Streatham ASMR

HOMAGE   TO  WILLIAM   BURROUGHS  --  2

Part 2&3 (premix) d'après l'oeuvre de Lorand Gaspar: Sol Absolu. 
Voix: Lorand Gaspar

Sol Absolu Part2&3

Production avril 2022 tous droits réservés.
L'assaut terrifiant de Marioupol, les habitants sous terre, les échos de la destruction, le peuple armé, face à la gueule immonde des canons.

MARIOUPOL  22

This piece has been written as a tribute to the courage of the people of Ukraine in the face of the suffering and martyrdom they have been victims of during this month of February 2022.

The title “Eneyida” is intended to be a reference to the eponymous burlesque poem written by Ivan Kotlyarevsky in 1798, who is considered to be the founder of literature in the Ukrainian language of.
 
This poem is considered to be the first literary work published entirely in the modern Ukrainian language.  Although Ukrainian is an everyday language for millions of people in Ukraine, its use in literature has been officially discouraged in the area controlled by Imperial Russia. 

Eneyida is a parody of Virgil’s Aeneid, where Kotlyarevsky has transformed the heroes of Troy into Zaporozhsky Cossacks.  The critics think that it was created in the light of the destruction of the Zaporozhsky Hetmanate ordered by Catherine the Great.  The poem was written during the development of romanticism and nationalism in Europe.  At the time, some of the Ukrainian elite were overcome by nostalgia for the Cossack state, eliminated by Russia in 1775–1786.

 The first three parts of the poem were published in 1798 in Saint Petersburg, without the author’s knowledge.  The full “Eneyida” poem was published after the death of Kotlyarevsky in 1842, and would only be translated in 1933 in the American journal Ukrainian Weekly.  However, the first full English translation was only published in 2006 in Canada by a Ukraine Canadian called Bohdan Melnyk.

Eneyida

WOLF  LAMENTATION

Dans cette émission, vous découvrirez deux pièces de Christian Eloy : Eneyida, composée en février 2022, en hommage au peuple ukrainien et Fold-in une pièce aux sonorités envoûtantes d'erhu (violon chinois). 
Bonne écoute !

Élacousmatique3

Random Access Memory  - 1998-durée 5’
Plus de 50 années depuis les premières explorations sonores de Pierre Schaeffer.
Cette courte pièce est un parcours erratique dans la mémoire électroacoustique de ce demi siècle. Des couleurs, des bribes, des fragments, des motifs, des signaux provenant de compositeurs de ces 50 années, ont constitué la matière sonore exclusive de cette musique.
C’est d’abord un hommage à ces compositeurs qui ont construit et enrichi la musique électroacoustique, mais c’est aussi un clin d’oeil à la forme la plus contemporaine de la musique où tout devient matière musicale dans un joyeux mélange sans réserves ni complexes.
Pièce sur le CD Octandre : 5 minutes pour 50 ans.



R.A.M - random access memory

Live performance, May 2017
Darko Gorenc, Barbara Kresnik, Matevž Bajde, Franci Krevh – Percussion
Ivan Repušić – Conductor
Slovenian Philharmonic Orchestra

R.A.M - random access memory

christian eloy

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