Meditative piano music in a hyper-connected world.

http://www.mathamwilsoned.com

My piano is my voice.  I started recording these compositions and improvisations a few years ago when I wanted to tell someone how much I love them and no words were sufficient.  In the process of writing and recording that piece, I decided to start recording my random improvisations as well (which despite having played most of my life, I've never done before).  That was the beginning of my first set, "Words Fail Me" and this page.

Words Fail Me is available on Amazon, iTunes and Google Play!  It is also available for streaming on Spotify! 

Thanks to everyone who has listened, liked, reposted, commented - the fact that so many complete strangers have taken time out of their lives to experience a little of mine is crazy.  

I also love to accompany vocalists and work with other musicians:

https://soundcloud.com/matham-wilsoned/sets/accompaniments

Or take a minute to listen to the amazing voice of https://soundcloud.com/keir-patrick-white whom I had the privilege of working with for many years.

I am an Australian-born composer of concert music and music for screen as well as an experienced arranger and orchestrator. I enjoy collaborating on a range of projects from small scale short films to advertising, feature scores and live performances.

My scores cover a range of genres from orchestral to electronic and popular styles. My turn-around is fast, I can capture a mood quickly and can provide tracks to suit all requirements.

I have written for numerous ensembles and performing arts organisations including the Melbourne and Adelaide Symphony Orchestras, members of the New York Philharmonic, Kammer Ensemble, the Song Company, Orkest de Ereprijs, Chronology Arts, the Royal College of Music Symphony Orchestra and the Composers’ Ensemble. My orchestration and arrangement credits include work for Japanese video game composer Hitoshi Sakimoto, Australian composer Matthew Hindson, oud virtuoso Joseph Tawadros and the Australian Brandenburg Orchestra.

My training includes an undergraduate degree in composition from the Sydney Conservatorium of music as well as a masters from the Royal College of Music, London.

For a full bio and examples of my work please visit: www.tristancoelho.com

Email: tristan@tristancoelho.com

Nathan Glenn has been composing for almost 20 years. He has two major diplomas in music, and composes for a wide variety of genres.
Please feel free to check out demos of Nathan's works as they are uploaded here.
You can contact him at contact@nathanglenn.com for questions and enquiries.

All music is covered by international copyright laws.

Composer/Pianist specializing in modern classical piano/strings/synths.

License music below!

Musicbed: https://www.musicbed.com/artists/madron/44274
Artlist: https://artlist.io/artist/397/philip-daniel-zach?search=philip-daniel-zach
Musicvine: https://musicvine.com/browse/artist/philip-daniel

Influenced by the likes of Dustin O’Halloran, Ólafur Arnalds, Max Richter and other neo-classical giants, Meg's piano compositions are truly a blend of old and new. Her style is deliberate and visceral, weaving rich narratives through measured shifts in movement and dynamics. She oftentimes implements a melody-driven discipline in composition, whereby the central theme of a piece takes an unrivaled lead and establishes the character or mood with which to build around. This is not to say that Meg’s work is minimalist; she isn’t afraid to take a piece somewhere unexpected or furnish it with complementary layers. Rather, she doesn’t let harmony or instrumentation overshadow the main communication of her work, which is to be found in the melody. 


For inquires: Megbcomposer@gmail.com

A concert Compline
youtu.be/HBJBdDaZZJw
Bruise UK / The Kimberleys - get to a gig
Blackheart Orchestra - got to see the show
Be ready, be there, make it happen!
https://www.youtube.com/playlist?list=PL4bre6HR4UygUXd6iUFl9OOtMIgeZ6S09

Christina Higham is following