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Matthys - Scale Drilling (edit)

 

elektronische klaenge an,
                                  welt aus...

Researcher # Columnist # Radio Producer # Mixing Performer

Magda K. Terzidou a.k.a. Ordem had her studies primarily on History of Art. Complementary studies were made also on Psychology, Philosophy and Theatre. 

Electronic Music conquered her life in the early 90’s, where ambient contemplation and crazy parties were a state of being, a way to resist and revolt. The triggering point for getting involved more seriously with music was not the dance music by itself, but the body and mind expression that evoked. The great role of the “appropriate” dance Music and it’s impact was certified in 2002, when she became an executive assistant in the Conseil International de la Danse of UNESCO, where she met and interviewed many of the top dance world performers. Her personal experience as a choreographer came some years later by being responsible for the Dance & Choreography teenager Team in an NGO for almost 3 years. 

This deep connection continued in Klimax Plus Radio and Westradio.gr in which she was hosting the Ordem e Progresso Radio Show for 4 and half years trying to present and promote House Music through thematic unities and interviews of local and European artists. The main concern of the show was the qualitative House stage in Greece and worldwide, its roots in the warehouses of Chicago, Detroit, Manchester and Berlin, the spirit of revolving to western industrialization and social discrimination by spreading the spirit of unity and equality through dance parties. The structure of the Shows were built accordingly in thematic unities that tried to convey the impact of inner states of a human being, such as: “Broken Promises”, “Acrobats”, “Leaving Weight Behind”, “Persephone is Back”, “La "Malédiction" de Jacque de Molay”, “Unique does not fit”, etc. The presentation on new promising artists and well-established ones as well as conceptual festivals and alternative ways of interaction between arts was the high priority in this shows. 

Far away from the mainstream and fake glamour of these days, Ordem strives to support the true Deep qualitative spirit, through arthrography and interviews of artistic teams and electronic composers at UrbanStyle Magazine. She is a true booster of creative Greek teams and a deep visionary personality that believes and gives an honest fight for the revival of the Greek Electronic Scene, by her all means.

Electronic / Acid / Techno / Electronica
My side project : https://soundcloud.com/roy-ali-music

Releases on :
• Parallel Discs •
• BugCoder Records •
• Grrreat Recordings •
• Code2 Records •
• Giselle Records •
• Anchor Factory •

Booking / Remix inquiries / Misplaced questions : chauveau.jordan@gmail.com

Cinematique was found in the beginning of 2010 by Robin de Lange also known by some of his friends as the 'Manual Driver' for driving Manual Music artists around the country to their gigs. The label started as a Manual distribution label first and has become an official sister label of Manual Music since 1 January 2012.

Cinematique presents itselves as the widescreen of electronic music. It explores the boundaries from house to techno and everything in between. Cinematique offers a platform for open minded producers, known and unknown, who wants to spread their music into this universe. The label will have a strong focus on creativity, originality, danceability and diversity. 

Cinematique is sometimes edgy, sometimes dreamy, sometimes naughty, but never boring. Releases have been supported by the likes of James Holden, Hernan Cattaneo, Sasha, Nick Warren, Eelke Kleijn, Laurent Garnier, Orde Meikle, Dr. Motte and many more.

"Music is opium for free. Try a little, try to consume me."
-Hooverphonic-

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Most of our Cinematique releases are mastered by Qbical (www.qbical.net).