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Pioneers of Colorado’s electronic music explosion, Break Science soars ahead of the curve, with a decade-plus trendsetting the game. Steeped in filial traditions of East Coast hip hop, and futuristic soundwaves of the now, the Denver-based duo continues to scale creative mountains. Comprised of keyboardist/producer/jazz pianist Borahm Lee (Pretty Lights Live Band) and funk/hip-hop drummer extraordinaire Adam Deitch (Lettuce), Break Science traces roots to the embryonic seeds that flowered the electro-soul movement. The pair have consistently ascended the cutting edge of live dance music culture with an array of blistering live performances in any number of settings or configurations.

Borahm Lee’s masterful use of Ableton Live and prowess atop an assortment of analog synths, Fender Rhodes, and digital plug-ins propel Break Science’s towards the new frontier. Lee has worked with cultural icons like Kanye West and The Fugees, he is well versed in reggae/dub vibrations. Adam Deitch keeps it thorough with classic boom-bap, and inventive patterns that employ his rhythmic wizardry, be it electronic drum programming or a traditional trap-kit. Deitch has worked with hip-hop legends like Redman, Pharoahe Monch and members of the Wu-Tang Clan, he’s manned the drum seat for jazz luminaries like John Scofield (Uberjam). Both members of Break Science bring classic hip-hop, dub, drum n’ bass, dancehall, jazz, funk, and genre-defying elements to coalesce in modern electronic soundscapes.

The sum of these parts has evolved Break Science into an amalgam of styles authentic, and an artistic aesthetic wholly their own, heard in the highest of definition on their titanic 2018 full-length LP Grid of Souls. For ever-further explorations in sound, the duo will form like Voltron, combining with several members of Lettuce for the wildly-kinetic Break Science Live Band. Whether the essential dynamic duo or a full-fledged ensemble, they continue to break down the science & move the arena, one gridlocked soul at a time.

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Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

The definitive voice of Electronic Dance Music.

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