Another collection of top tunes and superb songs from the SoundCloud community.

Remember November

UNDER CONSTRUCTION]

Tradacoustic series no. 215

Music, mostly recent, a few days, a few months...

creation: 2023/01/06

HK_Tradacoustic_215

Harbor Nights

The October 2022 DIAMC writing prompt was about displacement, taking a character either fictional or real and putting them into an alternative reality. I imagined a world where Little Red was all grown up and off to the bright lights and big city, in search of Mr Wolf.

Demo, recorded in the spare bedroom of our holiday cottage in Ackergill.



Little Red

Little Red she’s grown up proper
Little Red, nothing’s going to stop her
She’s going to shine, like the moon
Mr Wolf, big man in the city
Mr Wolf sure likes them pretty
In for a surprise, Mr Wolf
You’d better watch that back
Look both ways
She’s coming for her due
Little Red

Little Red, headed for the Hood
Telling Granny she is going to be good
She may be lying, but honest she’s trying
Little Red steps into his bar
Mr Wolf greets her with a snarl
“Hrrrrrrrr, Babe, you’re looking swell”
Little Red flicks back long hair
Walks by, ignoring his stare
“Make mine a double on the rocks 
And wipe that look, off your face,
I swapped out that blunt old axe,
For some Mace
And I’m not afraid to use it,
Don’t need a Woodcutter no more.”

Little Red, now she’s a star
Mr Wolf, he’s gone and bought her a car
And a house, and a yacht, and a ring
He fell under her spell
Little Red, she played him so well
But damn, that girl could sing
Ahoooooo, Little Red
Ahoooooo, Little Red
Ahoooooo, Little Red

“Turned out there’d been a bit of a misunderstanding. Mr Wolf isn’t all bad, you know? Last I heard…he’d gone and bought Granny…a new condo”

Ahoooooo, Little Red
Ahoooooo, Little Red

"Turns out, it had all been a misunderstanding. Mr Wolf, well, he is all bad you know. In fact, the last I heard, he'd gone a bought Granny a new condo.

Ahoooooo, Little Red
Ahoooooo, Little Red

© S Barr 2022

Little Red - Demo

Nouvelle collaboration avec mon ami LuluM aux guitares & Piano

Danatoldonkeyfunk with LuluM guitars&keyboard

4 Star Commended Entry in the 2022 UK Songwriting Contest

Bonfire Night or Guy Fawkes' Night takes place on November 5th each year in Great Britain with bonfires and firework displays. It recalls the Gunpowder Plot of 1605; an attempt to blow up the Houses of Parliament. Guy Fawkes was captured before he could light the fuse to 36 barrels of gunpowder. Back in the day, children would make a scarecrow-like effigy of Guy Fawkes to be thrown on the communal bonfire during the 'celebrations'. In the run up to the evening they would ask for "a penny for the guy" to spend on sparklers, sweets or other treats.

We must remember every November, we must remember the fifth of November,
For the gunpowder, treason and plot, the gunpowder, treason and plot,
With Mr Guy Fawkes evil intentions, he certainly got all of our attention,
For the gunpowder, treason and plot, but did it succeed, it did not.

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

Look at the fireworks lighting the night sky, building the bonfires, building them so high,
Flames burning golden and hot, for the gunpowder, treason and plot,

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

Poor Mr Guy Fawkes, remembered to this day,
With burning bonfires and a firework display,

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

We must remember every November, we must remember the fifth of November,
For the gunpowder, treason and plot, the gunpowder, treason and plot,

Penny For The Guy

Penny For The Guy (Graham Williams)

Words and music by Martin Smith
(C) 1994Curious? Music UK

Performed (all instruments and vocals) by Alexander von Wascinski

Over The Mountains And The Sea

A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice

The telephone keeps ringing lately
And I don’t know who it is
Every time I say hello who is it 
There’s silence on the line 

And when I try to trace the caller
There’s no number to be found
I can’t even call the operator
They don’t exist any more

Maybe I’m just imagining it all
Just Tricks upon my mind
If it’s you that keeps calling
Won’t you please just give me a sign
Please just give me a sign

Instrumental verse

In the night I heard a high pitch pinging
A message had just arrived 
But when I checked my phone to read it
A blank email was all I found 

I wonder if I’m imagining it all
Just Tricks upon my mind
If it’s you that keeps calling
Won’t you please Just give me a sign
Please give me a sign
If it’s you just give me sign

Silence on the line

Uma lâmpada se espelha - 5 - 12 - 2022  - rock jazz

Christ Church Ashton Medley Jan 01/23

The Lick (dedicated to Adam Neely)

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

Silence on the line

C h r i s t i a n T W a l s h