Babe i'm gonna leave you  🎹 - Led Zeppelin / Piano cover (remaster 2025).

A heartwarming and flowing piece of neoclassical / chamber pop music based on strings and piano. Blossoming, touching and endearing music, combining classical and modern elements. Beauty, elegance, grace, kindness and values. The track has a 'lift' at around 01:22. (Stem files available.)

For licensing, contact
https://www.Shockwave-Sound.com
https://www.LynnePublishing.com



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Bjørn Lynne - A New Light Shines

later than we think

139 - Horizon

Handpan Impro - Uwe Leonhardt

“SILVORIS” drifts like a silver reflection over still waters, where lo-fi textures meet cinematic auroras. At ~74 BPM, the track unfolds slowly, layering gentle rhythms with airy harmonics in A#, creating a dreamscape of calm yet dynamic energy. The balanced stereo field lets every detail shimmer like light across a quiet lake, while a wide 31 dB dynamic range keeps the atmosphere alive and breathing. With its soft -18 LUFS loudness and warm headroom, the sound feels both intimate and expansive.

It’s music designed for late-night reflection, creative focus, or timeless wandering. Jazz undertones ripple beneath ambient currents, while subtle neo-soul phrasing adds depth and warmth. “SILVORIS” is not just a track, but a silver passage through sound and silence.

Technical Details:

Genre / Style Primary: Lo-Fi Chill / Ambient
Genre / Style Secondary: Cinematic Ambient / Jazz Influence
BPM: ~74
Key / Tonality: A#
Loudness (LUFS): –18.6
Peak Level: –5.1 dBFS
Crest Factor: 13.6 dB
Stereo Image: Balanced stereo field
Fusion Breakdown (%): 40 Lo-Fi Chill / 25 Cinematic Ambient / 15 Jazz / 10 Neo-Soul / 10 Experimental

SILVORIS

Musique originale composée par Ludwig Van Beethoven.
Enregistrée pour ma part il y a bien 15 ans déjà... 

La sonate au clair de lune - Beethoven (jouée par moi)

He set the table himself dim lights, polished wood, candles flickering like the last hopes in his chest. He placed his heart on the plate, raw and honest, hoping it would be enough.

She arrived, perfume first, beauty next. She smiled. She listened to his dreams, maybe even believed them for a minute. But when he slid his heart across the table, bleeding, vulnerable, everything he had; she just...leaned in, pressed her lips to his glass, and left her mark.

Not a sip. Not a taste.
Just proof she’d been there.

She got up, straightened her dress, and with a whisper of expensive fragrance, a ghost of a smile, she walked away; leaving him alone with nothing but the memory of a red lipstick print and a heart that was never touched.

He learned: sometimes the deepest wounds aren’t from those who break your heart, but from those who never even bother to hold it. Some love stories end before they begin; marked by a presence, not a connection.

He sat in the silence, staring at the glass, the plate, the empty chair.
And in that emptiness, he realized.
A heart offered is not always a heart received.
Some people just leave a mark, and call that love.

His heart was not enough.

Not Enough

I loved playing Muzio Clementi's Six Sonatinas when I was a student. I played them very fast and often strayed from the classical style to the dismay of my teacher! I still remember bits of each one. Here I recorded a set of 2 pieces based mostly on the Sonatina in C Major. I recorded them in one session and couldn't make up my mine which parts to take out for one piece. Take a listen to Part 2,also posted,  a remnant of this version. I hope you have fun listening as much as I had creating them!

Jennifer L. Jones
Music Dreams Productions

A Pianist's Folly

(FR) Ce morceau est né d’un regard.
Celui que je porte aux nuages quand je redeviens enfant.
Ni explication, ni message : juste des impressions… comme un souffle qui passe. 

(EN) I tried to capture the feeling I get when I watch the clouds drift by… through the eyes of my inner child.

Nuages

Je suis l'auteur/compositeur/arrangeur de cette chanson.
La voix a été générée avec Suno AI.
Si un chanteur ou une chanteuse de Bossa est intéressé(e) pour interpréter cette bossa, merci de me contacter !

Ce n’est pas ma voix qui excelle
Mais cette Bossa qui ensorcelle
Elle sait si bien décontracter
Tous ceux qui désirent la chanter

Savoir chanter tout en douceur
Une élégance qui touche au cœur
Comme savait le faire Salvador
Et sa voix feutrée que j’adore

Savoir faire sonner ces paroles
Sans les brusquer dans leur envol 
Comme aimait le faire Gilberto
Sans un soupçon de vibrato

La Bossa qui ensorcelle

Je suis surtout compositeur et parfois parolier.
Merci à tous les interprètes qui mettent si bien en voix mes musiques.
Les arrangements sont faits à partir du logiciel Band-in-a-Box.

La Bossa qui ensorcelle

Christian Devienne

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