@nicholas-snowball: ah thanks nicholas :) x

Beautiful music…excellent piano playing

Beautiful harmony. Excellent composition!

Listen to ‘All Things New’ by Arbour Season here on Indie Folk Central. Lyrics and song meaning are included in the description! Enjoy our albums & playlists: https://indiefolkcentral.com/ifc Subscribe & Discover the best new indie folk: https://goo.gl/58cjHJ

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📖 About the song:
This song is about the story of Adam and Eve and their failure in the garden and how we are the same, but all have ultimate redemption in Jesus as His sacrifice makes us new.

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📝 Lyrics:

I remember when we used to walk hand in hand
But now I hear Your footsteps on the canopy 
And You call my name
And I can hardly stand

Your voice is
So tender
When You ask where I have been
I cannot hide
When You already know
Where I am

You make all things new (x4)

Suddenly aware
Of what I’ve become
And I try to cover up
But it was already done
Hallelujah it’s already done
Hallelujah

You make all things new (x8)

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Arbour Season - All Things New (lyrics)

Deep Water

Aventine (Deluxe)

Fuel To Fire (Live)

Written by Chris Hyson
Played by Kit Downes - www.kitdownes.com
Recorded, Mixed and Mastered by Alex Kilpartrick 

Bright Drops Of Time

"Wolf" is the new single from Jennie Abrahamson's upcoming album "Gemini Gemini", UK release 27th of March.

JENNIE ABRAHAMSON - "WOLF"

desafinado

Warm Soda and Cold Dogs

"Darkest Hour, Longest Day" is taken from the Debut Album from Cry Monster Cry. 

Recorded and produced in Dublin by Keith Lawless and Mixed by Guy Massey (Paul McCartney, Ed Sheeran, Manic Street Preachers).

www.CryMonsterCry.com


Darkest Hour, Longest Day

Boredom

Single Release for "Hearts" EP

License Here: https://musicvine.net/music/incandescent/

Available to purchase 14th October 2017

All music composer, arranged, produced, mixed and mastered by Tristan Barton.


All Rights Reserved © TristanBartonMusic 2017

Hearts

Incandescent

LICENSE

As some of my favourite modern classical and solo piano composers have evolved and moved on to developing themselves and discovering new challenges in work for film and orchestral production, I’ve felt an earnest void in the space they left behind. I’ve even noticed the pattern in my very own music, always trying to embellish, enrich, strip down, or advance. But what about a simple piano tune – one that veils and slightly bears the heart and soul of the composer, with all its rawness, nudity, and truth? Mayhaps we’ll find this brave reveal in new contenders, that step to fill that earnest void.

Cameron Brooks is only 21 years old, hailing from the south of England, and this four-track EP is his début on Subtempo imprint. Clearly inspired by artists such as Ólafur Arnalds, Nils Frahm, and Max Richter, Brooks sets out to compose gentle pieces centred on the piano with some treatment from the strings. The track I selected to première for you today was recorded on his grandparents’ home piano, on his Grandfather’s 90th birthday, “so it brings back fond memories of visiting both his grandparents and of celebration, as well as being his favourite piano to play.” There’s a tone of melancholy, sweetness, and a bit of hope in the underlying melodies, the flow of tempo, and Cameron’s gentle playing on the keys.

"Vicissitude, the title of the EP,  is the main idea behind this record: change and unforeseen circumstances, it speaks to the passage from darkness into the light and the ongoing journey to get there. The music was born from a dark place and the compositions and the instruments brought light to a much-needed time of personal struggle.”

This digital release is out next week, on September 21st, available from Cameron’s Bandcamp and Subtempo‘s page. I’m sure we’ll hear from Brooks in the many years to come, so it’s a bit exciting to begin observing this composer’s journey…

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