https://linktr.ee/mowemusic

 
This Austrian deep house & indie pop duo have rapidly risen the ranks, stealing music hearts across the globe. Racking up a colossal 100 Million+ streams across multiple platforms, boasting 4 million Spotify listeners across 61 countries, and enticing fans by showing off their phenomenal DJ and Live PA performances at 100,000 crowd strong events such as Pride Vienna, and iconic venues and locations such as Ushuaïa Ibiza, Amsterdam Dance Event, Nos Trilhos Sao Paulo, Pacha Germany and BadenFahrt Festival Switzerland to name a few. 

Möwe was founded by members Clemens Martinuzzi and Melanie Ebietoma in 2013. Now in their mid 20’s and both music aficionados from the start, the two met while they were playing in Indie Rockbands; “Mary lost her Pathos” and “At Pavillon”. They quickly realised that their music stylings matched incredibly well, and began creating music together! First inspired by a bitter cold winter day in Vienna and their longing for something to bring them warmth and a high spirited feeling, they decided to create their new sound, which was the birth of Möwe. The rest, as they say, is history…

The unique duo released their first official track together in 2014 on Stil Vor Talent – the label of Oliver Koletzki. They then began developing their own distinct sound and style, bringing tunes like Blauer Tag (2013, 6 Million Streams), Sonnenkind (2014, 12 Million Streams), Birds flying high (2015, 17 Million Streams), and Lovers Friends (2016, 17 Million Streams). Their debut album "Back in the Summer" was released in 2016, which welcomed huge fan and notable DJ support. They have also had tremendous success on many of their single tracks, one of the most notable being Skyline in 2017, which has pulled in 10 Million+ streams and radio play worldwide including on the US taste makers station Sirius XM. 

They have stellar taste in labels, and have worked in tandem with Universal Music, Atlantic Records, Ministry of Sound, Big Beat, Armada Music, Ultra Music, Spinnin’ records and the powerhouse that is Discowax Sony worldwide. Among other interesting facts, they are extremely proud of their singing prowess, the fact that they both play guitar and bass, and that they both play keys. This impressive show of musicianship is just one of the reasons their live shows are a unique wow factor for the fans and are not to be missed! Showing no signs of slowing down for 2018, Möwe are bringing a stack full of new music including a collaboration with Sam Feldt, while also continuing to entertain fans with their live PA performances across the globe and Möwe’s Flying High Radio Show expanding to new levels. This duo is clearly a force to be reckoned with, and without question, they are artists to watch!

My music is copyrighted. BUT YES ! You can use it for your videos - read here: https://dayfox.de/terms-of-use/ 

Lo-Fi | Jazz- & Chillhop side-project: https://soundcloud.com/lo-fox 
Spotify Playlist for all my tracks: https://musiclib.net/DayFoxPlaylist

Affiliated with Disruptive | WePlay | BeforeEight
Spinnin Talentpool Artist.

All my Playlists on Spotify: https://musiclib.net/DayFoxPlayLists

NOTICE: My music is NOT in CC (Creative Commons or Public Domain. I control the copyright). All Rights reserved. 

DayFox Word is a registered Trademark.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

dj bookings / remixes email futureflavour@gmail.com


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