Verdant

Graveyard Waltz

Cobwebs

The Day God Died

Years to Come DEMO

Beginning with a contrapuntal skeleton with a long harmonic cycle, the cycle is repeated with some notes added to create a pensive melody. The harmonic skeleton returns as a music box which eventually takes over and slows down at the end. Inspired by the artwork Perpetual Motion by Gediminas Pranckevičius.

Perpetual Motion

The assignment is to use irregular metres. The piece is all in 7s. The lead guitar is in 7/16 grouped in 2, 2, 3. The rhythm guitars come in 7/8 grouped in 2, 2, 3. The drums play in 7/4 grouped in 2, 2, 3. The clean guitar comes in 7/8 grouped in 2, 2, 3, then 3, 2, 2 which sets up the grouping for the breakdown in the next section. The drums continue to play in 7/4 grouped in 2, 2, 3. The lead guitar returns in 7/16 playing a similar riff to the beginning an octave higher and more closely implying the chords of the new section which is more modal. Inspired by the works of Between the Buried and Me, Linkin Park, TesseracT, Jason Richardson.

Yesternight

A Twisted Crimson

Call Me By Your Name

New Man

Oliver

A Room For A Chair

An orchestral interpretation of Happy Birthday as a birthday gift for my dad!

Happy Birthday Dad!

I am a composer and music student living in Montreal, Canada. I write film scores and metal music. Follow me on instagram @christurleymusic and send me a message if you want me to score your film or video project!

ChrisTurleyMusic

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