international booking: fakemoodmusic@gmail.com

Berlin native Philip Bader has been a leading electronic DJ and producer for almost a decade, falling in love with electronic music in 1998. As a DJ his debut gig was at the legendary Tresor club in 1999, but already by that point, spinning records was not quite enough. He launched his first foray into the underground music world with Max und Moritz and began throwing a number of his own parties including the now infamous Berlin hangout Karneval der Verpeilten. It was also around this time that he became involved with the institution that was to become Bar25. 
The next logical step for Philip Bader was to start producing his own music. His production debut was a release with Perry Roden on Monika Kruse’s Label Electric Avenue, followed by successful releases on, amongst others, Get Physical, Saved, Moon Harbour, Gruuv, and This And That. It was on these imprints that Philip’s sonic aesthetic really started to develop and his productions were characterized by a deeply minimalistic Berlin techno style. His latest endeavor is his own imprint – Out Of Mind, Which has seen massive success and gained huge respect from across the spectrum of dance music after releasing stand out records from artists including Kaiserdisco, Mennie, Ninetoes, Raffa FL, and ONNO. Looking ahead, the label is set to continue it’s musical ascent with future music locked in from Davide Squillace, Uner, and Andrea Oliva going into 2017. 

While his productions and style have continued now to evolve into a hybrid of tech house and techno with upcoming releases on Elevate and Form. So too has Philip Bader’s ever hectic touring schedule. Having now played a succession of the world’s biggest venues and festivals including Ibiza’s DC10 and Sankeys, and Rock Am Ring - Philip has now reached a higher stature of artist and continues to tour his electrifying DJ show at venues including Rex Club, La Terrazza, and Berlin’s high- altitude venue; Weekend. All shows set to take place throughout 2016 and 2017.

In a saturated and cloned dance music market, it is becoming all too common to merely emulate, rather than stand out, be unique and create memorable music. Our passion for timeless, creative and intimate music allows us to  filter through to the artists we invite to join Decoded Magazine We do not look for just anyone, we are looking for people who create memorable music that inspires and invokes emotion, rather than be disposable chart topping hits and mixes.

We support and nurture underground house, progressive, techno, deep house, minimal, breaks, electronic, drum and bass music.

We live in a world of mass media consumerism, yet never tell a story. Never in the history of mankind, has so much information been available, yet our voices are never heard. Decoded Magazine aims to deliver thought provoking, intelligent journalistic articles that affect the generations who are passionate about electronic music, fashion, lifestyle, industry news, interviews, travel, food and breaking new emerging talent beyond the dance floor. We provide ethical, provoking and humorous content to a global audience.

We are a collective of professional marketing managers, print & web designers, recording artists, journalists, label owners, DJs, social media marketers, event promoters, music publishers and more. It is a labour of love for us, it is a passion that runs deep, a feeling of taking back control of an industry we love and so heavily invest in with our own personal lives. We are not grandstanding, we are not thinking we are going to change the world overnight, but we do hope that we can slowly be a game changer in what people listen to, explore or experience.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

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