Lost & Found

B1 Mazirat Sous Pschit

Nothing

Wrong Com

Hototogisu

Gunkei

night burners.

perila - over me
teu❍◦◎ - jjbkjb
wordcolour - (drift)
i/dex - arc_06
geklaper - crude
mhz - 05-06-21 / 15-03-00
jake stevenson - oceanside
loraine james - what now (prelude to the holy presence of joan d'arc)
unfinished portraits - solitude feat. mya gomez
jj+js - syntropy (with j)
chantssss - ssss
naaaahhh - blooz
more eaze - repurposed fumes
heath - hark
daniel klag - another index
xu - slicing space-time into objects
drumloop - pick up the pieces
okay vivian - hide u
nran guyne - parallax view

Skahra Gate - Lucid Dreams

Nicolò - HMZ004 (2019)

LIES label artist NgLy submits a dark brooding production specifically made in the forward movement of under the 
table sound at a slow pace with murky vocals and sub tones
that creates an intense energy that we admire and honored 
to be included in the 3rd edition of the compilation series  coming soon..

NgLy- Caught In The Crossfire snip

Flect

official instrumental Produced by Yung Sherman

40k OCEAN (Instrumental)

H tr-6

Through the Teepees (Ambient Nights live cut)

Check Bandwidth

Echo of Species 13 - Felicity Mangan

@felicity-mangan
_ _ _

This episode - ‘Marsh’aphonics - features selected tracks by Pauline Oliveros, Knud Viktor, Olli Aarni, Vlad Dobrovolski, Heidrun Schramm, Native Instrument (@native-instrument), Marja Ahti (@marjaahti), Andrew Pekler (@pekler), Lag Os (@lag-os), HMOT (@hmotology) and Tomoko Sauvage(@tomokosauvage).

_ _ _

Felicity Mangan's words:
"Wetlands such as small ponds, marshlands, swamps and lakes provide habitats for many of the
world's existing, new and endangered aquatic and terrestrial species.
During the recent lockdown situation l have taken long bike rides inside of the Berlin borders
discovering many tracks along canals, rivers and wetlands inhibiting an amazing biodiversity of
lush flora and fauna during the spring season. I also recently discovered that the name Berlin
roots from previous West Slavic inhabitants berl-/birl- "swamp".
Inspired by these local biotopic explorations I have created a mix featuring my own music that is
influenced and populated by wetland species while including many other artists I have
discovered who have created music inspired by aquatic phenomena or the voices of species
that habitat these wet landscapes."
_ _ _

To know more about Felicity Mangan:
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers made with piezo transducers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments. 

Felicity has recently played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin Joh and Plants and Animalia with Christina Ehrl Shirley – grafting live and pre-recorded drones produced by remnants of plant biochemistry together with modified animal voices. Felicity has also released a solo publication on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy 2020.

You can support the artist here: 
www.felicitymangan.org

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 13 - Felicity Mangan

Luke Williams is an artist of many monikers - Quinoline Yellow, Tatamax and Tap Throw are just some of the titles the @skam / @uchelfa producer has gone by in the past. Now residing in Lisbon and moving under the name Mantle Of Gets, Williams delivers a unique and arresting set of generative excursions, abrasive abstractions and elaborate note tampering in this exclusive Bleep mix, released to accompany Mantle Of Gets’ upcoming album trilogy (Sba Per, Puffing Like An Adder and Vanity Board). Stalwart and long standing collaborator; Vaseem Bhatti (Bhatoptics)resumes defacing duties for the three LPs, to provide the finishing hydrophobic polyurethane varnish. 

For nearly thirty minutes here Williams leads us into a hinterland beyond the tropes of techno, IDM and industrial music. Stylistically it probably comes closest to the glitchiness of Tatamax, but the self-renewing quality of these squelching soundscapes also has one thinking of Powell and Renick Bell. In the hands of other artists this could all be rather difficult listening, but Williams actually manages to conjure some rather inviting sounds here - particularly in the mix’s final third, when bleeping synths nod to Zomby and Lorenzo Senni.

Flect

Cinnamint

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