"Introspective (de)constructed nature"  was composed for the International Society Contemporary Music, World Music Days, 2020,  theme: "music eco system".  The original 6.1 channel version as a composed sensescape for the interactive "woollen sound organs" - installation. It was nominated by Nieuw Geneco (Dutch Composers). The 6.1 channel composition is an extended version adding further accents and details to each woollen sound organ, creating an intimate personal multi sensory hearing experience. 

The public can take and share the wearable “woollen sound organs” like woollen lungs, heart and liver while hearing and feeling the resonating organ sounds through their body; becoming performers themselves. It is offering the audience as active listeners a new approach for experiencing a musical landscape as “sensescape” by hearing with multiple senses and sharing a temporally “music ecosystem”.  

Because of Corona still waiting for it's physical premiere on up coming festival.... 
more info: http://www.ricardohuisman.com/woollen-sound-organs-installation/

Introspective (de)constructed nature

Introspective (de)constructed nature, Ricardo Huisman

A Singing Planet
II. The Smallest Become the Tallest
IV. Knowledge of Eternity

commissioned in 2013 by Darren Nelsen

World Premiere performance by composer and guitarist D.J. Sparr

Electrified Air | A SOLI DIGITAL Event
Recorded at
St. Mark’s Episcopal Church, San Antonio, TX
March 4-7, 2021
https://www.solichamberensemble.com/electrified/

A Singing Planet - II. and IV. (for solo electric guitar)

To Cold To Hold

i miss your spoons, i miss your breathe
i miss the scent of your skin

i miss the way our bedroom looked
just before we dove in


you keep me holding on and holding on


i miss the dinners, patio and wine
how our tears and laughter filled our lives

(sigh)
i miss you all the time

You Keep Me Holding On

Mexico Studio Sessions in the tropical winter 
Rach_EL & Boeneker

Tuesday Session - Mexico Studio Sessions Rach_EL - Boeneker

The moment I heard this beat I connected to my higher self, and a higher vision and taste for life. 

The title and inspiration to finish the song comes from the book Feel The Fear And Do It Anyway by Susan Jeffers.
Prod. EB
Mix and mastered -Mileage

Feel the fear, do it anyway

Move your feet June22

Clap your hands 
when the feeling takes you 
move yourself like 
no one can see you
feel with a soul
you never knew you had
maybe ...
be praised ? 
lean back
and touch the sky

you cant move the world 
until you move your feet
you wont sense the heart
until you feel the beat of
electric waves hum
coming from afar
bring me to the place …

a thousand moves
a thousand hearts
I see your name in lights 
help me this night

forsaken …..
…and no way back

lead me down this path
and so you bring me

emotional overload

Move Your Feet

Entrancing

Larung

Tussen was written for the Festival Milano Musica and performed by the ensemble Risognanze. In this recording it is performed by the Quasar Ensemble, conducted by Ivan Buffa, in  Ostrava within the festival Music Days 2011. 

TUSSEN by Cinzia Nistico - performed by Quasar Ensemble

I'm not political in the slightest. I just wanted to make something of myself that wasn't fake (like Fox). We've all seen it all but that doesn't mean we know it all. I don't think of people as for me/against me. They're just people but I also want think I know the truth (because I don't) and that's why I am reading this poem for you (because the truth is only true between dyads).

I'm Your Man - Mitski (background)
I Don't Like It Like This - The Radio Dept. (outro)

The Fox Says Hello

dead wasps in the jam-jar (ii) (2016)
for string orchestra, objects, and sine waves

Commissioned by musica femina münchen e. V.
Münchener Kammerorchester conducted by Clemens Schuldt
Photo credit: Florian Ganslmeier

dead wasps in the jam-jar (ii) (2016), for string orchestra, objects, and sine waves

Cache 02

Pedas

Cinzia Nistico is a composer working in theater/video art based in Amsterdam

Her music brought her from Milan to London, back to Milan and finally to Amsterdam where she’s currently based.
She studied composition at Trinity College of Music where she graduated, and in Milan Conservatorio di Musica, where she also graduated in 2010. She studied with Paolo Rimoldi in Milan, Fabio Nieder in Amsterdam and Salvatore Sciarrino at the Acanthes summer course in Metz. Among her most significant encounters is Rolf Riehm and Bernhard Lang who she recently met in Ostrava (CZ).
Among the venues where she received performances there is the Conservatorium van Amsterdam, “De Duif” Amsterdam, Muziekgebouw aan ‘t ij and Trinity College, Sadler’s Wells Theatre, Peacock Theatre in London. Her music has been performed among others, by the Atlas Ensemble (2010), Ensemble Risognanze (2010), Orchestre National de Lorraine conducted by Diego Masson (2008), Cseallox Duo (2009/10/12) and Briefe Ensemble (2010), Quasar Ensemble (2011) True Lobster Duo (2012). She collaborated with the choreographer Laurant Cavanna, from Rambert Company in London, and the film director Alan Denman, for whom she composed the soundtrack of Luminoid, which was successfully presented at the New York short film Festival and Cannes Film Festival in the short film section.
Her music has been performed in Festivals in Amsterdam such as Gaudeamus Vertolkers concours & week van de Kamermuziek, Uitmarkt Festival, in Milan at the Festival Milano Musica (2010) and within the Internationale Saxofoondag festival (Barneveld) and Festival del Sassofono Fermo (Italy); in the Czech Republic (Ostrava Music Days 2011), Istituto Italiano di Cultura in Amsterdam (2012) Alte Schmiede in Vienna (2012). In August 2012 there will be a premiere of her music in Denmark.