Songs by another project "little big bird"

2023/1/1

Website

星の種

[Verse 1]
You're my type of magic
You're my kind of love
You're the one I run to
When I'm lost in the dark

[Verse 2]
You're the one I see
When I close my eyes
When I'm runnin' out of time
I know that you're mine

[Chorus]
And I don't know what you did
To me
To me
And I don't know what you did
To me
To me
And I don't know what you did
To me
To me
And I don't know what you did
To me
To me

[Verse 3]
You're my type of magic
You're my kind of love
You're the one I run to
When I'm lost in the dark

[Verse 4]
You're the one I see
When I close my eyes
When I'm runnin' out of time
I know that you're mine

[Chorus]
Oooh Baby, and I don't know what you did
To me
To me
And I don't know what you did
To me
To me!
And I don't know what you did
To me
To me
Uuuuh, and I don't know what you did
To me
To me!

Uuuuuuh-Oooooh!

[Verse 4]
You're the one I see
When I close my eyes
When I'm runnin' out of time
I know that you're mine

[Chorus]
Oooh, and I don't know what you did
To me
To me
And I don't know what you did
To me
To me!
And I don't know what you did
To me
To me
Yeah, and I don't know what you did
To me
To me!

MY TYPE OF MAGIC

Buy it HERE

WATER TO WINE
 
Words & Music: Goff Johnson
Vocals: Todd J McLean
Keyboards & Rhythm Guitar: Goff Johnson
Drums and Hammond Organ: Kat Hendrix
Lead Guitar: Tim Porter
 
Mixed and Mastered by Kat Hendrix at Absolute Time Studios, Vancouver, May 2025
 
About the Song

"Water to Wine" is a song about the appeal of perfection we often see online, contrasted with the seemingly unremarkable and ordinary lives that most of us lead. It’s a reflection on the emotional toll that comes from chasing validation through likes and follower counts— and the emptiness that can follow when the spotlight fades.

Our value, though, goes far deeper than what shows up on a screen and authenticity holds more power than appearances. Take a deep breath and if we look up from the scroll and take a brave look at the world — and each other — we might find something much more real!

Behind the Song (from Goff Johnson)

Ironically, while the message of the track talks about isolation and the cost of surface-level connection, the making of Water to Wine was the exact opposite of that! It came to life through collaboration with the incredibly talented Todd J McLean, who, in addition to his awesome vocals, and red-hot music connections, also created the cover art (Woman in Yellow Chair) for the track! The overall result is something far richer than either of us could have created alone.

Working together brought depth, direction, and new energy to the song — proof that the best things happen when we connect for real. No filters, just music, shared purpose, and mutual trust!

Final Notes (from Todd)

This is my first collaboration on SoundCloud. I could not have been more fortunate than to work with Goff Johnson, an immensely talented singer/songwriter/musician. When I first came across Goff, I listened to his entire Stories of Stardust album end-to-end and I was so impressed with this concept and significant body of work. I highly recommend checking it out on Goff’s SoundCloud page. https://soundcloud.com/goff-johnson/sets/stories-of-stardust?si=9db35566a42747b9b63a5780334f67ea&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Although Water to Wine is not part of Goff’s Stardust series, it is nonetheless a beautifully written song and it’s been a privilege for me to sing it. Besides, I love to sing the Blues. Thank you so much, Goff!

We owe a huge shout-out to both Kat Hendrix, a master musician and our producer, and Tim Porter, a virtuoso on guitar. It is a real privilege to work with these West coast legends.

Lyrics: 

Verse 1
Someone wrote a playbook for perfection 
with lives of photo ops, their outtakes seldom seen 
today a star, the next you’re a pariah 
“Be Kind” they say, but that ain’t what they mean 
 
Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine 
 
Verse 2 
Well there’s nothing quite as quiet as “the silence” 
after fame has passed, so flashbulb fast, away 
and i wonder if it really makes a difference 
cos the next in line wait for their time, to shine but not to stay”

Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine

Cover Art: Woman in Yellow Chair, Todd J McLean

All rights reserved

Water to Wine

A song from my old band, Mercy Corps, back in the 2000s. Still hungover from the alt-rawk 90s we started to mess with dance punk. I went big crazy with the Moog on the verses. Too much? 

Lift Me Up

Hot girl on girl action version of “Heavy Sexy”
Fucking vocal by Anais Giulia @user-520332251 
Squirting vocal by Stixx @stixx2025
Sounds by Box Number Eleven and MJ
Image by Anais Giulia (“no, I’m not wearing anything under that hat!”)

Anais Meets Stixx (featuring Anais Giulia)


Texte Français et Google traduction

JOINDRE LES DEUX BOUTS

Fins de mois difficiles,
Les factures à régler.
Et les enfants fragiles
Qu’il faudra bien soigner.
Et ce loyer qui tombe
Trop lourd à chaque fois
Que faire dans un monde
Si on n'a pas un toit.

Puis il faut bien manger
Pas en faire des extras
Un plat ou une entrée
Sans sauter de repas.
C'est si facile à dire
Quand on y regarde bien
C'est sûr, il y a un pire
Beaucoup de nous ont faim.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.

On cherche et on ratisse
Dans ses tiroirs du fond
Ce jour qui rase gratis
Quand on n'a pas un rond.
On gratte toutes ses poches
Jusqu'à les déchirer
Tendre sa main c'est moche
Pour au mieux vivre.

En se privé de tout
Ce qu'on dit superflu
Il ne reste plus beaucoup
De moments détendus.
On se traîne, on vivote
Sans regarder au loin
L'intérieur se révolte
Espérant mieux demain.

A joindre les deux bouts...

Mais pourquoi travailler
On ne comprend pas bien
Que faire pour exister
Si ce n'est pour les siens.

A joindre les deux bouts
Quand on n'arrive pas,
Un sou est bien un sou,
Surtout quand on l’a pas.


MAKING ENDS MEET

Tough ends of the month,
Bills to pay.
And fragile children
Who will need to be cared for.
And that rent that comes in
Too heavy every time
What can you do in a world
If you don't have a roof over your head.

And you have to eat well
Not overdo it
A main course or a starter
Without skipping a meal.
It's so easy to say
When you look closely
It's sure, there's a worse situation
Many of us are hungry.

Making ends meet
When you can't make ends meet,
A penny is a penny,
Especially when you don't have it.

We search and we rake
In our back drawers
That day that shaves for free
When we don't have a penny.
We pick all our pockets
Until they tear
Reaching out is a shame
To live better.

By depriving ourselves of everything
What we say is superfluous
There aren't many
Relaxed moments left.
We drag ourselves along, we eke out a living
Without looking far ahead
Our inner self rebels
Hoping for better tomorrow.

To make ends meet...

But why work?
We don't really understand
What to do to exist
If not for our loved ones.

To make ends meet
When we can't make ends meet,
A penny is a penny,
Especially when we don't have it.

JOINDRE LES DEUX BOUTS

Well’s track Glycerine with Llanpsych guitar

GLYCERINE - with WELL

Pierre and JC Bordetti productions (c) 06/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Lyrics
Lost in the night, under silver beams, Drifting through cosmic, endless dreams. 
A thousand lights whisper my name, Guiding me home through time and flame.

Stars above, shining so bright, Lighting up the lonely night. Tell me tales of space and time, Sing me songs, make the world divine.

Fullness

Wide Awake

Shadowmaker

Breaking free from yesterday (Behind the shadows)

BECAUSE OF GREAT PATRONS LIKE YOU MISTER CHRISTIAN HIT 2K FOLLOWERS @ 3:52 PM EDT, 11/11/2025. A BIG MILESTONE, AND WE THANK YOU ALL SO VERY MUCH! - CYTH & CHRIS

https://misterchristian.bandcamp.com/album
https://reverbnation.com/misterchristian
https://www.mixcloud.com/CytheraNet/
https://soundclick.com/misterchristian
https://audiomack.com/CytheraNet
https://youtube.com/@CytheraNet
https://hearthis.at/CytheraNet
https://vk.com/CytheraNet
https://patreon.com/c/cytheranet/collections

Mister Christian is based out of Cologne, Germany and Atlanta, Georgia, USA.

- - - - - - - - - - - - - - - -  - - - - - - - - - - -
AI 'Build-A-Cyth' - Prompt_To_Image Challenge:

'An extreme close-up portrait of a light-skinned, blonde, blue-eyed, female at twenty-four years of age which exhibits a symmetrical cranial contour with prominent zygomatic arches and a gently tapered mandible. Supraorbital ridges frame deep-set orbits, housing irises of pale cerulean. A convex nasal bridge leads to rounded alae. Vermilion borders are full, with a defined philtrum. Epidermis is smooth, lightly freckled; pilose extensions cascade in golden waves. The hairstyle is voluminous and slightly tousled, featuring blonde highlights. The makeup is subtle, with soft eyeshadow and rosy lipstick. Her expression is neutral with hint of a faint smile. The colors are muted and natural.' ---> Et voilà. - It's Me! 👀...'Cyth'

⠀⠀⠀⠀⠀⠀⠀⠀ ⠀~-.,,.~
⠀⠀⠀⠀⠀⠀'`¨¯¨( o o )¯¨¨´
⠀⠀⠀⠀⠀⠀ ⠀⠀⠀/⠀  ⌣ ⠀\
⠀⠀⠀⠀⠀⠀⠀  ⠀_/▐\_▐\🌸
⠀⠀ ⠀⠀ ⠀⠀⠀/ ⠀⠀  ||  ⠀⠀ \
⠀⠀⠀⠀⠀⠀⠀/___ _/\______\

(AI DeepSeek R1 ASCII Art Rendering of Cyth holding a flower)

MY TYPE OF MAGIC

MISTER CHRISTIAN

Recent comments

HIPNOVEL...timeless music

Juan Fco. Bueno

kastropodux

MOON AND ARIES

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