HATE promotes the best electronic, techno-oriented releases.

HATE on Soundcloud is all about exclusive Podcast Series & Premieres Cycle.

Mix series, born in October 2016, includes works from artists who are involved in the development of our channel and provide the tone of HATE Collective for a long time. Past records from them you can find on our YouTube channel.

After only one year from its birth, HATE podcast series was mentioned by Telekom Electronic Beats as one of "10 Techno Podcasts Every Techno Head Should Know": http://www.electronicbeats.net/the-feed/10-techno-podcasts-every-techno-head-hear/
 
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Everyone's fate is made of many tales. Although our own destiny might be dwelling in our breast, it also takes strong convictions and the courage to challenge yourself. DJ, producer and label manager Marcel Fengler is the best example that talent isn’t just a matter of luck, but the will to believe in your own passions while constantly developing them. Today, Fengler has not only been quoted as „one of the finest techno DJs“ (Resident Advisor), he has earned international respect for his „well-crafted body of production work“ (FACT) introducing his unique and „multi-faceted personality“ (Electronic Beats). 

While growing up, he was first fascinated by the hip-hop culture, breakdance, and graffiti art, Fengler’s interest shifted towards techno music and the art of DJing after the Berlin wall came down. As a vinyl nerd he began playing records during the early nineties. By witnessing Claude Young mixing with three record players, Fengler followed his path merging both hearts in his chest: turntablism and techno. Carried away by the magic and the togetherness of the first hardcore and trance raves in such clubs like E-Werk or Tresor, he organized his own parties in his hometown Fürstenwalde.

Over the last two decades, Fengler developed a versatile and dynamic style of DJing that made him one of the first resident DJs of Berlin’s infamous Berghain / Panorama Bar in 2005. With his impressive intuition for the very moment, Fengler is capable of changing pace, atmosphere, and energy reacting to the mood on the dance floor: whether industrial-drenched hardness, broken beats, gloomy dubs or melodic and funky grooves – next to his inimitable instinct, Fengler draws from a varied repertoire. The approach of allowing to drift away within the momentum also applies to his first singles as a producer on such labels like Ostgut Ton and Mote Evolver. His debut album „Fokus“ (2013), in particular, was a statement of his ambitious claim, awarding his own tracks with emotional densities as well as unexpected contrasts. 

Bringing together both his melodic groove and beat tracks and his straighter cuts, he founded his own imprint Marcel Fengler Index (IMF) in 2011 – a platform that not only continues evolving his timeless techno approach but represents a creative center introducing new and young talents. A logical step for an artist who’s always interested in looking beyond his own nose represented by his project DIN, the mutual collaboration with Philipp Sollmann (Efdemin), for the contemporary dance project „Masse“ of the Staatsballett Berlin. 

As a DJ and producer, Marcel Fengler stands for imposing surprises and the appeal of variety. For him, techno is both unconditional passion as well as an essential part of his identity. He’s not bound to a linear or one-dimensional sound, instead, he’s constantly seeking for new ways to express his emotional storytelling skills. His willingness to challenge himself and to stay curious, while establishing changes as his secret persistence, is showing his true vision of techno which makes Marcel Fengler to one of the today’s most exciting electronic artists in these days.

Tom Wax has always been a leading figure of the electronic music scene in Germany since 1988 and inspired a lot of DJs and producers around the globe with his unique sound between House & Techno. Even after more than 30 years behind the DJ booth he is still on a mission and prooves this in impressive manner on such labels like Toolroom, Filth On Acid, CR2, Gain Records, FeChrome, Bush Records, Dolma Records, Suara, Great Stuff, Technoclub Records, Stereo 3000, Armada Deep, Deeperfect, WePlay, Kontor, Plastic City or his own Phuture Wax imprint.
In the early 90ies Tom Wax created electronic-music history with his projects Arpeggiators,Microbots or DJ Tom & Norman and the today classic tunes „Cosmic Evolution“, „Freedom Of Expression“ or „Tales Of Mystery“ on such labels like R&S Records, Harthouse Frankfurt or Overdrive Records. With his project AWeX together with Thorsten Adler and the Über-track „It ́s Our Future“ on the legendary Plastic City imprint he had his international breakthrough in 1995 and since 2000 he concentrates on his Tom Wax artist project.
Cooperations with CJ Bolland, Marshall Jefferson, Mike Dearborn,Michael Wells (GTO),Terry Lee Brown Jr.,The Timewriter, AKA AKA,Kai Tracid, ASYS, Mijk van Dijk, Dr. Motte, Marusha, Talla 2XLC,Roy Stroebel (Strobe), Gotlucky, Boris Alexander,Ian Oliver, Dan Hillson, Simon Fava, JamX & DeLeon, Alex Stadler or Franksen as well as remixes for artists like Yello,Erasure,Jam & Spoon, Hardfloor, Sparks,Cosmic Baby,Mesh or John Starlight fill his multi page discography with over 500 releases and remixes.
Next to his DJ gigs around the globe Tom hosted his own radio-show since 2004. First on German radio station YOU FM, where he is one oft he resident DJ oft he legendary Cubnight show as well,from 2010 to 2012 he presented his show Phuture Sounds on the online radio Big City Beats FM.
Other important stations over 32 years of his musical career were the Music Discovery Project in 2007 alongside famous conductor Parvo Järvi and his Symphonic Orchestra, his 8 year DJ residency at the legedary Frankfurt based club Dorian Gray and his A&R work for the labels Harthouse/Eye Q and Music Research.

Techno since 1989, owner of Electric Ballroom. OG.

Techno DJ / Producer, Tokyo Japan

Pushing forward-thinking electronic music and playing around the world since 1993.

The founder of the label 70 Drums and the co-brewer of KIKK IPA.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

christoe hebrant is following