I'm surprised to be the first to comment on how impressive this music sounds

The opening throws one in the water without forewarning. The succession is an even intenser experience. There seems to be a big threat, the river ill-treated. Sublime recording, with headphones you sit in the middle of the orchestra, not in front as with most recordings. You feel like participating, not just observing. With the rather dry and small room everything stays clear and focused, it fits well the composition.

Saturday mid-day fusion
Rhythm and lead guitar on my Gibson SG Standard
Bass on my Aria Pro II Wildcat Bassguitar
Drums is artificial from my recorder.

Both Hands

Epizoda 5 Dostava Kornjača Papirnatim Avionom

Below Zero

Cette pièce est née d’une prise de son réalisée près de Fontainebleau la nuit, le long d’un lac. Je pense que c’est mon meilleur concert de musique spatialisée. Les batraciens enveloppaient, dilataient l’espace, y composaient des mélodies aux rythmiques insaisissables. Jusqu’à ce moment où une voiture est passée en trombe. Cataclysme motorisé, bruit vif et blanc, affaissant le lieu, le moment, les chants.

A propos de la présence de Noam Chomsky, voici une piste :
« I suppose frogs pay no attention to being frogs. They take it for granted. What interests a frog are differences among frogs. From our point of view they are more or less the same, from their point of view they are all radically different. »
Noam Chomasky

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Prises de son réalisées entre 2019 et 2022 près de Fontainebleau, au Moulin, ainsi qu’en Bretagne près de Pont Château. 

Interviews en ligne de Noam Chomsky
Modèle de l’abbateuse : Komatsu 951

Fini de composer en Avril 2022.

Frogs

Trying to find the edges in a drone universe.

Photo by Daniel Seßler on Unsplash.

Forest 02

Outside with yours truly.  💜💜💜
with love, 
LP

Headphones On 01 - Outside with LP 01

Spotify
https://open.spotify.com/track/5qXApOkiI7EqLZfuq3HwZ9?si=c9d1012035da4d03

AppleMusic
https://music.apple.com/jp/album/gray-in-blue/1644497509?i=1644497510

Gray In Blue

Urtheigle [part 1]

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

REIN (Rhaeto-Romanic for the river Rhine) speaks of severe challenges threatening the Rhine and other rivers due to climate change and drought. Rivers are vital arteries, and this music reflects on their life-sustaining essence, and the environmental precariousness of the world, we currently live in.

REIN has been commissioned by ZeitRäume Basel for the Basel Sinfonietta.
World premier September 15, 2019 under the baton of Baldur Brönnimann,
@Mitteldeck Basel, on the river Rhine
Recorded by Swiss Radio SRF 2

REIN for orchestra (2018/19)

Katharina Rosenberger

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