in ya face drumz an a oldschool b line… thats that crak

Vermosk

These are all tracks I lost to the faults of technology so rather they go to waste I have compiled them into this short mix. With that said,  bare in mind these are all test masters (apart from the last track) and not totally finished tracks.
1. Smacked (Test Master)
2. Crunk (Test Master)
3. Constant Surveillance (Test Master)
4. The Terror Chamber (Test Master)
5. Closed Circuit (Test Master)
6. Intercepting Signals (Test Master)
7. Cash Only (Test Master)
8. Humanoid (Universal Paradigm Master)

100% Teknician Production Mix

ever corner seems to fade faster than the appear, yet here you are crystal clear

Where Do You End, And I Begin?

TF2 - 10XX RG (Amsterdam-Oost Bedroom Set)

Finger vs Fence

making this sonic ultraviolence was fucking harder than it needed to be after live 12 updated to 12.1 and took a massive shit on my studio life.

going dawless for a bit lol.

Think again or not at all

I’ve been experimenting further with re-tuning everything I own into Carnatic scales and using chance operations in my sequencing to control slides, accents and reverb and delay sends.

I used to use maxmsp to retune synths using midi guitar mode and pitch bend on each channel with a snazzy custom patch I built but now oddsound just does it all for me. I think they built weird scales into live itself now but oddsound MTS does it better. I've become slightly obsessed with the bhairavi raga scales, they're dreamy. 

Is anyone else really suffering with live 12? It crashes all the time for me when any project reaches over a few tracks in size...

Pang Remold

AlfaS

Download: https://smilly.bandcamp.com/track/the-phoenix
Youtube: https://www.youtube.com/watch?v=O6m4sQy4mfo
Facebook: https://www.facebook.com/djsmilly8/

AlfaS

woosey

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