Great track! Tight guitars and good production!

Good stuff nice arrangement cool drum sound tight mix

LOOKING FOR A SINGER ON THIS TRACK! DM ME IF INTERESTED :)

Showcasing a PRS 277 Baritone guitar with Seymour Duncan Pegasus pickups.

Baritone Bullets

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A break from the norm here with some dark, industrial metal 🤘😈

LYRICS:

We move along the line and take our turn
Improve upon the time we take to learn
The food we got was rotten, rank and poor
Include it on your list to thank them for

You’re in the fold and they’ll never lose hold of you
Embrace the cold and deliver your soul

You’re in the fold and they’ll never lose hold of you
Embrace the cold and remember your soul is due

You’re in the fold and they’ll never lose hold of you
Embrace the cold and deliver your soul

Deliver

Wave on play(prod.Pri’sizhen)

SUMMER SONG DEMO

THE BORROWER ACT I

Reserve

Newts Trauma

Freya's Tears for Violin and Harp
Duration ca. 15'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=987

For More Information: https://robertpaterson.com/freyas-tears

PROGRAM NOTES
Freya’s Tears is a companion or sister piece for another work I wrote entitled The Book of Goddesses, scored for flute, harp and percussion. Each of the movements is inspired by one of three goddesses: Iris, Freya, and Sekhmet.

In Greek mythology, Iris is the personification of the rainbow and messenger of the gods. She is said to have golden wings and is associated with communication, messages and new endeavors, and travels on rainbows while carrying messages from the gods to mortals. That image in particular provided inspiration for Iris.

The second movement, Freya’s Tears, is inspired by Freya (or Freyja), one of the major goddesses of Norse Paganism. She is often described as a goddess of love, beauty and fertility. She was also associated with war, death, wealth, prophecy and magic, as well as the reading of runes, trancing and casting spells. Her most treasured possession was the Brisings’ necklace, a golden necklace crafted by four dwarfs with such artistry that it glittered like a constellation of stars in the night sky. She was married to the God Od (or Odur) who mysteriously disappeared. When she could not find him, she wept tears of gold. The tears that hit trees turned to amber, or Freya’s Tears. I try to evoke these images in the violin and harp by using harmonics, glissandi and delicate arpeggios.

The final movement, Sekhmet, is inspired by the mythological warrior goddess Sekhmet of Upper Egypt. She is depicted as having a human body with a lioness’s head, and is the fiercest hunter known to the Egyptians. She was viewed as the protector of the pharaohs and led them in warfare. It was also said that her breath created the desert.

The first and third movements call for an optional, specialized mute called the Kerrod mute. This mute muffles some of the strings during certain passages, creating a xylophone-like sound. It was invented and developed specifically for this piece by Jacqueline Kerrod and Marc Uys of Clockwise.

Freya’s Tears is written for and dedicated to Clockwise: Marc Uys violin and Jacqueline Kerrod, harp.

The Book of Goddesses

Freya's Tears - I. Iris

My attemp to catch the Spring disposition ;)

Fun. Primavera

I am a solo artist and make all my music on my own. Most of my stuff is instrumental as I don't have a singer. My current project is making a full heavy ambient rock instrumental album. Always looking for collaborations. For the love of making music.

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