Lovely gentle emotional version of this great song song

beautiful vocals and production. I like in particular the gentle voice with these bell like accompaniments

Encore une très belle reprise revisitée et très bien intreprétée :)

Un grand plaisir à écouter cette belle  reprise🌸

Box Number Eleven

All Things Are Impermanent

La Javanaise (Serge Gainsbourg)
Album "Comme un boomerang", 1963
Reprise de la version Live

J'avoue j'en ai bavé pas vous
Mon amour
Avant d'avoir eu vent de vous
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
À votre avis qu'avons-nous vu
De l'amour?
De vous à moi vous m'avez eu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
Hélas avril en vain me voue
À l'amour
J'avais envie de voir en vous
Cet amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
La vie ne vaut d'être vécue
Sans amour
Mais c'est vous qui l'avez voulu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson

La Javanaise

Cover
You started Laughing - Supertramp - Rick Davies -1975

When you're in heaven what you gonna do?
You're gonna sit around a cloud and say
"Hey what a lovely view"

Is there a reason why you're like you are?
Is there a reason you'll be leaving?
Is my love out of season?
I wouldn't mind but to me that is treason

You started laughing
When I held you in my arms
You started leaving
When I told you of my charms

I was in love with you
And then you said we're through
And then I said boo hoo

Was my tie not on straight?
Was it something I ate?

You Started Laughing

I love the KSB sound. This instrumental inspired me to make the lyrics and songline, and i "gave it a bit of a new wave techno"-vibe.

https://soundcloud.com/killasoundboy/outlaws-instrumental-krt-production-open-for-collab?si=d2168fab89d94bacbe7c1a28be696eec&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


I'm an outlaw- Lyrics

Maybe it’s true I’m wild and hard to control
And maybe it’s because
I have an untamable soul
I’m always on the run
I stay out of the sun, out of the sun, out out
Out of the light, out out
I’m an outlaw

I have to hide
An Outlaw
Yes Sir, Yes Mam,
That’s what I am
I am an outlaw

I’m under a ban
I’m under restriction
The law no longer offers me protection

Banned, barred, prohibitted, forbidden, Fugitive, Veto, embargo, outcast

Outlaw (KillaSoundBoy-Saskia)

© Liberty 2025, all rights reserved

Amor fati - "love of fate".
Venal ressentiment - A resentment rooted in a corrupt or self-serving motive, where the resentful individual may be motivated by greed or personal gain rather than a genuine sense of injustice. 

Fabulous Failure	

wage slave wage slave
To a protestant work ethic
Birthright destiny 
amore fati

The smart exec knows where the wages are low
Nothing personal now just business you know
Egalitarian principles oh what a bore
How much is enough just a little bit more

Rose coloured glasses
Kissing assess  
Believe your own hype
That’s a leadership type


Fabulous failure
Fabulous failure

Cannibal capitalism 
Pandemonium
Craving idols 
Patchouli dreaming

The smart exec knows where the wages are low
Nothing personal now just business you know
Egalitarian principles oh what a bore
How much is enough just a little bit more

Peccadilloes
Na’er-do-wells
Venal ressentiment


Fabulous failure
Fabulous failure
Fabulous failure

FabulousFailure

Composed and performed by „HIN UND WIDER“ (Gunther Benedict – drums, Othmar Eichinger – tenor sax, Axl Hansal – guitar, Christoph Musil – bass, Mario Palaschke – keyboards).

Pancake Groove

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up (Eclectic Collective with Didier Burli)

Flute, strings, xylophone and body music improvised by Anais Giulia @user-520332251
Track constructed by Box Number Eleven
Image by Anais Giulia

Woman In The Mirror (Musical Art Of Anais Giulia)

Sunny Day

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

Speech by actress Jodie Comer as sociopathic assassin Villenelle in the BBC television drama “Killing Eve” (2018-22)
Image of Miss Comer at the Savannah film festival 2024

I’m Just So Bored (featuring Jodie Comer)

Turn of Time / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Turn of Time / Open Collab Offer

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is a simple and cheerful song for our dog named Waldek who is a fan of music and especially country music! 🍀

Of course, I also love country vibe (especially Johnny Cash !!!) and use this musical heritage, but here I certainly don’t play in this style. 
Fortunately, Waldek liked this song! 🔆

Hope you enjoy the vibe! 
Thanks a lot for listening and support!
Artur

Walking with my Dog

This is a revamp of a song i released a few years ago. I have added a few extra pieces to enhance the song.  It seems more relevant today than ever before. The world is full of Narcissist's this is for them and please ...do sing  along...I suppose the message in the song is very simple ..
When everything in your life is falling apart, its never your fault , its always someone else's because you are so much smarter, funnier, better that everybody else, they just cant see it. ha ha ha 
" It's always someone else's Fault " 
Written, recorded and produced by 
John Mc Farlane

The Narcissist's Anthem

**Description below the Lyrics

[Verse 1]
I see so much, yet not enough,
Scraps of light and ragged thoughts.
Trying to remember the list I forgot.
Could have got her flowers… but I did not.

I see a wet and rainy street
I should have walked one day
I could have held her hand in mine
But I turned… and walked the other way.

[Chorus]
Why do we wait to do the things
That weigh so heavy when they’re gone?
We hold them back, we stop them short,
Till the chance to love has come and gone

[Verse 2]
The warmth of her sitting across the kitchen table,
Her fingers curled ‘round that chipped coffee cup.
I thought I would be able
To give her more but that time's up.

I wanted to plant her garden this spring
But it’s still just packets on a shelf
I imagined a song I’d sing to her…
It's still a thought inside myself.

[Chorus]
Why do we wait to do the things
That weigh so heavy when they’re gone?
We hold them back, we stop them short,
Till the chance to love has come and gone.

[Verse 3]
The trip I planned a hundred times,
And always found ways to miss.
The arms I kept beside my back,
Afraid to reach and give her a kiss..

The brakes I swore I’d get replaced,
The list I left there on the chair.
A sunset I was “too tired” to see,
The time I didn’t want to share.

[Chorus]
Why do we wait to do the things
That weigh so heavy when they’re gone?
We hold them back, we stop them short,
Till the chance to love has come and gone.

[Bridge]
What happened to this life?
Did I throw it all away?
Did I waste all the time we had,
Hoping I’d have another day?

[Final Chorus]
Why did I wait to do the things
That I can’t stop thinking when she's gone?
I held them back, I failed to do,
Now my time to love has come and gone
Why, oh, why did I wait… so long…?

[Outro - gently , almost whispered]
And then... I passed... away

Even though it's late, really late,
what I think I've learned is this:

It’s not the arms I didn’t open.
The time I didn't live.
The garden that never blossomed.
The kiss I'd give anything to give.

It’s the love I hardly lived.
That’s the ache that echoes long.
And that’s the reason I cry
When love... came along.
I realize I hardly... ever... tried.

Description:
Why Did I Wait is realization—too late in coming. A man’s final reckoning unfolds in whispers, gravel, and silence. His voice frays at the edges, pushing through phrases he can barely finish. He doesn't sing to impress; he sings because he has to—because the weight of what he didn’t say is heavier than the words he finally does.

The guitar is faint, almost hesitant, leaving space for the rawness to echo. When he reaches the bridge, his voice strains upward—then crashes back down. The music fades. Then, quietly: “And then I passed away.”

A pause.
A breath.
Then the truth: what he learned… and what he’ll never forgive himself for.

The final lines ache with clarity. This isn’t performance.
It’s too human for that.

It’s realization—too late in coming.

Why Did I Wait

So, inside your mind

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

La Javanaise

Christophe Apelian

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