Name: You Can Always Count On Me - feat. Sarah by Cinematic in Campfire Stories
Duration: 7 min 52 s
Description: The music was originally created for Purgatory which I feel is going to be a backlog album nobody will ever listen to, Which is a shame, because 'count' marked the beginning of my Cinematic sound and I feel it's one of my best compositions. So now it's the finale for Campfire Stories, thanks to the incredible vocals by Sarah Golding from Australia. O how I love the internet.

This track reminds me the Chris Rea style and mood... very interesting and unique, the Voice of Sarah is amazing and absolutly hyptnotic listening to!! Epic track..Superb!

An impressive work, very beautiful vocals, lyrics  and harmonies. the score and production are crazy good!😊

Amazing composition, so well arranged and the voice.. simply love it, so clean and beautiful!

Campfire Stories is a collaboration project with ten tracks, mostly covers but with a unique futuristic improvised & primitive twist.
It's about a small group of people, surviving a bad and empty world. The Internet is gone, cities are dark and life is hard. They share urban legends around the campfires under a starry sky and try to find new friendships in a world without the Web.

Campfire Stories

Written and Produced by HEZEN
Mixed and Mastered by Nik Georgiev

So We Happen

Missing You feat. Madi

Not This (24/02/2022) by Irina

My heart is bleeding, worn and torn
Do not resuscitate
I don’t know where I am from
In a crisis state

Believed in better, trusted lies
At least I had some pride
But now, a war before my eyes
The terror bona fide

Unsure of my identity
What will keep me safe
Culture losing sanctity
Digging its own grave

Hypocrisy and bitter crime
“Civilians won’t be harmed”
Strangled by the darkest time
The Earth – shaken, alarmed

Although I’m not responsible
I’m feeling shame and guilt
I thought it wasn’t possible
But they grabbed the hilt

A slash, another, children scream
Displaced by politicians
God, let this be an awful dream
Inhumane conditions

My heart is bleeding, worn and torn
I cannot bear to witness
Generations not yet born
Never seeing kindness

Endless sanctions, tensions, greed
Fighting one another
Nothing’s ever been agreed
Upon I now discover

Who am I? Afraid to ask
Powerless, that’s what
Distance is no easy task
Cannot stay afloat

A ghost has occupied my place
Emotions go to slumber
Cannot bear to see my face
While fields shall burn to umber

Aggression, a cold-blooded act
But real blood will be spilled
How many people won’t know home
How many will be killed

Historical event, God, no
Don’t want to live through this
My heart is broken, all time low
Not this, not this, not this


Music in background: 
Cello Concerto by Edward Elgar I. Adagio - Moderato
Royal Philharmonic Orchestra
Maria Kliegel, cello
Michael Halasz, conductor

Not This

Cover of 'Strangers in the Night', arranged and performed by Nic Evennett, 2022. Featuring Jules Bangs on bass. 
Mastered by Adam Ellis, Deadline Studios
Artwork: Nic Evennett

Out now.  All proceeds to The Specialized Project. 
https://nicevennett.bandcamp.com/track/strangers-in-the-night

As featured on The Specialized Project, 'Our Way - The Rat Pack Collection' boxset, released November 2022. 
Find more details here on the boxset and the fantastic work the project do. 

https://specializedproject.com/product/our-way-the-rat-pack-collection-cd/

Strangers In The Night - Nic Evennett feat. Jules Bangs - OUT NOW

A CD's worth of Max musings. An assembly of recordings I've made over the past 10 years or so, mostly constructed from my own Max patches, with  bit of guitar, keys and bass thrown in here and there.

1. A Moment In Time (binaural)

This version of Gloomy Sunday is part of the Campfire Stories collaboration project. The 'more stories...' link will guide you to the album which is expected to be ready for mastering in 2020.
Vocals by Irina (  @irina-951237464 ). I found her acapella and I 'saw' a movie unfolding when I listened to it (many times). Her interpretation is the best outthere and I hope my music emphasizes that some more.

Don't forget to check out her account because her works are brilliant. Cinematic interpretation by Robert.

Check out the video

Gloomy Sunday feat. Irina

Vocals by Courtney, Irina, Alan, Nic, Julia, Madi  and myself. 
Poem written and performed by Sintamental

Prologue feat. the cast and crew

In a possible future, the Internet is down, there's no power, no food and no government. Most of the music is done with improvised instruments like cans, furniture and garbage. And the hits of today have become classical / folk songs. This is one of them.

This version of Blue Monday is part of the Campfire Stories project, 
Originally conceived by New Order in 1983.
Produced by Robert Pabst | Cinematic 
Vocals by Courtney.

Blue Monday feat. Courtney

Vocals by Little Ashes (@littleashes) and Irina (@irina-951237464)
Composed by Robot Koch (@robot-koch) which is one of the best musicians out there and should work for Hollywood. 
Transformed and arranged by Robert, updated in 2021

The Big Now

The Big Now | Robot Koch feat. Little Ashes

The music was originally created for Purgatory which I feel is going to be a backlog album nobody will ever listen to, Which is a shame, because 'count' marked the beginning of my Cinematic sound and I feel it's one of my best compositions. So now it's the finale for Campfire Stories, thanks to the incredible vocals by Sarah Golding from Australia. O how I love the internet.

You Can Always Count On Me -  feat. Sarah

seven minutes of a self-generating Buchla 200e patch.  love the randomly subtle timbral shifts and articulations that arise.  listen in a large room if possible or headphones otherwise.  this patch almost seems to breathe. to see a photo and video of the patch go to http://m.matrixsynth.com/2012/08/krell-muzak-by-todd-barton-on-buchla.html

Krell Muzak 1

It was a great joy to recompose Alev Lenz' Aimee Mann. Thank you for this opportunity!

Aimee Mann (Alev Lenz)- Interpretation by Stefanie

The latest from Cellar Door, a collaboration project with Nic Evennett and Philip Dupuis (Classical Glass).  You can find other tracks from Cellar Door here: https://soundcloud.com/cdoor

Lyrics:

If we're not one then let's be water,
If we're not flowing we're not real.
I love your colour when you falter,
You're glowing sapphire in the steel.

Step out your world and drape it round me,
I'll slide my arms through what's undone.
We are the could and would and should be,
Where rivers blush under the sun.
Where rivers blush under the sun.

And be that as it may, still, still...
There's something inexplicable
In finding all of me could be all of you.

Just for a while, don't speak.
Just for a while, don't speak.
Just for a while, don't speak
And listen...

I lost the girl in me but caught her,
Your boy was tired of everyone.
They bound together in the water
And shimmered silver in the sun.

If We're Not One Then Let's Be Water (Nic Evennett and Classical Glass as Cellar Door)

Words & Music © Nic Evennett 2021
Beat by FL Souto, mangled by Nic

midnight songs...

---

under this hood of mine,
I walk the night
to find you.
the moon says,
"I promise you, I promise you, 
go this way."
the click, click, clicking of my heels
and my tongue
swallowed by fog. 
there's nothing more.
will I find you?
will I find you?

find you

Choose Me

You Can Always Count On Me - feat. Sarah

Cinematic

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