Love and Rejoicing, Ten Settings for Organ

A bubbly setting of the well-known hymn tune Moscow. The texture is thin and reminiscent of a Bach invention, but with slightly updated harmony. Short, gentle, and sweet. In my collection, Love and Rejoicing, published by Augsburg Fortress.

Come, Thou Almighty King (Moscow)

This setting places Richard Colligan's modern tune in a variety of contexts, from bucolic 19th Century, to neo-Baroque counterpoint, to jazz-inflected modernism. This piece is part of my collection Love and Rejoicing, published by Augsburg Fortress.

God, Be the Love to Search and Keep Me (Green Tyler)

A toccata based on a traditional South African tune. This brilliant and energetic piece starts quietly and continually builds to a thrilling climax. Not in the style of a classic French toccata, but with fire and energy of one. In my collection, Love and Rejoicing, published by Augsburg Fortress.

Hallelujah! We Sing Your Praises

A short set of variations based on the Mediaeval tune Orientis Partibus. This set explores many colours and textures of organ music, as well as many compositional styles. A show piece for both organist and the organ. This piece is found in my collection, Love and Rejoicing, published by Augsburg Fortress.

Introduction, Variations, and Finale on "The Friendly Beasts"

This is a quiet and contemplative setting of the familiar tune, the Ash Grove. The mood is serene, almost mystical, concluding with an enigmatic progression of chords, deepening the thoughtful and reflective mood. This piece is found in my collection, Love and Rejoicing, published by Augsburg Fortress.

Introduction, Variations, and Finale on "The Friendly Beasts"

Chris Kovarik