekly Wave
Duration: 3 min 22 s
Description: First use of a Pro VS Mini in a song, just as a cold front blows in.

Got me dancing, 💃 🕺 . Great disco vibe !!

Sweet track. Loving the groove. Your bio is ❤️‍🔥 Nice one 🤘🏽

Weekly Wave

First use of a Pro VS Mini in a song, just as a cold front blows in.

Disco Snowman

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

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IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

"Micro Jam" (demo v1) 

A short one minute jam or sketch I played this weekend using my 37-key Korg microKEY AIR as a MIDI controller. The VST sounds come from Arturia Mini V4 (Minimoog bass sound), Audiolounge Key Affair 3, Spectrasonics Keyscape, UVI FMX2 XL, Gospel Musicians' Neo-Soul Keys Studio 2 and UVI Emulation III. Drums and the fantastic drum beat come from UVI Beatbox Anthology 2 (The 7o7 kit).

Recorded and mixed in Cubase Pro with significant help from iZotope Neutron. Mastered with Ozone 11.

Here are links to a short video where I played the bass line: 
- https://www.youtube.com/shorts/2nyKmNNCI_o
- https://www.instagram.com/reel/DH1mauaSv8M

Micro Jam (demo)

Love & Peace & Joy

Ohanami (お花見) is a Japanese term that translates to "flower viewing" or "looking at the flowers". It's a traditional festival that celebrates the beauty of cherry blossoms. 

https://soundcloud.com/ten-de-vils 
All Vocals and Lyrics by Tom, aka Ten de Vils

springtime osaka - ten de vils

BringIng Back this Song made 10 years ago. Hope You Feel it ... You can Download it for Free :)
Lyrics Singing/ Music Mix Demo/Video Clip Mix  by Special Cecilia
Video on Youtube : https://youtu.be/msOF7Y6pEBk?si=2Gq2-KMYOsjiot5C

WE CAN BE GREATER ...

This track might test the patience of listeners, as it is yet another iteration of the same idea. However, each version brings a new arrangement and consistently reaches a higher level of quality. The journey of refining this piece has taken me through many phases—some versions were more dynamic and hypnotic, others felt raw and unpolished. Yet, with each iteration, I moved closer to the quality I truly wish to share with you.

It is my deep respect for you, my listeners, that drives me to create a version that feels fresh, distinct, and genuinely good—one that reaches a more professional level. Ultimately, however, the true judgment belongs to the audience.

In an era where music can be generated with a single click, the effort I pour into this uneven battle feels even more valuable. Each step in this process teaches me something new, and my curiosity never fades. With each new recording, I embrace increasingly advanced and demanding sound mixing techniques, allowing me to refine my artistry and push the boundaries of quality. Because of that, I can release new recordings with confidence—whether they are fresh creations or improved versions of earlier ideas.

Best Regards 😘

______________________________________________________________________
Vocal by LOLLIEVOX >  https://soundcloud.com/laurie-webb
Photo by STEVE SOARINGOAK
Music by ɅƉﺍꝚﺍɅNƠ

LOLLIEVOX AND ɅƉﺍꝚﺍɅNƠ - TRANCE HEAVEN | NEXT GEN 2025


Link to the usual pictures and sounds combo space - https://youtu.be/hi3shfq1pfc

Original artwork by EL-HO
Lyrics
Well when…
yesterday’s deaths are tomorrow’s lack of news
the headlines read a tragedy of a rich man’s point of view
while all around we struggle as their fight goes on and out
we’re just candles in a monsoon and a lightning strike in drought
We feed monsters in our heads
We beat monsters under our bed 
We need monsters to aim our guns
We feel monsters to regret what’s done
Yeah we are monsters

With every breath a fresh chance a new time to be awake
but we’d rather hate our enemies than befriend a fool who’s fake
with every shot not taken that’s saved up ‘til the end
dying in our apathy in our wake we’ll still pretend
that every day’s a new day another chance to be alive
instead we choose the monsters feed them demon’s ‘til they thrive
We feed monsters in our heads
We beat monsters under our beds
We need monsters to aim our guns
We feel monsters to regret  
Do you regret what’s done
Monsters…just monsters 
We’re monsters of monsters and monsters
Monsters…just monsters 
We’re just monsters of monsters and monsters
Monsters…just monsters
We’re all monsters of monsters and monsters
Monsters…just monsters
They’re all monsters of new old monsters
We’ll all monsters and monsters and monsters
All monsters of monsters their monsters
All monsters of monsters they’re monsters
We’re all monsters of their old monsters
Monsters of their old monsters
They’re monsters
Same old monsters


Feeding Monsters

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

The Flying Train

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

What happens if "Dust In the Wind" meets "Classical Gas"?  I sought to answer that profound question one morning when I was riffing on an A-minor chord and couldn't think of another way to describe this acoustic concoction. I couldn't think of a better name for it either, but seemed to have a "ballad" feel to it, either about a hero or villain, I'll let you decide, and maybe catch a "catnap" thinking about it:)

Ballad For Acoustic Guitar

Postcards from Paradise

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

Productions that have been nesting on the hard drive for a while. Sounds are influenced by 80's boogie basslines, along with inspirations taken from UK garage and house music.

Boogie Bass Bounce

Umber [Minimal Groove Concept]

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Rust Cutler has no money, so he only experiments with low-cost synthesizers and no Digital Audio Workstation (DAW). He'd rather have hardware that makes interesting sounds than a decent computer. He never thought he'd have to point out that no artificial intelligence is used in his compositions, but apparently we are now in that world. Rust Cutler strongly believes limitations spark creativity and enjoys creating a melody where perhaps none should exist.  All tracks are single musician, single take recordings with no editing and no processing except onboard effects. Everything you hear is how it sounded at the moment it occurred, then posted under the name, Dancing With Tea. Rust Cutler hopes you enjoy these experiments.

Disco Snowman

Dancing With Tea

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