Drumcode

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Dense & Pika - TEX - Drumcode - DC142

Back at our mammoth Stay True Scotland broadcast earlier this month, one track came real close to bringing The Caves' roof down during Nina Kraviz's powerhouse headline set. "I Wanna Go Bang" very nearly executed its titular statement – well, if the song was more about wrecking balls and less about...oh, never mind.

The vocals that stalk the track, so wholly devoid of humanity, rub up against razor-sharp claps and serious bounce in the subs. It's weighty warehouse techno of the highest order, set to devastate dark basements and big tents alike throughout the year. Simply put: Icelandic producer Bjarki has delivered a bomb.

Grip the physical via трип from July 15th onwards.

Bjarki "I Wanna Go Bang" - Boiler Room Debuts

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Le Ly Land - Drumcode - DC146

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Dutch Kiss (Straight Mix) - Drumcode - DC160

Enrico Sangiuliano - Ghettoblaster - Drumcode - DC160

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

When Pig&Dan decided to join forces, they began a truly prolific production schedule establishing their reputation as producers of pulsating electronic music that straddled dark house and high-energy techno, whilst creating their signature style of twisted and experimental breakdowns. Since those early days, they have created a repertoire that not many can match and have constantly been releasing their music on the most respected labels and playing at the best events worldwide.

Pig&Dan follow up to their outstanding first EP on Drumcode with ‘Chemistry’. Compromising of three tracks the mood fluctuates with each record to create a well-balanced, dynamic EP. Chemistry is a dreamy listening platform that mixes cyclic synth lines and stabs to crescendo into a late night imagination. The other two tracks are on the harder tip with their thunderous kick drums and disorientated sounds that provide a different edge to the EP with a harder, peak time sound.

Pig&Dan - Chemistry - Drumcode - DC165

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

We Do What We Want

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Alan Fitzpatrick - We Do What We Want

Well, 2016 was a bit of a mixed bag wasn't it? It's certainly a year that I wont forget in a hurry - for all sorts of reasons - good and bad. However the one common denominator throughout pretty much all of it has been music. Whether its what you turn too to make you happy or whether its the cause of what occasionally makes you sad, there is no denying that music is the one thing that brings us all together to share what is best about being a human. So here's to sharing and caring. We can all do more of both in 2017 but I want to sign off for the holidays by saying a MASSIVE THANK YOU to you all for caring about my music. As for the sharing, I'll start us off with this... ;)

Special thanks to Flow & Zeo for letting me use their acappella

https://wearethebrave.co.uk

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Alan Fitzpatrick - Skeksis (Drunk & High Mix)

Now in its second decade, with a steady stream of the most forward thinking and cutting edge techno productions, Drumcode has one of the biggest selections of releases from industry heavy hitters, whilst not forgetting its future by bringing the newest talented producers into the limelight, where Layton Giordani is now a name firmly within that line up.

The New York born, but now EU based producer first had recognition back in 2014, and his debut release came via Drumcode with his track “Rivington” on the A-Sides Vol5 compilation in 2016. 

Consisting of 12 original tracks, the album packs a punch when it comes to no-nonsense techno. Successfully weaving relentless drums and catchy vocal hooks into a selection of thick, brooding, atmospheric tracks.

Layton Giordani - Turn It Around - Drumcode - DC170

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Alan Fitzpatrick’s We Are The Brave brand has well and truly landed. Their debut sold-out club shows, held over one weekend at the end of March were preceded by three barmy house parties live broadcast from the homes of fans, and a host of well received singles have now come and gone, setting the tone for followers to expect the unexpected from the label with their self styled motto of We Do What We Want. 

It is then with a nonchalant shrug of the shoulders and poker face glare that We Are The Brave dish out their latest offering, ‘You Got Me’. As Fitzpatrick goes on to explain:

“Brave will always be the most natural home for my music, whether it be a familiar style to listeners or not. The whole point is that we are building an excitement around the music being released by not following a particular pattern or pandering to expectation. Hopefully I’ve made the point over the first three releases that We Are The Brave is about going with a flow and not letting preconceptions limit your experience, so its about time we released a good old Fitzpatrick rave banger, init!” 

Even the most fleeting of listens to the intro of thumping kick drums, precision crafted percussion and thunderous claps will give a strong clue that Fitzpatrick is back at the controls this time out. By the time the cut is in full throttle just after the two-minute mark then you can sense the knowing looks starting to shoot about the room as the familiar feeling grows. Luckily for anyone still unsure, all doubt is cast off at the half way point when the rave pads and breakbeats rip on from nowhere followed in hot pursuit by the "classic" Emmanuel Top "Play It Loud" you got me burning up vocal.

Some more recent converts to Alan Fitzpatrick may not be fully aware of the depth of his catalogues, never mind the 20+ years discography that Slam have behind them or indeed the history of remix collaboration between the two that goes back to 2010. However, despite the heavy dosing of hoovers and horns on their You Got Me rework, this Slam Track Series remix is all about the here and now as Glasgow’s techno kings turn in another example of the fine form they find themselves on right now.

You Got Me

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Alan Fitzpatrick - You Got Me

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Enrico Sangiuliano - Astral Projection

We Are The Brave front man Alan Fitzpatrick provides the labels next release with a typically incendiary two-tracker. Delving deep into his record collection for inspiration, the result is a brace of distinct, ear-catching cuts that tip a hat to by-gone times in rave culture and have returned big reactions from contemporary crowds all summer. 

The aptly titled “They All Called ‘Em Garys” combines droning hardcore hoovers and power piano with Fitzpatrick’s trademark heavy tech funk. While “Rhino” adopts a slung-back groove of resounding bass and tense pads overlaid with a knockout melody that bubbles away before unleashing its full chord progression through an unashamedly epic breakdown.

Rhino

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Alan Fitzpatrick - Rhino

They All Called ‘Em Garys

Alan Fitzpatrick - They All Called' Em Garys

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away success of their debut single “We Do What We Want” is far from the entire story. Much of the last year has been spent “getting their hands dirty”; nurturing new talent (such as Boxia, whose “Point Of No Return” hit set summer stages alight), developing and establishing an events concept (via WATB parties in Manchester, London, Glasgow and Ibiza), and gathering like-minded artists and their music together to support the labels burgeoning release schedule. 

We Are The Brave was set up as a community. At the core of this enterprise is the spirit of collaboration. A partnership between like-minded creatives. An alliance between artists and fans. A hub for sharing ideas and for working together. Nowhere has this spirit been most apparent than between the growing partnership between Alan Fitzpatrick and Darius Syrossian. Individually, they are both figureheads of brands and headliners in their own right, however, both are open-minded enough to realize that they are stronger together than they are competing for every inch of space within an increasingly overcrowded market.   

“It’s great to see how Alan operates. It's normal for him to be a resident for a party like Do Not Sleep in Ibiza but at the same time pushing his own We Are The Brave brand and instead of this creating a conflict, he manages to create a win-win for all sides. He is such a down-to-earth and humble guy but he makes unreal music and brings just as much passion when he DJs.”   

Indeed, it is that same unpretentious sentiment that is at the core of Syrossian’s “Made For Manchester”, as Syrossian explains, “I was a weekly resident in Manchester from 2008 to 2015 and the city means the world to me as a built a strong connection with the crowd there. I don’t get to play the city as often as I’d like now due to my touring schedule, so I wanted to make a track for the city, one that I know has my signature sound but also an emotive feel to show home much love I have for Manchester”. 

And Syrossian’s thoughts on Fitzpatrick’s remix? “I love the fact that Alan can bring old skool rave sounds back into his music while keeping it underground. My original is quite heavy in parts and the breakdown is very main room, but Alan has put a perfect twist on the original and together the two tracks make for a perfect package”

Drumcode

Christian Hurst