In the words of Mike Tyson, "If they pay me enough, I'll get in the ring with Jesse Perez". Legend tells it that Jesse, the latest addition to the I’m A House Gangster camp, was born in a rundown motel in Little Havana (a small Latin neighbourhood in Miami) just minutes after being conceived. Son to a local pimp (who is oddly 10 years older than Jesse), Jesse was exposed to the art of Slangin' D as a young boy. His mother, who at that time was a stage dancer for a popular local rap group called the "2 Live Crew", would work many shows for these artists and would sneak Jesse in as often as she could. Jesse's first exposure to Bass Music and Ass Clapping made a huge impression on him. 

15 years later, Jesse applied his childhood experiences towards the development of a new visionary company known as "Mr. Nice Guy". Considered as one of Miami's most promising and forward thinking companies since Bang Bros. Jesse has managed to not only run this company but also star in several successful "Mr. Nice Guy" films including "Slangin' That D", "Tales From An 8th Street Motel" and "This Hoe Gonna Get Some Dick". Homeboy don't mess around, he means business.

Talking about his tracks for his debut I’m A House Gangster release, Jesse comments, “I made these tracks solely for listening pleasure while getting pleasured, so it's cool the rest of the world will now get to enjoy them as well. No Ghost-writers were used in the making of this EP.”

I'm A House Gangster
Website: www.imahousegangster.com
Facebook: www.facebook.com/imahousegangster
Twitter: www.twitter.com/imhousegangster
Beatport: www.beatport.com/label/im-a-house-gangster/30073‎

That's Real Muthafuckin' Talk

JESSE PEREZ | THAT'S REAL MUTHAFUCKIN' TALK | JESSE'S BUMP N GRIND VERSION | I'M A HOUSE GANGSTER

🇺🇦 100% OF THE EARNINGS WILL BE DONATED TO THE BLUE / YELLOW UKRAINE SUPPORT FUND 🇺🇦

https://chrismetric.bandcamp.com/album/flicker GET IT HERE
https://open.spotify.com/album/1RMierb61TRYEDfdrs29ak?si=BL0u-xqyTc-qGOMaM2F7IA HEAR IT HERE

This is a collection of my recent and previously unpublished works. In it, I see a recurring sonic theme of emotions conveyed by melodies, as well as a reflection on my experiences and memories of enjoying the night dynamics and taking in loads of club music in recent years. 

I will be sending all of the proceeds to a Ukraine support fund - this is my small way of helping the light defeat the darkness.

friends, colleagues, inspirational people, things that scare me, things that excite me - thank you

tracklist
- [ ] SECOND GUESSING (FEAT. TARVAINIS)
- [ ] ECHELON
- [ ] RUNWAY
- [ ] INFINITELY DROPPING
- [ ] TIQUE
- [ ] DIZZY
- [ ] FLICKER
- [ ] RECOVERY
- [ ] BRIGHTNESS
- [ ] 22.22

Check it on Youtube: https://youtu.be/M9-y8pOoNxQ

Chris Metric - Flicker | The Mixtape

Three Colors  Blue  Julie And Lucille At The Strip Club

Recorded live at 宀 Club in Hong Kong in April 2023

Live At 宀

MIX066 - Jane Fitz (倫敦) [Live at 宀] (April 2023)

Copa Move - Look-A-Like (Original Mix)

Purchase here: https://dvsnme.bandcamp.com/album/simple-sabotage-field-manual

Exactly one year after my 2024 release entitled 'Public Relations', I return with a collection of 15 new tracks that were produced between the middle of 2024 and early 2025.

This album, as with the last, relies heavily on the sounds of classic synthesizers/drum machines like Mono/Poly, MS-20, SH-101, Jupiter-8, Juno-106, SH-2, JX-8P, System 100, Juno 60, JX-3P, TB-303, Polysix, TR-606, OB-8, TR-808, ARP Odyssey, as well as some contemporary additions to my studio like Oberheim OB-6 Hydrasynth, System 8, MC-707, MicroFreak, Prophet Rev2, Novation Peak, Minilogue, SE-02, and Microkorg.

A majority of the songs on this album were recorded in only one take in my home studio and recorded to high-quality video as well. The same recordings heard on this album can be seen performed live on YouTube. www.youtube.com/@JohanSebastianBot/videos

Buy Here

DVS NME - Natural Monopoly

Kenya presents her new debut EP for Talking Machine after joining the label crew in 2024, titled Fractal Vision. The EP consists of 3 tracks, accompanied by 2 remixes by Anatolian Weapons and Arvin Fajar. The EP itself narrates about a journey through emotion and experience, capturing the essence of growth, introspection, and transformation, one that creates a dynamic landscape. From every track, it is something that developed naturally through the textures and layers of the sound it self, create something that feels like telling a story through sound.

Track 2 is titled Turbulence, a mid tempo track that gives a sense of hypnotizing along the track, with modulated bassline, atmospheric pads with long decay and subtle granular processing, sporadic high-resonance synth fills for dynamic contrast, and dissonant high-register minor stabs for tonal tension, complemented by organic flow, and stabilized by a classic kick drum for foundational weight.

@kenya-bahana
@wearetalkingmachine

Kenya - Turbulence [Talking Machine]

Lady Blackbird - Crooked Spirituals Remixes (Vinyl, 12") (Released July 22, 2025)
Available on Bandcamp (Vinyl/Digital): https://tinyurl.com/3nppcmt4
Label: Foundation Music [FMP0079]

+

SSServices: http://www.soundstationstrategy.com
Follow us on YouTube: https://www.youtube.com/c/soundstationstrategy
Follow us on Instagram: https://www.instagram.com/soundstationstrategy
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Lady Blackbird - It Must Be Love (Crooked Man Remix)

BUY VINYL: clawsisthebastard.bandcamp.com/album/splat-city-ii
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes. 


C.L.A.W.S. - Splat City II CLIPS

// Galvok apie mane

Original track from the album "Tarp Dviejų Vandenų" 1997.

Lyrics by Violeta Sagaityte

Hiperbolė - Vėjo Baladė (Arnoix Soft Touch)

Papers

Untitled

my latest release is Sleep Image, it's on Bandcamp now: https://chrismetric.bandcamp.com/album/sleep-image


Chris Metric is an emerging Lithuanian electronic musician, working inbetween various genres and creating unique sonic worlds. In addition to being a sound designer and a skilled sound editor in the video industry, Kristupas explores the connections between earlier soundscapes of 90s dance music and a sound based on modern electronic music production techniques and auditory research.

Chris Metric - Flicker | The Mixtape

CHRIS METRIC