Christopher Mayo - It Could Be You Or You Or You
For solo harp
Performed by Zsuzsanna Szilágyi

For more details and score: https://www.ram.ac.uk/multimedia/it-could-be-you-or-you-or-you

About 200 PIECES:

As part of its Bicentenary celebrations, the Royal Academy of Music embarked on an ambitious project, inviting 200 composers to write 200 new works for solo instrument or voice. The recordings and scores for these works, written for every principal study instrument taught at the Academy, are now available, creating a new library of varied contemporary works by many of the world’s leading composers.
ram.ac.uk/200-pieces

It Could Be You Or You Or You

Mayo - It Could Be You Or You Or You

30 second previews of all the tracks on our debut compilation, Goliard Recordings - I, available only through Bandcamp.

Goliard Recordings - I - Preview

Passed the Last River (2006) - 12 minutes

Commissioned by the Royal Philharmonic Society for Michael Collins and the Dante Quartet

for clarinet quintet

Passed the Last River (2006) - excerpt

For piano (singing)

Acoustic and electric violins, recording & programming by Ellie Wilson
Additional recording, programming and bass by Thom Ashworth

'Halyard' written and recorded at Imogen Holst's cottage, Aldeburgh, Suffolk (August 2015)

All rights of the manufacturer and of the owner of this recorded work reserved.
Unauthorised public performance, broadcasting, and copying of this recording prohibited.
℗ & © 2017 Ellie Wilson

Halyard

Acoustic and electric violins, programming and percussion by Ellie Wilson
Mix, master and additional programming by @thomashworth. 

https://elliewilson.bandcamp.com/releases

All rights of the manufacturer and of the owner of this recorded work reserved. Unauthorised public performance, broadcasting, and copying of this recording prohibited. ℗ & © 2017 Ellie Wilson

Delta

Gold leaf

Aaron Parker, composer
Performed by Alarm Will Sound

Live at the Mizzou International Composers Festival, July 29, 2017

From the score: "...I saw happiness and pain in your eyes, and reflections of the Paradises lost and regained and lost again..." Jonas Mekas ("Song of Avignon," 1998)

atholhu

Christopher Mayo, composer
Performed by Alarm Will Sound

Live at the Mizzou International Composers Festival, July 29, 2017

Notes by the composer:
"Beast (for Hugo Ball)" is a setting of a sound poem of the same name by Canadian poet bpNichol (1944-1988) which was originally released on cassette in 1971. The poem is a tribute to German poet Hugo Ball (1886-1927), author of the Dada Manifesto, co-founder of the Cabaret Voltaire and, as bpNichol so eloquently puts it, “more or less the daddy of sound poetry”.

Beast (for Hugo Ball)

Written for and performed by Emily Morse. Premiered November 2018 at the University of Victoria. Recorded December 2018 at the University of Victoria.
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Stages of our lives come and go along with the people and the things we choose to give our time to. Some people that we meet affect us profoundly and others only there for a moment. We change as people and we don't stay the same for too long, the world doesn't allow it. Life can feel like there is so much going on and then it passes. The beginning of something new only lasts so long as until we become acquainted. The end follows suit sometimes before we want it to. This is a piece about these moments.
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Photo taken by the composer

These Moments are Fleeting, for solo flute

Composed in 2020.
Commissioned by 840 Series, for their 5th anniversary concert, 
with funds provided by Arts Council England, Richard Thomas Foundation, Hinrichsen Foundation and RVW Trust.
Performed by Juliet Fraser (soprano), Colin Alexander (cello), Stephanie Tress (cello) and Peteris Sokolovskis (cello).
Live recording of 1st performance, at Cafe Oto, London on 
31 January 2020.