Still More Instrumental

Delicious Soundscapes Part II

For The Children (2021)

A pleasant instrumental, which makes me the feel of gliding.

Gliding

One Chord Funk

In a word; Dynamic. A difficult production because of the rapid changes to level and pitch. Uses just one synth instrument (Thank you Vital Synth-Matt Tytel, thank you Mr. Bill) with sampled Rototoms and Drums. Let it lift you. Let it move you. [Ver. 32 -Master]

Forgiveness Act Two

Harmonic Glitch

This one was started in 2016, and back-burnered 'til now. Strong synth groove and unexpected trappy percussion give it a tangible sense of drive and movement. Not related to the artist/singer AViVA in any way. 

[Ver. 49_UAD]

Aviva

in my eyes
of ice and mint
quench my thirst
i am the desert

And in her scent
a calling card
taste of the woods
and the open ocean

in her voice, the peyote cry,
of the Indian fire, and what the north wind made

in her eyes inside the lashes
those water tears are your prison

the sad was sad but after her
words on the paper in a song
and you listen

fingers hold iridescent rings
each one is suitable for every situation

the man she loves
knows a thousand ways
to use the tie
between madness and passion

Invio: 19 ore fa19 ore fa
SK
nei miei occhi
di ghiaccio e menta
placare la mia sete
sono il deserto

E nel suo profumo
un biglietto da visita
sapore di bosco
e l'oceano aperto

nella sua voce, il grido del peyote,
del fuoco indiano e di ciò che ha fatto il vento del nord

nei suoi occhi dentro le ciglia
quelle lacrime d'acqua sono la tua prigione

il triste era triste ma dopo di lei
parole sulla carta in una canzone
e tu ascolti

le dita tengono anelli iridescenti
ognuno è adatto ad ogni situazione

l'uomo che ama
conosce mille modi
usare la cravatta
tra follia e passione

Ice Mint

Sk & Tubo    Ice Mint   (Testo di Sk)

🌞⛱🌊🔥🕺🏼🌬⚡🌕🌈🍦💓🎶⁂©
🎸©Lyricist, Mixing, Mastering, Pro License & Creator: Lady ElectroTrek
***

TITLE: A TALE TOO TALL
_______________________________________________________________________
LYRICS:
(Verse 1)
I climbed a hill that touched the sky
The clouds bowed down as I walked by
The sun applauded every step
A story too big to forget

(Verse 2)
The river whispered my own name
Said you’re the one who bends the flame
I lit the stars with just one hand
And danced across the desert sand

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

[Verse 3]
The mountains knelt to let me pass
I painted rainbows on the grass
The moon once asked me for advice
I told her shine and don’t think twice

(Bridge)
The ocean said it knew my face
It swore I gave it all its grace
The winds they carried every word
Of every song I sang unheard

(Chorus)
Oh I’m the one who caught the breeze
I lassoed lightning with such ease
A tale too tall but oh so sweet
I made the world skip to my beat

I Made The World Skip To My Beat

A Tale Too Tall

SHORT FILM LINK => https://www.youtube.com/watch?v=dTpJ1dkhuUc

"The Mourning Path" is an indipendent short movie realised by the Sardinian artists Mebitek and JeleRaus.
It is the story, and the point of view, of a young woman, Kate, who experienced her greatest loss: her life - but also the loss of all those painful episodes which mark each and every existance - letting them go by facing them one last time.
Her path to oblivion, strongly desired, is marked by the encounter with her most oppressive obsessions and sufferings, which are personified, anthropomorphised, a quintessence of desperation.
The last Boss, exactly as inside a videogame, represents the Electra complex, not in a Freudian point of view, but mostly in a literary sense.
In this work, identity - art - technology are inextricably intertwined: in fact the art medium used is technology itself, especially in the editing phase, in which this aspect played an essential role, without which the objective wouldn't have been reached.
Here, identities represented by the artistic medium are more than one: the woman, seen as a daughter, as a protagonist, as a desperate and strong entity, but hopefully never stereotyped; the father, who is also represented in many different ways within the project; the entities and identities which personify everyone's life phases, framed in an unsettling but at the same time liberating scenography. But in a way it also represents a community of people's identity, whose shared imagines and beliefs shaped a collective imagination which can be represented and read in multiple ways.
Therefore, this project is a manifestation of the union between identity - art - technology. 


Original Soundtrack by mebitek:
Single: https://mebitek.bandcamp.com/track/lonely-and-deeply-the-mourning-path-original-soundtrack
EP: 

https://www.amazon.it/Mourning-Path-Mebitek/dp/B07YNKD669/ref=sr_1_2?__mk_it_IT=%C3%85M%C3%85%C5%BD%C3%95%C3%91&keywords=mebitek&qid=1572853858&sr=8-2

credits

©2019 mebitek - the manufactured experience. All right reserved.
The copyrights of all mebitek works are administered by the Mechanical-Copyright Protection Society (MCPS).

Lonely and Deeply (The Mourning Path Original Soundtrack)

Funk City (Instrumental)

Mozart Eine Kleine Nachtmusik Movement 2. Kevin Sumner sent me a track of Mandolins, Guitars and Bass playing this piece of music. I played the first violin part on flute to Kevin's instruments. Listen also to Kevin Sumner's inspiring recording of Movement 4 :https://soundcloud.com/dunlooser/eine-kleine-nactmusik-iv-rondo-allegro
The project is dedicated to my Dad who loves this Mozart music and my flute playing.

One Chord Funk

Motion