Aeolus II: Piano piece in С minor. 

The first 'Aeolus' can be heard here: https://soundcloud.com/anthonypaulcomposer/aeolus

Aeolus II

Written by D. Liebner
Lyrics and melody by K.Karavasilic

COVID2021

Quarantine Days

Man walking on Jupiter-nic is Here =https://soundcloud.com/nic_nic_nic
His work is fast and excellent! If you are interested, please contact him for a trial!
Music-nic＆Tot.
Words,Vocals,Mastering and Art Work-nic
P-line:
℗ driftwood recordings 2021

Love Has Grown Cold  - with nic

Visible from miles around, an age old, lone sentinel stands atop the ridge.

© 2021 Dairv Dubbleyew

Lime Tree Ridge

P.O.E.T.

Serpentine

You can stream it in your favorite platform here: https://smarturl.com/slowedreverbnaomms

If you prefer the original paced version, stream here in your fav platform: https://smarturl.com/naomms 

♥ ^^!!!!!!!

Mera Khai - not afraid of my mental state (slowed + reverb)

Sending out the greatest strength to our friends of Ukraine.  Continue to share the faith that Democracy and freedom will prevail.  We are with YOU.  And special thoughts to our exceptional Ukranian SC friend and master composer and keyboard player Syntalita, who has inspired so many for years with her impeccable performances and creativity:  https://soundcloud.com/syntaleta

Demokratiya -демократія

Perhaps best known by Roberta Flack’s beautiful recording, this song was written by Irishman Ewan MacColl back in the 50’s. I recorded this on my iPhone VoiceMemos and simply added a harmony later. It’s a straight forward, simple acoustic interpretation of these lovely lyrics of love.

The First Time Ever I Saw Your Face

The First Time Ever I Saw Your Face (Ewan MacColl cover)

also available on YouTube and more streaming platforms
https://youtu.be/Lz2jpFXycGQ

Air Return

A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice

At half past ten
In the kitchen drinking coffee again
And Right on time
The postman knocks and the clock begins to chime

In the afternoon
The sound of children walking back from school
At six o clock
The bbqs are spreading smoke around the block

Who could ask for me more?
A garden gate and a name above the door
Who could ask for more?
Wrapped inside these walls
Who could ask for more?
A roof and a floor
Who could ask for more?
Your suitcase in the hall

Have you ever dreamt
Of having a life changing event?
Lost in the wilderness
A chance encounter or a mystery illness?

Don’t take fright
If the foxes screaming out tonight
They’re just looking for a mate
Call me now it’s never too late

Who could ask for me more?
A garden gate and a name above the door
Who could ask for more?
Wrapped inside these walls
Who could ask for more?
A roof and a floor
Who could ask for more?
Your suitcase in the hall

Who could ask for more?

'Alone In A Crowded Place' is a fusion track inspired by the experience of feeling alone whilst surrounded and in the midst of a large group of people. Composition is shared with Georg Boehme, whilst Georg's wind arrangements are simply mind blowing as is his soloing on this track. So then once again I have had the exceptionally good fortune of sharing another musical journey with this extraordinary player, arranger and composer.
Thank you for listening and please leave your thoughts in the comments should you have the time and/or inclination to do so.
Alan.

Alone In A Crowded Place

Alone In A Crowded Place ( Hamilton and Boehme)

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

Who could ask for more?

C h r i s t i a n T W a l s h