The new synth-rock single from Chris Robley recalls Secret Machines, Muse, Radiohead, and Bjork, with its obsessive, buzzing bass, soaring vocals, and squalor of guitar.

Engineered by Jeff Stuart Saltzman at Secret Society in Portland, Oregon.
Mixed by Jeff Stuart Saltzman at Mysterious Beard in Portland, Oregon.
Mastered by Adam Gonsalves at Telegraph in Portland, Oregon. 

Performed by:

Arthur Parker - Keyboards
Daniel Adlaf - Synth Bass
John Stewart - Drums and Percussion
Chris Robley - Vocals, guitars, and keyboards

Lyrics:

I gotta let you go (4x)
Oh, how could you shut me out right now
when I couldn't need you more
and how haven't you realized by now
the one you've been waiting for is here

But I wanna be the only one (3x)
you love

Let You Go

Chris Robley - "Let You Go" (radio edit)

Hello! My name is Hans Henning Thomas. I think, I´m more a soundengineer than a songwriter and more a songwriter than really a singer/musician. I started to play guitar  late, i.e. on the age of sixteen and had never learned an instrument before. So my first musical influences have been by songwriters, because I firstly payed most of my attention to the lyrics. My musical understanding developed at this time, moving away from home and hanging around with some friends. At this time I did my first steps by grounding a band. But we were influenced more by the era of such as the Doors, Rory Gallagher, Neil Young, Jimmy Hendrix,  Pink Floyd or the first Deep Purple cast, - while the actual successful music at this time sadly was New German Wave and the like.

Later, after becoming an firstly unemployed physics, I followed my intention and turned my passion to trade, becoming a sound engineer. After all I got a well paid job in an public supported analog sound studio for a decade, recording and teaching some people in sound engineering. Some of my songs, published here, are a result from this era.

Now I´m working again as a physics / engineer, and music became my fervour again. In my life I lived in many different towns, in East and West Germany -  i.e. Düsseldorf, Braunschweig, Paderborn, Berlin, (1/2 year Tropea, Calabria, Italy), Hagen Westf, Siegburg, Dresden (Neustadt) and now I turned to Rahden, Westf., again, where I live deep in the country in an integral nature reserve. The experiences, I got and the people I met, might be an insperation for my philosophy and my music.

Thanks to the new computer technologies, I was able to build myself a modern home recording studio again, to produce my own and my friends music in a good quality.

My intention for the next time is, to listen to the theme and sound of the nature and turn it to music. The Intro of my song "Wild Ducks Flying" ("Flieg mit dem Wind") is a good example for this project. It came up to me, when I recorded some wild ducks trough my open window, flying over my house. I loaded the samples into a software synthesizer and started to made music to it, leaning on the style of some early Pink Floyd projects. This song should be regarded to migrant birds in analogy to the human society, nowadays.

I plan to go on this way in my next holiday, at least for a month, recording and using the sounds of a forest at night and the like. 

I hope you like and enjoy at least some of my songs :-) 


Chris Robley is a poet, songwriter, and producer whose lush, orchestral indie-pop has been praised by NPR, the LA Times, the Boston Globe, and others. Skyscraper Magazine said he is “one of the best short-story musicians to come along in quite some time.”

Robley’s poetry has been published or is forthcoming in POETRY Magazine, Prairie Schooner, Poetry Northwest, Beloit Poetry Journal, RHINO, Magma Poetry, and more. He is the winner of Boulevard’s 2013 Poetry Prize for Emerging Writers and a 2014 recipient of the Maine Literary Award for poetry.

heyyy

I make EVERY kind of music. The albums I've posted are:

Deluded:
Mixtape with all kinds of songwriting, rap, lofi. Recorded over the course of – maybe – four years. Jumping all over the shop.

Worldy:
Acoustic singer songwriter type tunes. I made this over the course of a year, my plan was to write and record a song a day – so I should have had 365 songs, but I ended up with 17. Yep. They are all recorded in one take, with some subtle overdubs.

Constant Nonsense:
Mixtape of really old stuff, some of my earliest efforts that – I think – still hold up. It's mostly indie, lofi, some beats and synthy experiments.

Little Raps:
I made the beats and I rapped the raps too. 

UFOs:
Some songs that I made over the course of a week, more indie, some experimentals and beats.

An independent record label and music promotion agency.

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )

Chris Robley - "Let You Go" (radio edit)

Chris Robley Music