My Weight On Me

this is uschi gras fanclub....
we have a group now called "strange fruits"
see you there

Contact/Booking:
markcotter.mtt@gmail.com

Produtor / Dj:
Deep House & Tech House

Mark Cotter iniciou seu projeto no início de 2012, quando começou a produzir suas primeiras tracks, desde então vem aprimorando suas técnicas, misturando timbres Clássicos com as novas tendências musicais, gerando um Tech House e Deep House que parece ter vida, com grooves e Batidas que despertam um "feeling" a mais nas pessoas que a ouvem.

Para obter as últimas notícias, fotos e downloads de faixas gratuitas acesse minha página no Facebook:
https://www.facebook.com/MarkCotterofficial

Contact/Booking: 
markcotter.mtt@gmail.com




Sulco Diferencial e muito evidente em suas faixas, músicas com características diferentes umas das outras, muito fortes influências de Dubstep, Techno, Tech House, música que faz realmente dançar. 
 Diogo Koerich e também conhecido como, é destacado em produções lançadas fora do Brasil para selos de países como Austrália, Espanha. 
O produtor tem gosto musical sempre foi influenciado por seu pai, com a vasta coleção de vinils sempre mostrou grande gosto por artistas brasileiros, como Roberto Carlos, Gonzaguinha, Vinicius de Moraes, Jo Bin e tom. 
Após uma extensa pesquisa, e, claro, técnicas de mixagem aprendeu com seu grande mestre e nome regional Yra Santo começou sua carreira como DJ para desenvolver a sua capacidade em casas noturnas e região Florianópolis. 
Em 2011 sendo reconhecido pelo seu desempenho, participaram do projeto onde o MÚSICA Wii dominou e teve grande aprendizagem com a tecnologia para produção musical, onde no mesmo ano lançou o início do projeto solo Dioke Homer.

Sulco Diferencial e Muito evidenciados los SUAS FAIXAS, Canciones com caraterísticas Diferentes UMAs das OUTRAS, influências fortíssimas fazer Dubstep, techno, Tech House, musica that FAZ Dançar Realmente. 
Diogo Koerich Como e conhecido also, Ganha Destaque los Produções lançadas FORA DO BRASIL POR Selos de countries Como a Alemanha, Austrália, Espanha. 
Produtor TEM O Gosto Pela Música from semper, Influenciado Pelo Seu pai, com uma Vasta coletânea de vinil, de sempre mostrou Gosto POR Grandes Artistas brasileiros, Como Roberto Carlos, Gonzaguinha, Vinicius de Moraes, e tom Jô Bin. 
APOS grande Estudo, e Curso de Técnicas de mixagem aprendidas com Seu grande professora e nomo regionais Yra Santo, começou SUA Carreira Como DJ desenvolvendo SUA Habilidade los casas noturnas de Florianópolis e Região. 
Em 2011 Sendo reconhecido desempenho POR SUAS, Teve Participação nenhum Projeto MÚSICA Wii uma Onde dominou e Teve grande Aprendizado com Tecnologias de para Produção de um musical Onde não MESMO Ano lançou o Projeto Início fazer sozinho Dioke Homer.

Beatport Página: www.beatport.com/artist/dioke-homer/280671

Reserva: diokehomer@hotmail.com

My name is Edwi. I’m a producer and beatmaker from Latvia Europe. Past 8 years I have a dream. My dream is just to write music and that my music inspires someone. So my tagline is "beats that inspire". I got a regular job that I don't like so much and a dream that someday I will only write music. Music that I like and that inspires me and others. I write emotional more sad than happy music. Music that is made for you to listen when you driving a car at night. I want to make my every track as a story, so I got a small story with every beat so anyone who listens to it can imagine pictures or some situations which got me to this beat. Keep making great stuff for this world.

Contact:
edwibeats@gmail.com

Beatport Page: http://www.beatport.com/artist/dioke-homer/280671

RCA Records is a flagship recording label (alongside Columbia Records and Epic Records) of Sony Music Entertainment (SME). The RCA initials stand for Radio Corporation of America (later renamed RCA Corporation), which was the parent corporation from 1929[1] to 1985 and a partner from 1985 to 1986.[2]
RCA Records is the second-oldest recording company in US history. RCA's Canadian unit (formerly Berliner Gramophone Canada) is Sony's oldest label in Canada, as it was only one of two Canadian record companies (Compo Company, now Universal Music Canada, is the other) to survive the Great Depression.

RCA is the name of three different co-owned record labels. RCA Records is the pop, rock, hip-hop, R&B and country music label. RCA Victor is the label for blues music, world music, jazz, musicals and other musical genres which do not fit the pop music mold. RCA Red Seal (formerly known as RCA Victor Red Seal) is the renowned classical music label with a reissue sub-label called RCA Gold Seal.
Defunct labels include budget labels RCA Camden, RCA Victrola, RCA International, RCA Deutchland and RCA Italiana.
Besides manufacturing records for themselves, RCA Victor also operated RCA Custom which was the leading record manufacturer for independent record labels. RCA operated three strategically located record manufacturing plants in the U.S. and advertised overnight delivery to record distributors.[3] RCA Custom also pressed record compilations for The Reader's Digest Association.
Currently, Legacy Recordings, SME's catalog division, reissues classic albums for RCA.
In 1929, Radio Corporation of America (RCA) purchased the Victor Talking Machine Company, then the world's largest manufacturer of phonographs (including the famous "Victrola") and phonograph records (in British English, "gramophone records"). The company then became RCA-Victor. With Victor, RCA acquired New World rights to the famous Nipper trademark. While in Shanghai China, RCA-Victor was the main competitor with Baak Doi.[4]
In 1931, RCA Victor's British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board.
In September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them "Program Transcriptions". These used a shallower and more closely spaced implementation of the large "standard groove" found on contemporary 78 rpm records, rather than the "microgroove" used for post-World War II 33⅓ rpm "LP" (Long Play) records. In the depths of the Great Depression, the format was a commercial failure, partly because the new playback equipment they required was expensive. After two or three years the format was abandoned and two-speed turntables were no longer offered in consumer products, but some Program Transcriptions lingered in the company's record catalog throughout the decade.
During the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the "Dime Store Labels" (Perfect, Oriole, Banner, Melotone, etc.). In 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a dark blue label, alongside an 8-inch Electradisk label (sold at Woolworth's). Neither were a success. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label (Bluebird's label was redesigned as it became known as the 'buff' label). Another cheap label, Sunrise, was produced (although nobody seems to know for whom it was produced, as Sunrise records are exceptionally rare). The same musical couplings were issued on all three labels, and Bluebird survived long after Electradisk and Sunrise were discontinued. RCA also produced records for Montgomery Ward during the 1930s.
RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings on the HMV label. RCA also manufactured and distributed HMV classical recordings on the HMV label in North America.[5]


My Weight On Me

I Am Double C