Music can be a source of pleasure and entertainment, but research shows that listening to instrumental music has therapeutic effects as well. First of all, music can influence an emotional state, feelings, thoughts and even behavior. You've probably noticed that some songs inspire you, others make your dance, set you in a romantic mood, or help you concentrate. Musical therapy is actively used to improve psycho-emotional state, combat stress and is an additional aid in the fight against depressive conditions. Listening to music and playing musical instruments contribute to the production of immunoglobulins and protective cells, as well as creation of new neural networks in 🧠. Music can be your friend and companion for life, your reflection and shadow: Listen, play & enjoy! We - are music, we - are love, amen 🙏🏽 #violin #piano #poems #pushkin #tyutchev #khayyam #classicmusic
Thank you to wonderful musicians 
Samādhi Tracklist:
1)  Max Richter & Mari Samuelsen - Mercy (Voiceless Mix)
2) Mark Eliyahu - Journey 
3) London Symphony Orchestra - Canon 
4) Ballake Sissoko & Vincent Segal - Mako Mady
5) Aldo Romano & Louis Sclavis & Henri Texier - Annobon 
6) Hamed Nikpay - Moments (Lahzeha)
7) Faran Ensemble - יסמין
8) Kelly Thoma -Ice Tree
9) Dem Ferde - Çöl
10) შენ ალაზანო (თუშური) - Shen Alazano (Tushetian Love Song) - Lela Nakeuri & Chveneburebi
11) Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Chris Worsey & Ian Burdge -  On The Nature Of Daylight (Entropy)
12) Yaghma - Fleeting Memories 
Thank you🎻💛🙏🏼

Instrumental

InstrumenTale

Our new mix is from artist Dang-Khoa Chau @d-k-music
A down-tempo collection of acoustic recordings, ambient, and traditional sounds. In D.K style, quiet percussion, sparkling chimes, and bells, are heard through out, breathy vocals entering recurrently. D.K's contemplative, atmospheric mix is good for a dark autumn day.

Đ.K. - Editorial Mix

CEREMONY1 REF MIX 3

Warmth (Tape Wash) | Album 'WARMTH'

Abyss

2024 - 03 - 08 Morning Groove@ PBR live Session

BioPortraits (@emiperezfieldrecorder)+ Sonido Postal (@damian-alferez): Coro del Atardecer en el Río Las Brusquitas, Buenos Aires - Argentina.

"Grabación de campo realizada en un atardecer del miércoles 13 de marzo de 2024, cuando el sol se ocultaba hacia el horizonte en el Río Las Brusquitas, Localidad de Chapadmalal, Buenos Aires - Argentina.  Dicha grabación esta formada por la mezcla de capturas realizadas en diferentes momentos. La sinfonía de la naturaleza se desplegaba con magnificencia mientras el coro del atardecer inundaba el aire, al inicio de la luna creciente y días antes del equinoccio de otoño. 
Se pudo apreciar cada matiz sonoro, desde el suave murmullo del agua del río hasta el canto de las aves. 
En este rincón de Buenos Aires, la coexistencia de especies es un testimonio vivo de la interconexión entre todos los seres vivos. Aquí, los sonidos biofónicos de la fauna silvestre se entrelazan con los sonidos geofónicos del río, el viento que le da movimiento a toda la flora del territorio creando una armonía única y sublime.
La ecología sonora no solo es un campo de investigación en rápida expansión, sino también una herramienta invaluable para comprender y preservar los ecosistemas. Estos sonidos nos ofrecen una ventana hacia la salud de nuestro entorno natural, revelando patrones de comportamiento, migración y reproducción de las especies que lo habitan. En un mundo cada vez más dominado por el ruido antrofónico, es crucial recordar la importancia de proteger y conservar los sonidos de la naturaleza. Escuchar y apreciar la belleza de estos ecosistemas nos conecta con nuestro entorno de una manera profunda y significativa, recordándonos nuestra responsabilidad compartida de cuidar y respetar la vida en todas sus formas."

— Grabación de campo realizada en un atardecer de Marzo en el Río Las Brusquitas, Localidad de Chapadmalal,  Buenos Aires - Argentina.
—Fotografía: @damian-alferez (Sonido Postal)
— Equipos: Grabadora portátil Zoom Q4
— Fecha: 13-03-2022 
— Hora: entre las 19:00 y 20:00 hs (GMT-3)

Coro Del Atardecer En El Río Las Brusquitas

Watch Time Go By

https://pointless-geometry.bandcamp.com/album/dawno-temu-sacralia

Dawno Temu - Solo project of Agnieszka Bykowska, Polish sound artist and producer. While balancing between ambient, drone and minimalist music, she creates unique sonic sceneries centered around layered synth waves with elements of electroacoustic. Having spent nine years in Bydgoszcz, PL she has crossed paths with the improv scene. Played numerous shows across Poland, including appearances at festivals. Her main sources of inspiration are the notion of time, spirituality and emotional corners of human nature.

linktr.ee/dawnotemu
www.instagram.cwom/davnotemv

SACRALIA is the second LP from Polish sound artist and producer Dawno Temu.

Living within the realms of fast-paced reality we're bypassing the essence of "being fully in the moment". While so much dependent on the notion of time itself, we're sharing a collective fantasy of making the time dependent on us - to pause it, outstretch it, turn it back in order to experience something once again. Dawno Temu approaches that concept with both severity and sensitivity in her compositional process.

Each of six tracks on the album is like a ceremonial object for the performative aspect of careful observation that finds its fulfillment in rapture and emotionality. These objects in their historical meaning have been utilized as a means for establishing or maintaining communication between the sacred (the transcendent, or supernatural) and the profane (the secular, cause and effect). Rather than trying to fit a doctrine Dawno Temu celebrates subjective experience of the individual, points in time and space that are carrying an idiosyncratic, empirical gesture with them: light reflections, moments of pause, sources of pleasure - which are actually common experiences, bound with human nature - and sonically reinterprets them as manifestations of “the sacred” among “the profane”.

The sound of SACRALIA is raw and ascetic; euphoric, but full of reverie. Balancing between wide and dense, Dawno Temu carves her own path in drone and minimalist music. Meditative repetitiveness of structures, slowly evolving and dissolving form the frame of SACRALIA which leaves a room for serenity and reflection in both: herself and the listener. Improv strings ensemble, featuring guest appearance of Antonina Car and Joanna Szczęsnowicz (jablkagruszki) in EVERY PAUSE STRIVES FOR ADMIRANCE, together with synthesizer mimic chanting of a litany where all instruments gently pass each other by and only occasionally synchronize to speak with one voice. In her work process on SACRALIA, Dawno Temu focused on conjuring up certain feelings during long and immersive recording sessions with two synthesizers. This way, slowly forming unique shapes and imagery, she developed a somewhat emotional bond with the instruments, reminding of Éliane Radigue and her composing approach.

Composed and recorded by Dawno Temu (Agnieszka Bykowska) between 2022/2023 in Wrocław and Poznań
Track EVERY PAUSE STRIVES FOR ADMIRANCE composed and recorded by Dawno Temu (synthesizer), Antonina Car (improvisation on violin, baritone violin, cello), and Joanna Szczęsnowicz (improvisation on violin)
Mixed by Dawno Temu
Mastered by Adam Badí Donoval / www.instagram.com/adambdonoval
Artwork: Krzyś Bykowski, Iza Roko
www.instagram.com/krzys418
www.instagram.com/_zulaxo

Nul

Christopher Hanlon