Decomposition is a mix series by Dead Channel. Fig. 18 comes from M PARENT, and is a live modular set from a practice session prepping for Detour's Hot Mass in January 2023. The Philadelphia based producer latest releases have been on Acid Camp and Sons of Traders. In his own words "Over the course of the last two years I have been challenging myself to build a modular system that allows me to create basslines, atonal melodies, and patterns on the fly...where the machines play me just as much as I play them." Tune in for a taste of this raw, boomed out madness full of dirty acid, ominous tones, and hard hitting rhythms.

@m-parent

www.deadchannelrecords.com/
www.instagram.com/dead__channel/
www.facebook.com/dead.channel.records/
www.discogs.com/label/2023500-Dead-Channel-Records

Decomposition - Fig. 18: M PARENT (Live)

Legendary UK label @skam step in with three sets to occupy the airwaves for 2-hours. With the label celebrating 30-years and their first distributor in 1994 being RTM (coincidental name match), it all kind of ties in quite nicely...

TRACKLISTING:
chromasy - Waiting Room Mix (pre-amble)

RE-ENGAGE - Guest Mix
https://soundcloud.com/vhs-head - Live Set
MDX - Guest Mix

RTM.fm: chromasy hosts SKAM Records // January 2024

i should actually watch it

SELF OSCILLATE | AE-14 | Pre-order September 4th | 9 pm
Limited Edition 8" Lathe Cut Vinyl | Only 60 uts
https://adepta.bandcamp.com

Pre-Order

SELF OSCILLATE | AE-14 | SNIPPET

Fam Records News: the new release from Morpha is here.
This’s his first full-length album in two years. What does it sound like? Morpha explains.

I stopped making music in my usual genre, so I spent long time experimenting and searching for a new sound. In that sense, the FAM label became a place where I could finally feel free. An important symbiosis happened — core values aligned with my need for something new.

How did it all start? I literally opened Ableton and went into the unknown. No reference tracks, just a desire to create something fresh. I was interested in layering my hypnotic background with new BPMs and rhythms, trying out breaks and bass sounds. These tracks weren’t inspired by any other artist.

At the same time, I was working on a dancefloor project at Mutabor on Masalnaya, embedding those same 85/170 experiments. That’s a profound and significant experience for me — hence the release’s name. There’s no need to look for a direct connection between that experience and the tracks themselves. I’d say it just sounds cool, looks good, and it’s a personal milestone for me.
credits
releases September 26, 2025

Composed By – Morpha
Mastered By – DJ Anunak
Artwork – Pasha Zhirkov
Executive-Producer – Egor Greenwald, Pasha Zhirkov

Pre-order

Morpha - Masala (Sampler)

A raw and urgent 6-track EP from label head DJ Nephil. Aqueous delivers a high-voltage mix of electro, acid, and punk-fueled energy. Driven by classic 808/909 drum workouts and soaked in corrosive synth lines, this release hits hard across tempos and moods. Deep and dirty machine funk for the floor, a future classic on Gravitational Waves.
credits
releases November 1, 2025

Masters by Andrea Merlini

Aqueous

Aqueous (GRTW018)

III DIM w/ gialligari: 21st September '25

Available here: https://lnk.to/AITCHERCLARK

https://soundcloud.com/aitcher-clark

Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player that draws a sharp line between the club and the cinema. 

The 7-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neo-classical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a start-to-finish listen.

The campaign begins September 19th with the lead single “Improperly Planned Experience”, an industrial-leaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to the micro-gestures that run through the album. The performance is built around custom stems, live resampling, and dynamic lighting cues that mirror the music’s push and pull.

Across the LP, Clark threads field-recorded texture with precision drum programming and layered harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.

For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while opening a more composition-driven lane. For listeners who followed LOFN’s 2021 release, this solo debut widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and color to render the music’s internal logic in real time.

Aitcher Clark - 'Silliness' (clips) | VEYL047

муся кроткова и марк есин

An Hour For Bowery Electric w/ Daniella Vinci: 12th November '25

First track, small acid experiment with a weird sample and something to say, enjoy !!

Wowmen

Archived Radio Shows:
RTM.fm (2022 - 2024)
Balamii (2020 - 2022)

Ambient / Braindance / Electronica / Glitch / IDM / Leftfield Bass & Breaks.