This slower paced track has a spy-like atmosphere with the bass and radio arp setting the tone before the main synthesizer kicks in, leading into a guitar riff that carries the rest of the song.

Celestial Docks

Small Prelude written in Cubase with Arturia Piano VST

Prelude No3

Dial Planet

Rough Wax · Craig Vibes

Rough Wax (Dub Mix)

Release on: 2023-01-26

Rough Wax

Rough Wax (Dub Mix)

Another one that The Bawl Slant kindly mixed and mastered for me. 

Castles [The Bawl Slant Remaster]

The Music Box

A COLLAB WITH DREAMING WHILE AWAKE! @dreamingwhileawakemusic:  I DID VOCALS, DWA DID THE MIX, MASTER, AND PRODUCTION. THANK YOU ESPEN FOR MAKING ANOTHER GREAT TRACK I LOVE WORKING WITH YOU!! I HOPE Y'ALL ENJOY THIS, BECAUSE I LOVE IT! MUCH LOVE, PEACE, AND HAPPINESS TO Y'ALL! XOXOXO!!!!

KRAE- 'BARNYARD BURNER' DWA COLLAB (MIX MASTER & PROD BY DWA)

HELL'S KITCHEN
FOR FLUTE, CLARINET, VIOLIN, CELLO, PERCUSSION AND PIANO
Duration: ca. 12'
Instrumentation: flute (doubling piccolo and blender), B-flat clarinet (doubling B-flat bass clarinet and blender). violin (doubling coffee grinder), cello, percussion (see Percussion Instrumentation below) and piano

Commissioned by The Utah Arts Festival as the result of winning the 2014 Utah Arts Festival Chamber Ensemble Composer Commission Competition
World Premiere: Vertigo Ensemble, Utah Arts Festival, June 28, 2014.

This performance: American Modern Ensemble  "Ghosts and Ghouls" 10th Anniversary Concert, David Alan Miller, conductor, Merkin Concert Hall, New York, NY, October 30, 2014.

More Info.: http://robertpaterson.com/hells-kitchen

To Purchase Sheet Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTE
After having written several works with references to apparitions and the underworld (Ghost Theater and Closet Full of Demons, for example), I realized that inspiration for a third work in this gruesome series exists right here in my own backyard: Hell’s Kitchen, my neighborhood in New York City.

Several competing legends attempt to explain how Hell’s Kitchen acquired its gritty, colorful name, but there’s no dispute as to why. From the mid-1800s to the 1980s, it was was known for its tenement buildings, streetwalkers and speakeasies, slaughterhouses, deeply violent gangs, gruesome murders, mysterious disappearances and even ghosts. Today, realtors and some non-natives call it Clinton or Midtown West, and it is known for its Off Broadway theaters, an abundance of chic restaurants, luxury condominium towers and even as the name of a reality TV cooking competition show. However, locals still steadfastly call it Hell’s Kitchen, and are proud that the neighborhood has become a veritable culinary and cultural melting pot.

In Hell’s Kitchen, I use the imaginary sounds of a fast-paced restaurant kitchen in hell as a point of departure, complete with loud, grinding effects produced by musical instruments and the sounds of kitchen tools and appliances. The percussionist plays a central role, using a metal grater like a güiro (an effect suggested to me by my son Dylan while walking down 9th Avenue) and uses wooden spoons like drumsticks on pots and pans, while other players are called upon to use kitchen gadgets and appliances for percussive effect. The entire work is meant to give the feeling of being in the middle of a kitchen in hell.

Hell's Kitchen - Robert Paterson

zonedout - pulse motion (prod. phntmzn bR)

Black Eye

I noticed on the original the sound is a little weak so tried malking it stronger.

I am the product VIP

One Man Project... I do what i like... Something between Ambient / Industrial / EBM / Electronic

Dial Planet

Aesthetic Mobilization