“DJ Big Dogg” a.k.a . Regale Clay was born in the Henry Horner Homes in May 1973, on the west side of Chicago, Illinois. He is undoubtedly one of the best-known DJ’s from Chicago’s Westside.  Regale  was just 17 years old when he started spinning records at  back yard parties as a training ground for his expert mixing. By the time Regale had made it out of George Westinghouse Career Academy  his skills as a DJ had progressed to a level that had him doing shows on the block party/small club circuit on the west side of  Chicago. It was through these shows that he quickly built a reputation, which had him spinning all over his hometown. It was not just Regale’s ear for good music that had the party moving but his mastery of blending and scratch techniques. Never a showman, Regale let his hands do the talking. DJ Big Dogg  was technically very sound and rarely made a mistake. After being exposed to the club scene in 1994, Big Dogg knew it was his dream to be the one in the DJ booth rocking the crowd. DJ Big Dogg has always been told that he has an ear for dance music, so it’s no wonder his underground mix CD’s caught the attention of clubbers, club owners, and promoters and shortly after it turned into a DJ career. 

Boolumaster mixes in All Genres: House, Disco, Dancehall, Ol School R& B, Steppers, Classic Hip Hop.. To Listen other mixes in your favorite genre log on to
http://www.boolumaster.com/Listen_to_boolumaster_mixes.html
Check me out daily on Soul 1063 in Chicago. 12 noon & 6 pm CST

ALL NEW MIXES ARE POST IN MIXCLOUD 
http://www.mixcloud.com/Boolumaster/

For bookings 
info@boolumaster.com

Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks.
“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live. A lot of my early tracks came from me doing them at the party when the party was going on. I’d save it in memory and bring it home and polish it up. But I listen to it now and it’s like, damn… didn’t use enough cleaner!”
Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby.
More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, some times under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1.
He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few.
More recently tracks like Phreaky MF’ on French label Robsoul and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels, demonstrated on tracks such as ‘It’s the Music’ produced by Murphy Jaxx and more recently ‘Touch the Sky’ produced by Alden Tyrell and released on Clone’s Jack for Daze imprint.
After a long absence from DJing in Europe, Mike returned last year, playing at clubs such as Panorama Bar, Fabric, Concrete and Sub Club, and festivals such as Glastonbury, Electric Forrest and numerous others across Europe and US, demonstrating why the Chicago OG is still very much in demand.
2017 see’s Mike Dunn celebrating 30 years of Acid & Chicago house since his debut release back in 87’ with ‘Dance You Mutha’. To celebrate Mike’s releasing a single and album on moreaboutmusic and a full ’30 Years of house’ tour. 2017 will also see the launch of his own label Blackball Muzik…
The Phreaky MF is back…

Management: mark@moreaboutmusic.com

Bookings:

CEO, Caloge & VP, Tonya Ni are Writers, Producers and Artist for Colossal Baby Entertainment, an Independent Record Label launched in November 2006.  Colossal Baby Entertainment strives to create music that is universal and unique in various genres of music including Chicago-Style Steppin, Chicago-Style Skating, Urban R&B, House, Dance, Pop, Jazz, Funk, Soul, Hip-Hop, Rap, Blues, & Reggae, etc. Check them out at www.ColossalBabyEntertainment.com.  "It's Colossal Baby"!!!!

Welcome to That Davis Show, where you can find the best sports and pop culture coverage in Chicago and the world.  Check out the sports show if you want a different spin on the typical sports coverage.  If you want some edge to your hot topic talk check out The Flip & Friends with exclusive interviews from interesting people.  All you need is right here on THAT DAVIS SHOW!!

A “D.J.”… is deeper than cocked headphones and head nods. Deeper than the Vinyl, CD’s, MP3’s and the visual splendor of Serato turntable images rotating in synchronization on the laptop screen. He/She has a passion so deep it’s difficult thinking about anything else. Music is heard on a higher plane than the average listener and can intoxicate as much as 100 proof liquor. Breaks are the moment of truth and the screams of party goers can be orgasmic. “That’s my song… Go DJ”!!!!!!! 

A “D.J.” is a technician. A manipulator of sound and emotion using blends, slams and scratches to smoothly transition from one song to the next making melodies that arouse the senses. DJ Remixes make even the best song BETTER! Perfect timing and song selection are but a few of the weapons in the DJ arsenal.  Reading the room and connecting to the listeners can enable the selector to chose the song that can change the mood of a thousand people at once.

Whether a "bedroom DJ", “A Bar Star DJ” or “internationally known” the passion is no different. Music is my first love and it will be my last! 
And you thought all we did was play records…

C.M. &quot;Bigdog&quot; Jenkins is following

C.M. "Bigdog" Jenkins is following