Very creative vocal track..captivating & mesmerizing..perfectly executed..great piano work..excellent mix & recording production..brilliantly done!

Magnifique chanson 😊😉😎😍💕👍🙋

THIS TRACK IS YOUR  MOST INTERESTING WORK TO THIS DAY

Joli texte, joli jeu de guitare, belle qualité d’écriture : « C’est un chemin que je ne souhaitais pas connaître, un chemin ouvert sur l’abîme… » La voix est belle, suave, et pleinement incarnée. Merci pour cette charmante chanson.

L’éclipse


C'est un chemin
À demain tu ne peux le remettre
C’est un chemin
Que je ne souhaitais pas connaître

C’est un chemin 
Sur l'abîme une voie ouverte 
Tu le découvres					
Oui mais c’est  d’abord lui qui te trouve 		


 
Dans mon absence, je suis étrange
Ma honte ma peur cachée dérange 
Comme une étoile qui s'écroule 
Et qui devient un puits sans âme		

Je crains de t'emmener dans mon monde	
J’ai tellement besoin de ta vie 			
À voir l’bonheur de ceux d’en face		
Mon cœur fond en larmes de glace		


De nouveau les monstres anciens		
M’apparaissent en chacun de nous		
Nous sommes, tous, ces immortels
A corps perdus dans notre histoire 			

	         

C'est un chemin
À demain tu ne peux le remettre
C’est un chemin
Que je ne souhaitais pas connaître

C’est un chemin 
Sur l'abîme une voie ouverte 
Tu le découvres					
Oui mais c’est  d’abord lui qui te trouve


En terminer avec la nuit
C’est le sommet de la misère
Chaque jour tenter dans la douleur
De trouver un début d’envie

Chaque jour garder le souvenir
Qu’il exista des jours brillants    
Chaque jour garder un espoir
De voir le retour du désir


Difficile de rester en paix
Tant que l’on reste vivant
Mais rien n’a de sens vraiment
Avant qu’il ne soit vraiment temps



C'est un chemin
À demain tu n’ peux le remettre
C’est un chemin
Que je ne souhaitais pas connaître

C’est un chemin 
Je pensais que c’était la fin
Et ce chemin
Aujourd’hui fait partie du mien

Ce chemin fait partie du mien
Ce chemin fait partie du mien
Ce chemin fait partie du mien
Ce chemin fait partie du mien…

Eclipse

This year I've been studying jazz.
Have fun!

Jazztastic

Daniel

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

"Whatever"is an '80s-style rock song. It talks about the world of disposable and temporary things we live in, where nothing lasts long enough to become real. Friendships, relationships, love — everything is plastic and fleeting. A time without memories.

Whatever (Tanto Faz)

It’s just like that, the way I recall,
Blurred-out words, nothing real at all.
I hit the street, but I’m not there,
Can’t see you — green or red, I don’t care.
I walk ahead, try not to glance behind,
Where I go, you don’t cross my mind — that’s fine.
What’s gone is gone, it won’t return,
The future waits, no need to burn.
It’s gone, it’s done — no more glory,
The fire wipes out every story.
Time just moves, it won’t relent,
Chasing wins, it kills the present.
And memory? It fades, it dies,
Just disappears before your eyes.

++++++++++PORTUGUES

Tanto faz é um rock estilo anos 80. Fala sobre o mundo de coisas descartáveis e temporarias em que vivemos, onde nada dura tempo suficiente para se tornar verdadeiro. Amizades, relacionamentos, amores...tudo é plastico e passageiro. Um tempo sem memórias.

Tanto Faz

É bem por ai, é como eu me lembro;
Palavras difusas, tudo fake;
Descubro a rua e não me vejo;
Não te enxergo, verde ou vermelho;
Sigo em frente sempre tento não olhar pra trás;
Pra onde ando não te percebo, tanto faz;
O que passou, passou. Não volta jamais;
O futuro te espera, fica em paz;
Passou, passou, não tem mais glória.
O fogo varre toda a história.
O tempo sempre segue em frente, buscando a vitória despreza o presente.
A memória se diluí, se desfaz.

Whatever (Tanto Faz)

Red Light Syndrome

In the previous version (https://soundcloud.com/michele-ansani/gamma-o) there was excessive sound saturation. I kept only the vocal part (remixed) and redid the piano backing, aiming for a more minimalist result.

Gamma Ø: https://en.wikipedia.org/wiki/Gamma_Island_(Greenland)

I think a good English translation of the original lyrics isn’t easy, but I’ll give it a try.

Lyrics [ENG / ITA]

And so we go on
along these parallel routes,
we’ll go farther
without ever moving forward,
for how much longer 
will you walk with me?

And so we sink
into this whirl of sensations,
and over us, you’ll see, 
the water will close again,
for as long as
it will still be enough for us?

And we stay like this
we’ll be fine together,
we’re already far away 
without ever having left

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

-----

E proseguiamo così
su queste rotte parallele
andremo più lontano
senza avanzare mai
per quanto ancora
mi accompagnerai?

ed affondiamo così
in questo vortice di sensazioni
e su di noi vedrai l'acqua si richiuderà
per quanto ancora ci basterà

e rimaniamo così
staremo bene insieme
noi siamo già lontani
senza essere partiti mai

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

------

Lyrics and music by Michele Ansani (1982). Recorded in 2018 and 2025
Posted on SoundCloud on 2025, July 3.

Gamma Ø *

WARNING: This is one of my Avant-Garde theatrical pieces and NOT a love song! It's an instrumental about the dangers of war and the horror of a Nuclear bomb being dropped somewhere! Perfect timing for today, right? It's not a pleasant theme or thought but I'm really worried about the mindset that this world is in at the moment, even the doomsday clock is the closest it has been to midnight ever! Whichever country is stupid enough to drop a nuke, will be the country that dooms us all! The planet may survive but humanity and the animal kingdom will certainly perish with the nuclear fallout. I'm a veteran and I don't want us to end in such a selfish, cowardly, idiotic manner such as this!! 

VIDEO - https://youtu.be/V76mqew2Ji8

The video is a remake and a remix and it deals with the reality we all must face now due to some very stupid people in charge here and around the world! This a WARNING to everybody, if you love your family, friends, children, neighbors, anyone! Please, let's remove anybody in power that thinks this is a good idea! There are many such non-thinking individuals in power around the world right now, that simply couldn't care less about you and your loved ones! Please watch the video, it goes with this soundtrack! A NUCLEAR WAR WILL NOT HAVE A WINNER! We will all be losers!! Please share this song/video with all your friends and family. A warning to the wise from a musical vet. Take care and beware and may God bless us all before it's too late.🙏✌🏼

"OBLIVION" (Video - https://youtu.be/V76mqew2Ji8)

Azul:  Vocals
Ben Juul:  Drums, Mix & Master at Tone Hill, NY
Dirk Taubenheim:  Guitars, Bass, Keys, Vocs

This song is more relevant than ever, even though it was released in 1983.

Original version by Men at Work. Thanks for your attention!

Overkill  ft. AZUL

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

The world was still asleep in the quiet moments before dawn when a polite knock interrupted the silence. When she reached the door, the only sign of a visitor was the faint sound of a carriage disappearing into the distance. On the porch was a single, ornate invitation, its wax seal still intact. As she broke the seal and opened the envelope, she felt a sense of curiosity and mystery. What lay inside was not simply an invitation, but a message that might just change her life forever.

Piano improvisation for a short story scene. 😊

Eclipse

Christophe Apelian

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Mike Fox

Mike Fox

Albert & Chartrand Saint-Louis

Olttaoff

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