https://ddsot.bandcamp.com/album/refractuality
https://ddsot.bandcamp.com/album/good-tomorrow
Alt Soundcloud acc below, for unreleased, demos and looseness

MELODIQA 'Trailer Park Wizard'
https://music.apple.com/au/album/trailer-park-wizard/1777779541
https://open.spotify.com/album/1RZjySaoZKkG9lFzAb5XPG?si=9NMKA1tCQqq5-yoEgL-9mw

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

visual artist making music. UNTITLED is a collaboration with Paul Williams

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Exploration of sonic soundscapes & electronic-based music, vocalisations and instrumental experimentation, responding to nature, matriarchy roles and all aspects of existence. 


Bandcamp/vernabloom - all digitals available for download and listen. I will no longer be uploading music via Soundcloud as I oppose the subscription service. 



YUIN/SOUTH EAST ASIAN DIASPORA. 


I would like to acknowledge that all music is composed & recorded on the stolen and unceded land of the Wangal, Dharawal and Gadigal people of the Eora Nation in so-called “Australia”. I seek guidance from the Elders of the Yuin Nation and my ancestral guides from the South East Asian diaspora through spiritual healing. 

Always was, always will be Aboriginal land. 


contact: vernabloom.electronics@gmail.com


Monthly column writer for Prop Records. 

Writing/Interviews, currently closed: https://vernabloomelectronics.wordpress.com


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