(forever pending) ⊙_⊙

Dive I

The 'Ber mix

Radiohead's

Cardio

runaway

chillectro

Chill Bro

Radiohead

New album 'Shulamith' coming 10/22 on Mom+Pop (US), 10/21 on Memphis Industries (UK), and 10/18 on Inertia (Aus).

Pre-order now at: www.thisispolica.com

www.facebook.com/thisispolica
twitter.com/thisispolica


Chain My Name

When A PEOPLE'S HISTORY OF THE DISMEMBERMENT PLAN came out I wanted to make a new remix for it since the Academy Award one was already available on cd & I detest redundancy.  They weren't into this jam as much, though, and ended up putting the Academy Award rmx on there anyway.  I did this jam in Oakland towards the end of recording MARYLAND MANSIONS.  

Sunken city (Dismemberment plan)

David E. Sugar’s 2010 debut album ‘Memory Store’ firmly cemented him alongside some of the electronic scene’s heavyweights. ‘His debut jaunts with a low-swung swagger that'll resonate with anyone who's found favour with Hot Chip (especially their early works), WhoMadeWho, LCD or Black Ghosts… 8/10’ said iDJ magazine , yet the album still maintains a unique presence amongst its contemporaries. Ever since his pioneering ‘Chip Tune’ releases, David E. Sugar has continued to release innovative and often daring records.  
Drowned in Sound described him as ‘inordinately likeable and absurdly catchy’ and ‘Fingers On The Button’, the 3rd single to be released from his debut, is a quirky slice of electro pop using almost conversational delivery and continuous synths to build into a erratic and exciting fusion of styles, it’s a breath of fresh air in an otherwise bland electro climate. Leo Zero provides a spacey house mix featuring a distinctive wobble which will surely bend heads.  While the summer ready Slow Motion drift remix by Sunday Best is a breezy laid back release perfect for the summer.  ’Although You May Laugh’ is a softer harmonious bass fuelled ballad with compressed synths and melodic guitar riffs, its production echoes the great releases from his early years.  Regular Berghain (Berlin) DJ and producer Tommy Four Seven uses a delayed vocal echo as a backdrop to build a tense, slow burning techno mix perfect for the afterhours (exclusive to Beatport.com). While the Drums of Death remix, is a club ready electro mix using steal drums to create a relentless groove for the dance floor.   With previous single releases on Kitsune and Greco Roman, David has gained radio support from the likes of Zane Lowe, Pete Tong, Huw Stephens, Kissy Sellout and DJs such as Jesse Rose, Hot Chip and Groove Armada. It’s his unique blend, accessibility and credibility, that assures David E. Sugar will continue to remain at the forefront of UK electronica for years to come.     

http://www.facebook.com/davidesugar
http://www.twitter.com/davidesugar
http://www.myspace.com/davidesugar 


David E. Sugar 'Although You May Laugh'

El Guincho - Antillas

All songs written by Dan Snaith.
Luke Lalonde sings 'Jamelia'.
Kyle Brenders plays soprano saxophone and bass clarinet on 'Kaili', 'Leave House', 'Hannibal'.
Colin Fisher plays tenor saxophone on 'Kaili', 'Leave House', 'Hannibal'.
Rob Piilonen plays flute on 'Kaili', 'Leave House', 'Hannibal', 'Jamelia'.
Steve Ward plays trombone on 'Sun', 'Kaili', 'Leave House', 'Hannibal', ' Jamelia'.
'Odessa', 'Kaili', 'Leave House', ' Lalibela', 'Jamelia' mixed by David Wrench at Bryn Derwen Studio.
'Found Out' and 'Hannibal' mixed by Jeremy Greenspan at Pistacho Studio.
'Bowls' mixed by Jeremy Greenspan and Dan Snaith.
Mastered by George Graves at Lacquer Channel Mastering.
Photography and art direction by Jason Evans. www.thedailynice.com
Design by Matthew Cooper and Jason Evans.

Odessa

08 House Of Cards

Spotify: http://bit.ly/teedspotify

Instagram: http://instagram.com/teedinosaurs
Twitter: http://twitter.com/teedinosaurs
Facebook: http://facebook.com/totallyenormousextinctdinosaurs

Trouble

Garden

The Antlers - I Don't Want Love

I never have the heart to tell her. No, I never have the words to say.


The Love Language - Heart To Tell

Of Monsters And Men - Lakehouse

Free Download:

http://www.majorlazergetfree.com/

Get Free (feat. Amber of Dirty Projectors)

Download at http://thrupence.bandcamp.com/album/voyages-ep

Thrupence - Synchronous Bloom

El Guincho - Bombay

Golden Clouds is the first single taken from the brand new album The Orb featuring Lee Scratch Perry presents "The Orbserver In The Star House." The album will be released on Cooking Vinyl on September 3rd 2012.

The Orbserver In The Star House comes out on CD, 2 x 12" Vinyl, Digital Download and a special highly limited Deluxe Boxset pressing featuring the below.

- Standard CD
- Exclusive Instrumental CD of full album
- 3 x 7" coloured (green, yellow, black) vinyl singles.
Golden Clouds b/w Golden Clouds Dub (Yellow)
Soul Man b/w Soul Man Dub (Green)
Ball Of Fire b/w Ball Of Fire Dub (Black)
- 2 x 7" Artwork Prints
- Numbered limited to 1000 copies worldwide
- Individual signed painting from Dr Alex Paterson

PRE-ORDER THE LIMITED DELUXE & OTHER FORMATS FROM - http://www.theorb.com

The Orb featuring Lee Scratch Perry - Golden Clouds

From Miami Horror's debut album - Illumination.

Sometimes

With all its ups and downs, its climaxes and pitfalls, epic victories and sudden u-turns, the true story of Wolf + Lamb echoes the wisdom of fellow New York wiseass Woody Allen, who once remarked that “a relationship is like a shark. It has to constantly move forward or it dies.” Together Zev the wolf and Gadi the lamb have kept the shark alive for over a decade by embracing the courage to venture into uncharted waters—forever plumbing the depths, riding the waves, and scouting new horizons. Whether assuming the roles of production duo, DJ team, or label owners, Zev and Gadi have written every page of their true story with wit, ingenuity, disarming warmth, and good old Brooklyn swagger. Strong-willed and staunchly independent, the two have resolutely steered clear of conventions and the expectations of others, always believing that the only way forward is to follow the beat of your own inner drum, no matter where it takes you. In recent years audiences the world over have resonated with this singular vision, eschewing minimal machismo fist pumps and embracing Wolf + Lamb’s glittery head-banded hug.

Wolf + Lamb vs. Greg Paulus - Close To You

15 Step

How Far

DREAM KOALA - WE CAN'T BE FRIENDS (NOO-BAP BRICOLAGE)

Off Bloom 2012
Subpop Records

beachhousebaltimore.com

Myth

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

Radiohead - Morning Mr Magpie

Flight Facilities - Crave you feat. Giselle

Listen to Flight Facilities
https://open.spotify.com/track/4MWmpfC07n0lJ9lwOFXrak?si=3231142b2a6f46a7
http://smarturl.it/FlightFacApple
http://smarturl.it/FlightFacPandora

We made an App! Introducing: Flight Deck.
The home to over 10 years of Flight Facilities music & content. 
Download for free: https://www.flightfacilities.com/app

Flight Facilities - Crave You ft. Giselle (Radio Edit)

Kendrick Lamar - Bitch Don't Kill My Vibe ft. Jay-Z (Official Remix)
Produced by Sounwave | Mixed By Ali

"good kid, m.A.A.d city" is in stores and on iTunes: http://smarturl.it/gkmc


Kendrick Lamar - Bitch Don't Kill My Vibe (Remix) ft. Jay-Z

Mariah Carey f/ Miguel #Beautiful 

Available at iTunes: http://smarturl.it/iBeautiful

Me. I Am Mariah…The Elusive Chanteuse

#Beautiful (feat. Miguel)

"Ghost Carnival" is the new album of Hypnolove, produced by Ed Banger's Mickey Moonlight

Follow Hypnolove :
http://facebook.com/hypnolove
CD, vinyl, digital : http://hypnolove.bandcamp.com

"Winter In The Sun (Featuring Findlay Brown)"

With spring just round the corner, Record Makers – the label that brought you Sebastien Tellier and Kavinsky (amongst others) – proudly present the sophomore album from Hypnolove, the Toulouse-based trio that have just created the soundtrack to this year’s sunshine. Welcome to the Ghost Carnival…

Featuring the musical talent of Thierry (vocals/keys), Henning (vocals/chords/drums) and Nicolas (guitar/bass), Hypnolove is a group formed between friends that share a common dream, and above all, a passion for discovering and creating music that defies easy categorization. In the purest sense, ‘Ghost Carnival’ delivers a delightful moment of modern pop, although delve deeper and their more obscure influences shine bright – something that the producer, Ed Banger’s UK ambassador Mickey Moonlight, should also take great credit for.

Nicolas explains, “We needed to find a guideline for this album and although disco and pop built the frame that we worked from, our listening is much wider than that. Artists such as the Walker Brothers, Lucio Battisti, Kid Creole & The Coconuts, Prince, Strafe, ZZ Top, Talking Heads… the list goes on, all of them deserve a salute!” Thierry continues, “We are always looking for new music to listen to and we are all LP lovers, so it was very important for us to make a cohesive album that worked from back to front. Working with Mike was fantastic, he knew all our reference points and was able to change our sound for the better without betraying the spirit of our songs”

There’s no doubt that the combination of Hypnolove’s song-writing with Mike’s production style has elevated the band’s sound and there’s a clear progression in ideas and song structures from their 2006 debut ‘Eurolove’. That album featured the cult hit ‘Mademoiselle’ and, like ‘Ghost Carnival’, was the embodiment of several years of work and that can only be put down to the group performing for pleasure before anything else. Like when they were teenagers, injected with electro-pop, New Order and the Pet Shop Boys, or years later, uncovering obscure bands and stranger more-cryptic oddities, their sound and musical connection is a natural evolution of experience and knowledge.

Lasting just over 30mins, ‘Ghost Carnival’ is as short as it is sweet, but it makes sure that not a moment is spared, with the warm feeling of a summer’s day shining down from the outset. The already released ‘Holiday Reverie’ follows the French-horned, Arthur Russell inspired intro ‘Simple Classic Beautiful’ that provides just enough skip to start your step. The glistening electro-pop of ‘Midnight Cruising’ and band-favourite ‘Come To My Empire’ fall neatly either side of ‘Winter In The Sun’ that features the brilliant vocal talent of British singer Findlay Brown. Two more friends then join the party, with Puro Instinct leader Piper Kaplan and the 9 years-old Freya Parry providing the female touch on both ‘Beyond Paradise’ and ‘Ghost Carnival’ to brilliant effect. There’s one last blast of Italo strings with the dance floor driven ‘Sleepwalker’, before ‘Goodnight Kiss’ provides the perfect, and memorable, goodbye the album so deserves.

It will have you clicking repeat, over and over. As Thierry invites us all to : “close your eyes and come to my empire”

Radiohead - Separator

chuckacreep