Another single produced with synth wizard, Chris Otchy. This one was inspired by 90's Deep House and early-internet nostalgia. In the spirit of collaboration, we also have a music we've made with Fetz AV using screen recordings of Netscape and timelapses of nature.

The concept behind the track and the imagery is the duality between the time we spend on screens and the time we spend in nature. We also use a visual style which reminds us of a time from our childhoods, where we were free to choose one from the other. In today's world, adults have to regulate their time to spend hunched over keyboards and staring at our phones lest we get left behind in the increasingly virtual world.

Chroma Sea' s music is meant to serve as a call to get up and explore and go outside, to connect with something greater than the rat race of zeros and ones. Of course, we make electronic music so we are not without our reverence for digital media. We will just always choose the natural world. We hope to encourage others to do the same.

World Wide Web

Hauschka & Hildur Guðnadóttir - #294

Four Tet @ Lightning in a Bottle 2025

Buy Deforestation on vinyl or digital:
Bandcamp: http://smarturl.it/deforest-bc
Norman (UK): http://smarturl.it/deforest-norman
Darla (Distribution): http://smarturl.it/deforest-darla
Spotify: http://smarturl.it/deforest-spotify

Artist Website: http://kaelsmithmusic.com
Artist Facebook: https://www.facebook.com/MuteForest

Packaging:
• 180 Gram vinyl in a gatefold tip-on jacket w/resealable sleeve
• Lacquer cut by Roger Seibel at SAE Mastering 
• Mastered for vinyl and digital by Taylor Deupree
• Bandcamp DL code on card: Formats: FLAC, 320K MP3
• Physical copies only receive a free download of the Reforestation EP, including remixes from Kiln, Ten and Tracer, Western Skies Motel, Mombi, Spheruleus, Porya Hatami, plus two bonus songs from Mute Forest.

In a seemingly ceaseless acreage near his childhood home in the Rockies of Colorado, Kael Smith (Mombi, Khale) takes a deep breath and listens critically to the forest. It is not the same sound he remembers as a youth, when he’d disappear for hours deep into these woods. No, the sound he hears today is unfamiliar and vapid. Muted, really.

Since Smith’s departure to the city of Denver; the Mountain Pine Beetle has moved into these woodlands and decimated the trees; devouring their insides and leaving empty husks in its wake. It is among these thinned out swaths a word keeps repeating back to him, over and over, incessantly…Deforestation. 

Painstakingly written, recorded and mixed at his home studio in Denver, 'Deforestation' (Out November 13th on Lost Tribe Sound) sprawls across nine sonorous and meticulously wrought tracks containing elements of minimal electronic, ambient and folk. Large cavernous beats, micro-ambient deconstruction and nylon guitar all swirl into a coherent palate left for Smith’s poignant, intimate words. 

Mastered specifically for vinyl by Taylor Deupree (12k), and with the additional step taken to create lacquers and metal stampers by Roger Siebel at SAE Mastering, 'Deforestation' sees a gatefold 180-gram release from Lost Tribe Sound that, like the material, takes no shortcuts. Both the album’s acetate and test pressing were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed high-end audio dealer and vacuum tube specialists, Arizona Hi-Fi. Concluding the deluxe package and connecting intimately with the material within are stark, disintegrating images courtesy of renowned minimalist photographer Christy Romanick (Rivulets, Chihei Hatakeyam).

Deforestation

Various Lake Contents

Buy Album

Mute Forest - Various Lake Contents

this is a remix of my song 'the red runs free' done by the amazing sun glitters that was available with my debut 7" 'on fire' <3
http://sunglitters.bandcamp.com/

grab the 7" vinyl HERE from JAXART records: 
http://jaxart.bigcartel.com/product/steffaloo-on-fire-b-w-red-runs-free-7

red runs free (Sun Glitters Remix)

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Foug

Written & recorded winter of 2017 - 2018, independently in Burlington, Vermont. 

This album is meant to be as a fleeting image of a time now gone. Distorted sounds that are now but a memory. 

All music by White Birch. 
Produced by White Birch. 

White Birch is: 
Etienne Tel'uial - drums & 6 string acoustic guitar 
Paul Ouellette - electric guitar, 12 string acoustic guitar, bass (2) 

Guest Appearance: 
Kevin Shames - Bass (3, 6) 

Album cover photograph by Paul Ouellette.
credits
released May 18, 2018

White Birch

Lost/January

same way rmx [salami rose joe louis]

Written and recorded August 18, 2019 independently by Triumphant Race.

She Goes

Album out now on Erased Tapes. You can order it here: http://www.erasedtapes.com/store/index/ERATP048

'Captivating as ever' – The Wire
'Modern classical raptures' ★★★★ – Uncut
'Superb' ★★★★ – Mojo
'Hypnotic' ★★★★ – Rolling Stone (DE)
'One of the most remarkable albums of his career' ★★★★ – DeMorgen (BE)
'Epic, meditative stillness' Album of the Week – WQXR Q2 Music (US)

ABOUT THE ALBUM:

April 2013 will see Ukrainian pianist Lubomyr Melnyk, the pioneer of Continuous Music, return with his first release on UK’s contemporary music label Erased Tapes. Entitled 'Corollaries', the album was recorded and produced with the help of Peter Broderick, Nils Frahm, Martyn Heyne and label founder Robert Raths, who decided it’s time to share the great musical legacy of their new found friend. Or as Melnyk put it: ‘Where were you guys when I was thirty?’

IN HIS OWN WORDS:

‘My first encounter with Peter was at the Ambientfestival in Cologne, when I came into the cathedral where he was playing along with Nils. I was amazed and enthralled by the beauty and power of their music. The colours and majesty of the cathedral coupled with their music made it a great experience I will never forget. The music seemed to come out of the great stone pillars of the cathedral and from the very walls. It was an ecstatic moment. And I was so pleased that after his show, Peter came and spoke with me about my music and things, which was so nice since he is a gentle soul. Some time later, Peter contacted me with an invitation to come visit him in Berlin and try creating some music together. 

I arrived in Berlin with some apprehension over what our collaborations would be like. I had not played improvisation with other ambient musicians before, having worked solo for all these past years. So it was such a relief to start playing at his studio and hear his wonderful input. He was adding a beautiful and delicate dust cover of sounds and pearly effects that cast a lovely sparkle over the piano music --- I loved it.  

My piano music was happy with this new dimension of sounds. Peter just felt, in his natural way, the right things to do. It was a thrill to hear Continuous Music in some new clothes! And with the addition of Nils and Martyn, we all felt the beautiful spell of the communal flow as the music carried us into wonderful spaces.’  – LUBOMYR MELNYK

The album artwork was created by American contemporary artist Gregory Euclide, best known for his sculptural relief work and cover art for Bon Iver. Euclide was listening to early mixes of the recordings on repeat whilst creating the two paintings contained in the record, describing his visual counterpart to Melnyk's work as 'a continuous cycle of growth and decay'.

lubomyr.com
erasedtapes.com
peterbroderick.net
gregoryeuclide.com

Corollaries

The Six Day Moment

Lubomyr Melnyk - The Six Day Moment

While writing our forthcoming album, "Broken Devotion", Hollie and I took a bit of a detour to write this song for fun and welcome in the summer. 

Mint Julep on Facebook: https://www.facebook.com/mintjulepmusic / http://www.unseen-music.com

Forget how we got here
Wake to the melody
And wait with me until it's time to go

In the setting sun we feel it
You know it's not too late
So I think you should stay here with me

From the city to the beach house
With the sky like the sea
And the sea like the sky that lies above me

The salt from the water clings to our lips
And stays with us like last night's kiss
We stand at the edge, draw me into you
Retrace our steps as they wash away

From the city to the beach house
With the sky like the sea
And the sea like the sky that lies above me