The Grand Concourse - When Will I See You Again?

Mixed and mastered by Joe Rogers at Room 17 Studio in Brooklyn, New York
Produced by Joe Rogers and Christian Linsey
Written and performed by Christian Linsey
Patrick Malone played bass

How About The Moon (Single)

Koncept & J57 feat. Neveah "Crazy Is Beautiful"
Produced by: J57, Extra Keys by: Matt Stamm
Background vocals: Mike Two & Nichelle
Chorus written by: Mike Two

Mixed & Mastered by: James Musshorn at Red Bull Studios LA
Koncept & Nevaeh's vocals recorded at Kon's Taco Booth (Portland, OR)
Mike Two & Nichelle's vocals recorded at Gio's Room (Brooklyn, NY) by Optiks.

Twitter: @Koncept, @J57

Written by: K. Whitehead, M. Peterson, J. Heinz, M. Stamm

Buy on iTunes

Crazy Is Beautiful feat. Nevaeh

Christian Linsey played drums guitar synths and voice
Patrick Malone played bass
Scott Porter played guitars and voice
Seth Glickman played keyboards
Matt Stamm played keyboards and voice
Joe Rogers played guitar and memory man
Produced by Joe Rogers and Christian Linsey
Mixed and mastered by Joe Rogers at Room 17 Studio in Brooklyn, New York

Through The Ground (Single)

when should we meet

Bombz is NYC. All other assumptions are true.

BOMBZ

Buy 4 forever

BOMBZ - Lonely Heartz

I think about that night we spoke,
the lies you told,
the vows you broke, 
and I miss you even less than before.

I think about the acid tears,
the broken hearts,
the wasted years,
and I miss you even less than before.

Don't want to talk,
but soon you'll know just how I feel.

Tables turn on you now,
these things workout somehow,
tables turn on you.

I think about the old routines,
the future lost,
the shattered dreams,
and I miss you even less than before.

I think about when we still cared,
the fun we had,
the love we shared,
and I miss you, yeah I miss you.

Don't want to talk,
but soon you'll know just how I feel.

Tables turn on you now,
these things workout somehow,
tables turn on you.

Tables Turn [acoustic demo]

“New English” is an album full of songs that really want to love and comfort you, and characters you want to get to know. Sand in your hair is a tripped out dream floating over a stilted drum beat. Lunchroom and Left your arm are slacker-pop daydreams taking you back to high school…the record is full of these weird love songs, dealing with depression, old friends and loves, mortality, yadda yadda. When we put down our old dreams of grandeur, and settle into a good, small life…not everything needs to be happy. 

On his second LP, Christian Linsey is finally embracing himself, with a batch of songs that fit together in a lo-fi collage. While his first record (“After All”) was a response to great loss, “New English” can’t help but feel like a rebirth. He’s older now, has learned to trust himself and his friends, and is less afraid to care deeply about making art. He started a family, found new structure in his life, and the odd pockets of time between parenting duties in which he could experiment. Some of the songs arrived quickly, others were labored over for years. 

Linsey invited in bigger group of musicians – trusted collaborators Joe Rogers, Scott Porter, Matt Stamm, Pat Malone, Billy Ziff, along with some new voices: J57 (beats), Elenor Norton (cello), and Tory Giardina (vocals), whose contributions give the record a warm, ethereal quality. Together it all makes sense, sort of, and hey, it’s better than doing it alone.

How About The Moon (Single)

Christian Linsey

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